Hamlet's View on Death in Hamlet by William Shakespeare
Hamlet is scared because he does not know what happens after you die. He is not afraid to die, but he will not kill himself because he is afraid that he will go to hell. In act 3 scene 3, Hamlet shows his belief in the bible by not killing his father while he is in prayer. He says,
HAMLET
“A villain kills my father; and for that,
I, his sole son, do this same villain send
To heaven”.
According to the bible, if you repent of your sins you will be forgiven and go to heaven when you die, Hamlet believes this and that is why he does not kill Claudius in this scene. Another reason he does not kill his Claudius based on the reason above, he will not give Claudius the glory of going to heaven when Claudius did not give his father the choice to repent of his sins before he was killed.
Hamlet’s belief in what happens after you die first came about after his father’s ghost tells him about his experience with dying before repenting of your sins. In act 1 scene 5, the ghost of Hamlet’s father says,
GHOST
“I am thy father's spirit,
Doom'd for a certain term to walk the night,
And for the day confined to fast in fires,
Till the foul crimes done in my days of nature
Are burnt and purged away.”
“Thus was I, sleeping, by a brother's hand
Of life, of crown, of queen, at once dispatch'd:
Cut off even in the blossoms of my sin,
Unhousel'd, disappointed, unanel'd,
No reckoning made, but sent to my account
With all my imperfections on my head:
O, horrible! O, horrible! most horrible!”
The line “Doom’d for a certain term to walk the night, and for the day confined to fast in fires” shows Hamlet that his father is neither in hell nor heaven, but in some kind of mid...
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... specify, but there has to be something since he refers to a dead physical body of an important person having meaning.
The finding of Yorick’s skull troubles Hamlet greatly because he remembers him when he was alive, and how he affected Hamlet’s life in a positive way.
HAMLET
“Here hung those lips that I have kissed I know
not how oft. Where be your gibes now? your
gambols? your songs? your flashes of merriment,
that were wont to set the table on a roar? Not one
now, to mock your own grinning? quite chap-fallen?”
Here, Hamlet really gets a feel for death. You can tell his emotions are sad and sorrowful by his reaction to finding the skull. He says “he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rims at it”. That line shows his emotions of finding the skull as “abhorred”, which is a synonym of hate.
In the beginning of the play Hamlet's view of death is mournful but, as the play continues he begins to think of death as this incredibly terrifying concept, this is clear when he states “To die,to sleep-- to sleep, perchance to dream […] But that the dread of something after death, The undiscovered country of whose bourn” (Shakespeare III i
From the appearance of the Ghost at the start of the play to its bloody conclusion, Hamlet is pervaded with the notion of death. What better site for a comic interlude than a graveyard? However, this scene is not merely a bit of comic relief. Hamlet's encounter with the gravedigger serves as a forum for Shakespeare to elaborate on the nature of death and as a turning point in Hamlet's character. The structure and changing mood of the encounter serve to move Hamlet and the audience closer to the realization that death is inevitable and universal.
By most accounts, this passage would be taken to mean that he does not kill Claudius because at this time the King is praying, and when praying one's soul will ascend to heaven if one should die. Hamlet wants Claudius to burn in hell; for him to go to heaven would make his revenge void. He will avenge his father's death when Claudius is engaged in some other less holy act, in order to insure the King's place in hell.
From the death of his father, the late King Hamlet, he is often faced with thoughts of suicide, sin, and life after death. Through his first soliloquy, Hamlet contemplates suicide because he cannot deal with the pain from his father’s death and the new marriage of his mother, Queen Gertrude and his uncle Claudius. Following Christian values, he goes on to say that it would be sin to do so, “O, that this too too solid flesh would melt, Thaw and resolve itself into a dew! Or that the Everlasting had not fixed His canon ‘gainst self-slaughter!” (Act I, Scene II, line 129-132). He continues to keep this “Christian value” till the end of the play, but further contemplates his ow...
King Hamlet was beyond annoyed that Hamlet had done what every child does when their parent asks them to do something, and did the exact opposite. Not only had Hamlet spoken to his mother about her poor choices, but he also had yet to kill Claudius. In Hamlet’s defense he had a good reason for why he hadn’t killed his uncle yet (definitely a good conversation to have over the holidays) and had half of Shakespeare’s characters taken the time to make sure things are done right then there probably wouldn’t be so much tragedy. Hamlet had waited to kill Claudius because he wasn’t certain about the ghost being his father and so he did not want to commit a sin that was not necessary. However, he still failed because he entertained King Hamlet’s ghost and that is a sin in and of its own. In order for Hamlet to decide whether or not he can trust the ghost of his father he decides to put on a play for his mother and uncle that was based around his father’s murder. As the play took place, Hamlet kept a close watch on Claudius and all of his emotions and that is how Hamlet knew that the ghost was not an evil spirit, but was definitely his beloved father. Once Hamlet comes to terms with the fact that he’s letting down his father even after he’s passed Hamlet is able to come up with a plan to kill Claudius so that he can suffer the same way that he has made
Hamlet says, “But that the dread of something after death, The undiscover’d country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of?” (3.1.86-90). He shows that he is thinking of the consequences of killing himself and deciding that it is better for him to live in the known than die and live in the unknown afterlife. Claudius says, “My fault is past. But, O, what form of prayer Can serve my turn? ‘Forgive me my foul murder’? That cannot be; since I am still possess’d Of those effects for which I did the murder, My crown, mine own ambition and my queen. May one be pardon’d and retain the offence?”(3.3.55-60). Claudius says that there is no way he can go to heaven if he does not confess, but decides he is better off going to hell and not confessing. He says that if he confessed, he would lose his crown, his wife and all of the things he has gained from King Hamlet’s death. He decides that it would be better to live a life of luxury now and pay later, despite the effects his decision has on others, which shows he is a
Being crazy as he was he spoke about how he had wished for death hoping that he would die. Hamlet soon after expressing that he wanted to die he told everyone in the audience that he does not want to die do to him and others around him having their religious beliefs and he does not know where he will go or what will happen and that death may be ten times worse than life is right now, and the fear of not knowing is why we stay alive. It was in his soliloquy that he says this “But that the dread of something after death, The undiscovered country from whose bourn No traveler returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of?” (Act 3, Scene
As soon as Hamlet learns, from the ghost of his dead father, that his uncle is to blame for the King’s sudden death he becomes obsessed with vengeance. He concludes that not only must he kill his King uncle but that others must also be made aware of his treacherous actions against Denmark. While on his mission to avenge his father’s death he is faced with the perfect opportunity while his uncle is in prayer. However, he decides that he must send him to Hell and not Heaven, HAMLET: Up, sword, and know thou a more horrid hent. When he is drunk asleep, or in his rage,
In act 3, Hamlet questions the unbearable pain of life and views death through the metaphor of sleep. "To be or not to be: that is the question: / whether 'tis nobler in the mind to suffer / the slings and arrows of outrageous fortune, or to take arms against a sea of troubles / and, by opposing end them. To die, to sleep / no more" (3.1.64-68), details which bring up new thoughts about what happens in the after life. Thus, Hamlet contemplates suicide, but his lacking knowledge about what awaits him in the afterworld causes him to question what death will bring. For example he states, "The undiscovered country, from whose bourn / no traveler returns, puzzles the will / and makes us rather bear those ills we have / than fly to others that we know not of" (3.1.87-90), again revealing his growing concern with "Truth" and his need for certainty. Once again, death appears in act 4 with the suicide of Ophelia, the demand for Hamlet's execution and the gravedigger scene. All of these situations tie back with how death is all around Hamlet and feeds his obsession with it. Finally in act 5, Hamlet meets his own death, as his obsession to know leads to the death of himself.
It also brought Hamlet to reality with Ophelia’s death, as he resumes discussions with Yoricks skull, he jokingly says “Now get you to my lady’s chamber and tell her, let her paint an inch thick, to this favor she must come. Make her laugh at that.” (170) revealing how one wastes so much time putting make up on their face, to mask over the inevitable aging process; and how ones fate lies within the very ground we stand on at this moment, no matter how great one is. To further his terms with the death of Ophelia, he is shown the spot Ophelia will be buried in, a few plots away. Showing that her death, is and will be treated just as everyone else will. While the gravedigger tells hamlet much earlier in the play “"not for ever with they vailed lids/ Seek for thy noble father in the dust" (1.2.70-71) and reminded that "your father lost a father” in other words there is no time to mourn the dead, as death is much like a chain, and putting quite bluntly he expresses its best to really just move on. Shakespeare reveals this as a turning point for Hamlet, as he realizes the commonness of death, and the value of life itself, and begins to ponder about his own mortality and destined fate. While quite a morbid outlook on the matter, it does reveal truth to Hamlet, and forces Hamlet to take a more humorous toll on the matter
In Hamlet 's mind the idea of dying is not what scares him. It is the uncertainty of what the afterlife is that frightens Hamlet away from the actual act, even though he 's infatuated with how to kill himself and get to the other side. The point in the story that is really a turning point for Hamlet occurs in the graveyard scene (Act V) Before; Hamlet has been horrified and shocked. When he sees Yorick 's skull there, which is someone Hamlet loved and
Hamlet’s psychological influence demonstrates his dread of both death and life. In Hamlet’s famous soliloquy, “To be or not to be” (3.1.64), he refers the “be” to life and further asks “whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune” (3.1.65.66). By this, Hamlet is asking himself the question of whether to live or die.
Death threads its way through the entirety of Hamlet, from the opening scene’s confrontation with a dead man’s ghost to the blood bath of the final scene, which occurs as a result of the disruption of the natural order of Denmark. Hamlet is a man with suicidal tendencies which goes against his Christian beliefs as he is focused on the past rather than the future, which causes him to fall into the trap of inaction on his path of revenge. Hamlet’s moral dilemma stems from the ghost’s appearance as “a spirit of health or a goblin damned”, making Hamlet decide whether it brings with...
Shakespeare shows the ideology of death internalizing within Hamlet first with Hamlet’s emotions following the death of Old Hamlet. In the scene in which Hamlet is introduced, Hamlet is portrayed as an embodiment of death, dressed in “suits of a solemn black”(1.2.81) and has “dejected havior of the visage”(1.2.84). Hamlet’s physical representation as death signifies his lack of desire to continue living himself, being detached and discontent with the world around him. Hamlet, in his first soliloquy, opens by stating, “Sullied flesh would melt/Thaw, and resolve itself into a dew,/ Or that the Everlasting had not fixed/His canon ‘gainst Self Slaughter!”(1.2.133-135). This is significant, as it shows Hamlet’s full willingness to commit suicide and end Hamlet’s internal pain, if not for suicide being a sin under religion. The reason for Hamlet’s desire for death and his dis...
“To be or not to be, that is the question.'; Hamlet is eager to escape a life of calamity and disaster. He sees his life as a terrible burden, something he yearns to escape. The problem, however, is that death brings one into territory uncharted by t