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The significance of the ghost in hamlet
Claudius character analysis essay
Quotations relationship between hamlet and gertrude
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Although he realizes that murdering King Hamlet in order to acquire the throne was wrong, Claudius ignores his conscience in favor of keeping his possessions and his power. After watching the play, which Hamlet composed in order to expose Claudius’s foul deed, Claudius can not contain his guilt. Seeing his own actions played out before him reminds Claudius of the magnitude of the sin, and his conscience is able to convey to him a clear distinction between right and wrong. As a result, Claudius spends his soliloquy lamenting his sin, grieving that his “offense is rank, it smells to heaven” (3.3:36). Claudius’s sin is weighing on him, knowing that it is foul and offensive to heaven. Scent is a relative sense, so after time it does not affect …show more content…
In order to begin to close this gap, Claudius has the desire to pray, however he feels stuck, stating “Pray can I not”. Typically after a christian has sinned, prayer is a step towards forgiveness. But because Claudius has not made an effort to repent for his sin, it continues to smell and widen the gap between himself and God’s dwelling place. Claudius tries to pray, but soon realizes that it is no use, for if he wants forgiveness and access to heaven, he must reconcile his conscience and get rid of the stench of his sin. This -- is frustrating to CLaudius because on Earth, when he has had issues, he has been able to use his “gilded hand’ to “shove by justice”. Claudius has immense power and wealth, which he represents with “gilded hand”, and this power and wealth have allowed him get away with dirty deeds, and avoid justice (3.3:59-62). However, in heaven, Claudius will be judged for his actions, and his gilded hand will not be able to push aside justice come judgement day. On the contrary, Heaven sees Claudius’ hand as he depicts it in act three scene three: stained with his brother’s …show more content…
Less than two months after the death of King Hamlet, his wife Gertrude gets remarried to his brother Claudius. Her disregard for honest mourning appears to Hamlet to be exceedingly disrespectful to his father, and the love that King Hamlet once shared with Gertrude. Hamlet’s anger towards his uncle and his mother intensifies after he is visited by a ghost of his father, and learns the truth about King Hamlet’s unjust murder. Hamlet then assumes a falsified antic disposition of which he appears utterly mad, to the extent that King Claudius feels threatened and unsafe around such an unpredictable person. The queen and king become very concerned about Hamlet's behavior, and once in private, they begin to discuss what may be the cause of this behavior. The queen exhibits a sense of guilt as she suggests that Hamlet’s disposition must be a result of “no other but the main— His father’s death and our o’erhasty marriage” (2.2: 56-7). Gertrude does not mention anything about Hamlet’s murder to Claudius in her private conversation with her husband, so she appears to be innocent of that sin against King Hamlet. However, her crime lies in the way that she responds to his death. Rather than mourn with and comfort her devastated son, Gertrude is quick to marry his brother, securing her stature in court. As a women of time, Gertrude is defined by the
Claudius feels much guilt about the death of his brother he also faces the desires of power. The guilt of his brother death drives Claudius to be on his toes around the kingdom. He remains very scared that someone like Hamlet Jr. might avenge his father’s death. Hamlet Jr. chooses to use a play to test Claudius’s guilt. He rewrites parts of the play to replicate the story voiced by the ghost. Hamlet Jr. watches Claudius carefully during the performance, and the king leaves during it (Gale). Claudius gets up and leaves because he cannot bear to see the reenactment of how he killed his own brother. The internal conflict of the guilt about his brother eats Claudius up and he goes to repent for the corrupt act he has done: “My stronger guilt defeats my strong intent,/ And like a man to double business bound,/ I stand in pause where I shall first begin,/ And neglect; what if this cursed hand,/Were thicker than itself with brothers blood” (3.3.40-45). Claudius repents but knows his words will mean nothing to the heavens because Claudius is an insincere being whom
From the soliloquy I can see that Claudius feels sorry for the murder, but not sorry enough. He says, "Oh, my offense is rank, it smells to heaven." He wants to pray for forgiveness of his offense, but laments, "Pray can I not," because "I am still possessed of those effects for which I did the murder - My crown, mine own ambition, and my queen." He murdered Hamlet's father in order to get those things and he is not willing to give them up. He realizes that true repentance would be willing to give then up, and therefore, he is not really repentant. This is why at the end of his prayer, he says "Words without thoughts never to heaven go." There's no point in saying he is sorry because God knows he doesn't really mean it. So, the best he can do is pray that God will make him sorry, by pleading, "Heart with strings of steel, be as soft as the sinews of a new-born babe."
That would be scann’d” (Act III: Scene iii, 74-76). After watching Claudius’ reaction to the play, Hamlet is convinced of Claudius’ guilt. Hamlet is on his way to Gertrude’s bedroom when he sees Claudius kneeling down. Because Claudius is kneeling, Hamlet mistakenly thinks that Claudius is praying for forgiveness and decides not to kill Claudius. This is the most important quote in the play that proves Hamlet’s tragic flaw is procrastination. One can argue that the cause of Hamlet’s downfall in the rest of the play results when he does not kill Claudius when given the perfect opportunity. The importance of the quote is extended with its dramatic irony. The audience knows that Claudius is not praying for
The tone that is portrayed before line 51 is beseeching because Claudius attempts to ask for redemption from God. The tone shifts to dismal because Claudius starts to realize there is no way to be pardoned for his crime. Although Claudius’ offense was in the past, he uses a rhetorical question and asks heaven what kind of prayer can forgive someone for murder. Claudius is aware of how ludicrous it is to ask God to forgive him for a foul murder. At this point, Claudius realizes that he cannot ask for such a vast favor from God. Claudius conceded that he has benefitted from his brother’s death by acquiring the crown and his wife. Claudius is in conflict because he wants to be forgiven and also wants to maintain the benefits he has gained by murdering King Hamlet. Claudius shows that he is in conflict with his ego because he is greedy enough to want to keep the crown and his queen, while also wanting to be pardoned for his crime. Claudius’ eyebrows should be raised to express confusion as he tries to decide between what he has acquired by murdering or gaining repentance. Claudius uses a personification by giving offense a human attribute, a gilded hand, in line 58. Claudius indicates how the desire for wealth, social status, and personal desire can cause someone to commit crime, ultimately pushing morality aside. Although in a corrupt world where one can find their way to break the law, Claudius is aware that in heaven, everyone is forced to face the truth of their actions. Claudius realizes that one must own up to every crime that is
Hamlet’s dogged attempts at convincing himself and those around him of Claudius’ evil, end up being Claudius’ best moments. The audience doesn’t have just one view of Claudius; the other characters favorable ideas of Claudius as king and person lets them see the humanity, good and bad, in Claudius. An allegory for the human soul, Claudius is many things: a father, a brother, a husband, and a king. He, like anyone else, has to play the role to the best of his ability, but is still very human and susceptible to the evils of human emotion ranging from concern to jealousy, all of which could have easily fueled his decisions. Page 1 of 6 Works Cited Hamlet, Shakespeare.
The relationship between Hamlet and Gertrude is strained at first. From the beginning of the play to act III, Hamlet is bitter with his mother. He feels this way because it has been less than four months since the death of his biological father, yet she is already remarried to Claudius. He feels his father is being betrayed from her lack of mourning. She tells her son to "cast thy nighted color off" (I.ii.68) and "all that lives must die" (I.ii.72). Clearly, she isn't grieving over her late husband's death and instead puts forth an optimistic attitude to her new husband and life. Gertrude's concern with Hamlet's odd behaviour after his encounter with Ophelia in act II scene i also shows the strain in their relationship. For example, she agrees with Claudius' words that "of Hamlet's transformation" (II.ii.5) and suggests Rosencrantz and Guildenstern to spy and find out the underlying cause of her son's problems. In addition to that, she consents Polonius to hide behind the tapestry in act III scene iv without Hamlet knowing. These two decisions suggest their inability to communicate. Instead, spying is required for Gertrude to find out about her son's inner mentality. The mother and ...
According to the bible, if you repent of your sins you will be forgiven and go to heaven when you die, Hamlet believes this and that is why he does not kill Claudius in this scene. Another reason he does not kill his Claudius based on the reason above, he will not give Claudius the glory of going to heaven when Claudius did not give his father the choice to repent of his sins before he was killed.
Gertrude lies to the king in order to keep Hamlet safe because she knows Polonius’s death would also lead to his son Hamlet’s death. Through Claudius rigorous interrogation, Gertrude also betrays Hamlet by reporting the truth ultimately. She is shown to be a loving mother to protect her son, but on the other hand, she also afraid to lose Claudius. According to David Leverenz article “The Woman in Hamlet: An Interpersonal View”, he states “Gertrude’s inconstancy not only brings on disgust and incestuous feeling, it’s also the sign of diseased doubleness in everyone who has accommodated to her social role.” (Leverenz 293), and it demonstrates Gertrude is a loathsome and selfish woman that could easily betray others to maintain her power and authority as a queen.
Peter Leithart in “The Serpent Now Wears the Crown: A Typological Reading of Hamlet,” considers the gravity of the main sin of offense of Claudius:
Religion codes conflict with ambitions and instinctual feelings in Hamlet, calling into question which paths of action are truly righteous. In Hamlet's case, such conundrums are enervating and causing a fatal lack of action. The distortion of Hamlet's Christian values has a drastic impact on his plot to avenge his father's death. Hamlet has the chance to kill Claudius, primarily when he encounters Claudius while he is "praying". In actuality Claudius was confessing his repentance to God without asking for forgiveness. At this moment, Hamlet's religious beliefs intervene to complicate his view of revenge in a peculiarly diabolical manner “A villain kills my father, and for that I sole son, do this same villain send to heaven” (Hamlet III; iii; 76-78). He has to ensure the way of Claudius’s death is not just the destruction of his body, but also the damnation of his soul, which is why he...
[A]lmost as bad, good mother, / As kill a king, and marry with his brother” (3.4.29-30). Through the whole conversation, Gertrude was surprised. The only reason she was surprised was because Hamlet had caught her and Claudius and their sins together. Gertrude tried to act innocent afterwards, but Hamlet did not believe her. Hamlet calmed himself down after he met with his father’s ghost and reevaluated what his real motive was.
Gertrude influenced Hamlet significantly throughout the course of the play. Hamlet was very angered by his mother's remarriage. A few months after his father's death, Gertrude married Claudius, Hamlet's uncle. He was driven mad when his father's ghost appeared to him and revealed that Claudius was responsible for the death of Old Hamlet. Hamlet even termed the marriage as incest. Hamlet's fury is displayed when he throws his mother on the bed and says, "Frailty, thy name is woman" (Act #. Scene #. Line #). This shows his extent of anger because he makes a generalization that all women are weak. As a result of his mother's actions, Hamlet strives to seek revenge against Claudius for the death of his father. In order to marry Gertrude, Claudius kills his brother. Therefore, Gertrude is the driving factor for the whole setup of the play.
...3.57). Though Claudius appears to show remorse for his actions, he shows his true character by focusing on maintaining the power and rewards that came from murdering his brother.
Thus, the idea that Hamlet is just about a play about a man who could not act is entirely simplistic and unreasonable as Hamlet’s inability to act was a well thought idea that went a long way in sustaining the play. Hamlet’s inability to decide on a course of action in the play is important in carrying forward the dramatic action of the play. Through creating a protagonist who could not readily take a course of action, the author challenges the beliefs and endorsements of his audience. Claudius is seen acknowledging his sin in Act three of the play; “Oh, my offense is rank, it smells to heaven (Shakespeare 3. 3. 36).” The conventional beliefs and ideas of Shakespeare’s audience endorse and as a result expect Hamlet to unquestionably enact blood vengeance against his enemy (Udo and Fels 178).
... be overstepping the boundaries of morality. Not only does Hamlet want to kill Claudius, but he also wants to damn his soul. This contrasts greatly with Claudius’ act of murder, which is carried out with no preference for the victim’s afterlife. As a result of Hamlet’s tendency to over-think situations, his mission of vengeance is once again delayed.