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Does globalization affect culture
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Contemporary Perspectives
Graceland Analysis
“Elvis had read a newspaper editorial that stated, rather proudly, that Nigeria had a higher percentage of millionaires...than nearly any other country in the world, and most of them lived and conducted their business in Lagos. The editorial failed to mention that their wealth had been made over the years with the help of crooked politicians, criminal soldiers, bent contractors, and greedy oil company executives. Or that Nigeria also had a higher percentage of poor people than nearly any other country in the world.” (Abani 8)
This quote exemplifies the image of Nigeria presented in Chris Abani’s shocking novel Graceland. Based on Abani’s own experiences in the conflicted, war-torn country, this narrative tells us both the coming-of-age-tale of Elvis Oke and that of post-colonial Nigeria – an oppressed nation exploited by the US, European, and Middle Eastern markets. The modern novel is reminiscent of Chinua Achebe’s own bildungsroman, as they are both set in post-colonial Nigeria and showcase the effect of globalization on the conflicted country. The interplay between the American and Nigerian cultures shows that with globalization, there may be a back and forth trade economically and socially between cultures, but the more dominant culture may impose its culture upon the other in ways that are asymmetrically skewed toward the dominant culture.
Abani’s narrative tells the story of Elvis Oke, a teenager with an alcoholic father and dead mother who desperately tries to escape the Lagos City slums – a ghetto swamp, which is juxtaposed by the magnificent skyline across the river from the lagoon and the wealthy foreign expatriates who come to lounge on the beaches and resorts on the o...
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... America was not the only ones involved in this black market drug and organ trafficking trade. The black market stretched/still stretches along many nations, operating as its own type of economy, borne out of shortcomings of other economies and especially need; the scene in postwar Nigeria is one of desperation, as Abani explicitly shows. It stretches through several countries mentioned in the text, the child of corruption birthed by imperialism. Globalization allows for cultural exchange, and is a two-way street, as the popularity of Nigerian writers, Achebe, Abani, and Saro-Wiwa demonstrate. However, a dominant culture, such as the United States in Nigeria, circa 1983, can steamroll another culture, forcing it to adapt in the most unpleasant of ways.
Bibliography
1. Abani, Christopher. GraceLand. New York: Farrar, Straus, and Giroux, 2004. Print.
John Barbot describes how many Africans would kidnap and trade their countrymen to Europeans. “Those sold by the Blacks are for the most part prisoners of war… others stolen away by their own countrymen; and some there are, who will sell their
Obligations, an act of binding oneself to another, through social, political, or economic means. The arguments of this week’s reading center on obligations and reveal the unintended ties to one another. Kristen Mann's argument discusses the effect of the slave trade in the Nigerian city of Lagos. Her argument forms around the political effects of the slave trade and the centralization of power in the city. The slave trade created an obligation to those in power. Through, the lower-class work with the wealthy slave traders created an obligation to protect, and lend economic support. This idea of obligation to power is important to understand the way in which aid shifts obligation of power. Importantly, The Trouble with Aid, argument’s shows
It is thought-provoking, in the sense that Africa’s need for foreign created a race to the bottom, much like what Pietra Rivoli described in The Travels of a T-Shirt in the Global Economy. Due to some African states’ reliance on foreign aid in order to mine and profit on their resources, they allow business standards to be lowered and for Chinese firms to tip the contracts moresoever in the favor of Chinese firms. This lowers the potential earnings of African states by lowering royalty rates, for example. Additionally, Burgis’ research was thorough and transparent. When he did not receive a response or if his questions were dodged, he made it obvious to the readers. Sure, some could view this book as too anecdotal to be used as a credible source of Africa’s situation. However, this is due to the nature of the system Burgis is writing about; after all, they are shadow states for a reason. Some readers will be saddened by this text, others angry, most curious to learn more, but above all, everyone will be intellectually stimulated and
Chinua Achebe?s Things Fall Apart is a narrative story that follows the life of an African man called Okonkwo. The setting of the book is in eastern Nigeria, on the eve of British colonialism in Africa. The novel illustrates Okonkwo?s struggles, triumphs, and his eventual downfall, all of which basically coincide with the Igbo?s society?s struggle with the Christian religion and British government. In this essay I will give a biographical account of Okonwo, which will serve to help understand that social, political, and economic institutions of the Igbos.
Toyin, Falola. “The Power of African Cultures.” Woodbridge, Suffolk, United Kingdom: University of Rochester Press, 2003. Print
The imposition of colonialism on Africa drastically reconstructed the continent. All over, European powers attempted to “assimilate” countries into their own, all the while exploiting and victimizing their people, culture, and resources. However, if there was one aspect of colonialism that provided a fertile ground for conflict, it was the unknowingly insidious method of introducing religion, specifically Christianity, into African families. This is particularly exemplified in the novels Things Fall Apart, Houseboy, and Weep Not, Child. Throughout these novels, the assimilation of Christianity within the protagonists’ not only results in a destruction of their sacred and traditional values, but also their well-being and those around them.
During the colonial period in Nigeria (from about 1850 to 1960), the British, like any other colonial power, asserted their dominance through a variety of media. The colonial experience of Nigeria and Britain, and Nigeria's early post-colonial history can be described, roughly chronologically, in three phases or periods: the formation of a ‘captured' colony, the education and inculcation of ‘proper,' British ways (i.e., the ‘taming' of the colony), and the immediate aftermath of colonialism (i.e., the ‘independence' of the colony). This essay attempts to scrutinize these periods in the light of the theories of Karl Marx, Ernest Gellner, and Jack Snyder. My claim is that Nigeria's colonial relationship with Britain, in general, reflects Marx's theory of the dichotomy between the oppressor and the oppressed, Gellner's theory that domination and oppression is disseminated through educational means, and Snyder's theory on the risks and dangers that young, ‘immature' … countries face when they gamble on democracy
History has been told through various forms for decades. In the past, history was more commonly expressed through word of mouth, but more recently in the past century, through written text. While textbooks and articles give formal information with little to no bias, novels give a completely new perspective from the people who experienced it themselves. The Novels, God’s Bits of Wood, written by Sembene Ousmane, and No Longer at Ease, by Chinua Achebe give a more personal account of the effects of colonization. These two novels tackle the British and French method of colonization. God’s Bits of Wood takes place in the late 1940s and sheds light on the story of the railroad strike in colonial Senegal. The book deals with different ways that the Senegalese and Malians respond to colonialism during that time. No Longer at Ease is set in the 1950s and tells the early story of British colonialism and how the Nigerians responded to colonization. Comparing the two novels, there are obvious similarities and differences in the British and French ways of rule. African authors are able to write these novels in a way that gives a voice to the people that are most commonly silenced during colonialism. This perspective allows readers to understand the negative ways that colonization affects the colonized. Historical fiction like God’s Bits of Wood and No Longer at Ease are good educational tools to shed light on the history and effects of colonization, but they do not provide a completely reliable source for completely factual information.
Throughout Chinua Achebe’s Anthills of the Savannah, there are several thematic elements used to express the corruption of the government in post-colonial Nigeria. Nigeria has been culturally changed due to colonial British rule. Colonial Britain has changed the way Nigerians govern, which has resulted in many coups throughout the timeline of Nigeria. The way and life now for Nigerians is very different than it would be without interference from outsiders. Anthills of the Savannah demonstrates the hardships that the people of Nigeria faced due to colonial British rule and corruption of their own government by using symbolism, foreshadowing, and, motifs throughout the novel.
The white man considered Africans to be primitive savages. They were seen as inferior, second-class citizens. Chinua Achebe was an African novelist who sought to give the African people a voice. Achebe gave a prospective of African culture that had been missing from the literature. The white man primarily composed works of literature, therefore there was a skewed representation of African culture. Achebe conveyed a greater understanding of African culture through his first novel Things Fall Apart. This analysis will examine Okonkwo’s power and lack of freedom through his wealth, property, and actions.
Before Yeats’ presents his question, he describes a crumbling social structure: “Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world…”Achebe takes the title of his book from this line, comparing the structural collapse of the Nigerian tribe to the collapse of many social structures after the aftermath of World War 1. This is an ironic, almost satirical reference as he contrasts the disorder of the Nigerian tribe due to Western imperialism, against a poem which is referring to the disintegration of many European social systems that lead to conflict. While Achebe has a satirical side to his book in comparison to the poem, he also illustrates the literal meaning of the poem. When the white missionaries ...
In Chinua Achebe 's classic novel "Things Fall Apart," the development of European colonization 's lead to extreme cultural changes, leaving a lasting impact on the Igbo village of Umofia in West Africa. In the novel, Achebe displays the impacts of European colonization in both critical and sympathetic terms to provide the reader with both positive and negative factors of Imperialism to develop an unbiased understanding of what the Igbo culture and society went through. While addressing the hardship 's of life by showing the deterioration of Okonkwo 's character, the cultural and traditional changes of society, and the positive and negative impacts of imperialism, Achebe keeps touch on the overall theme of the novel, once a dramatic event
These tragic circumstances could have been partly caused by the massive economic dislocation caused by the slave trade and colonization of the 19th and 20th century (Hopkins 13). Colonial powers representing outside interest setup “extractive institutions” across Africa. These “Extractive Institutions” refer to those entities that exist for the sole purpose of pull resources out of a country. Now that many of the colonialist powers have left, these “European-style institutions” still exist well into the turn of the century.
Having done the above analysis on my favourite text, “Anowa” by Ama Ataa Aidoo, I realise that my like for the text have heightened because the analysis of Anowa has given me a deeper understanding of Africa’s colonialism. I now know what actually led to our colonialisation (the betrayal) and how it began(the bond of 1844) through the personal lives of Anowa and Kofi.
Well-acclaimed author, Chinua Achebe from Wes Africa, is recognized worldwide for his exquisite and intelligent usage of literary devices to bring to the limelight pertinent issues facing the African continent, more specifically Nigeria. He introduces the world to his main character Obi Okonkwo whom; through his eyes, a glimpse is given into the world of a Nigerian .In Things Fall Apart, his first of three novels, Okonkwo, upon his arrival from England is completely detached from his African heritage. From the novel, it is noticed that Obi Okonkwo slowly becomes a part of a dominant class whose corruption he finds repugnant. In an effort to choose between the acceptance of traditional values and the pleasures of a fast changing world, Obi finds himself in a tight fix .He is faced with growing pressures from the expectations of his family, his community, and the larger society around him. With unprecedented lucidity and a growing passion, Chinua Achebe’s No Longer at Ease remains till date a brilliant account of the challenges facing Nigeria today. This paper seeks to examine the representation of the colonial experiences of Obi Okonkwo in the fiction of Chinua Achebe.