Caesartone Advertisement Analysis Essay

818 Words2 Pages

This ad does not have a clear headline. Usually ads have text at the top of the page to catch the viewer’s eye. However, this ad doesn’t have that and doesn’t even have a section of text that is dominant. Since there is no headline in the ad, it is hard to tell what the company does or represents at first glance. Therefore, this advertisement is lacking stopping power and transmission power without this element. The company may have done this intentionally to make this minimalistic, but someone who is unfamiliar with Caesarstone might miss the ad completely. Visual The overall visual in this advertisement lacks excitement and clarity about the company and product. The coloring is too neutral to be eye catching and there is nothing unique …show more content…

“Five new designs inspired by the world’s most beautiful natural marble,” is very short and simple, which is very easy for readers to understand. On the other hand, there is not enough information to support what Caesarstone is claiming. Although it is successful with persuasive power, it has fairly small text and at the bottom, which may cause it to be easily overlooked. One thing that is good about the ad is that someone who is in the market for marble and recognizes that this is an ad for such, will find the name of this particular type, “Dreamy Marfil,” in the body. Additionally, if they wanted to see more surfaces, the viewer is led to the Caesarstone website. Tagline/Slogan The slogan is also at the very bottom of the page and written in small text. “Where creativity meets quality” is a very strong tagline. It is quick, clear, and informative about the brand, but is not effective since it is written so small and placed at the bottom of the ad. Also, because the text is white against this neutral background, it’s almost entirely drowned out. Again, although the uniformed text and colors might appeal to an audience of an architectural or design background, it may be lost to a typical Fortune reader. Brand

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