In Brent Hayes Edwards essay, “ The Use of Diaspora”, the term “African Diaspora” is critically explored for its intellectual history of the word. Edward’s reason for investigating the “intellectual history of the term” rather than a general history is because the term “is taken up at a particular conjecture in black scholarly discourse to do a particular kind of epistemological work” (Edwards 9). At the beginning of his essay Edwards mentions the problem with the term, in terms of how it is loosely it is being used which he brings confusion to many scholars. As an intellectual Edwards understands “the confusing multiplicity” the term has been associated with by the works of other intellectuals who either used the coined or used the term African diaspora. As an articulate scholar, Edwards hopes to “excavate a historicized and politicized sense of diaspora” through his own work in which he focuses “on a black cultural politics in the interwar, particularly in the transnational circuits of exchange between the Harlem Renaissance and pre-Negritude Fran cophone activity in the France and West Africa”(8). Throughout his essay Edwards logically attacks the problem giving an informative insight of the works that other scholars have contributed to the term Edwards traces back to the intellectual history of the African diaspora in an eloquent manner. Edwards begins to articulate his argument by providing solid information on the “intellectual history” of the term from scholars who might have coined this term before the 1950s and 1960s. Edwards mentions prestigious intellectuals such as sociologist W.E.B Du Bois and activist Marcus Garvey as being “ engaged with themes of internationalism, but diaspora has only in the past forty years be... ... middle of paper ... ... this is because he wants his scholars to be in a state of mind of filling in the gaps of what seems to be unclear. In the Décalage, Edwards makes his closing remarks in which he states, “My contention, finally, is that articulations of diaspora demand to be approached this way, through their décalage”(24). Explicitly the term décalage meaning jetlag hints at the differences of “in time and in space”(23). Which implicitly connects to the understanding of allowing “African diaspora to ‘step’ and ‘move’ in various articulations”(24). Allowing flexibility in the term African diaspora, it allows scholars to explore what is “absent” and/or “different”. It is this understanding of making up what is absent in term such as African diaspora allows scholars understand the difference. Works Cited Brent Hayes Edwards, “The Uses of Diaspora”, Social Text 19.1 (2001): pp.45-65
There has been much debate over the Negro during the Harlem Renaissance. Two philosophers have created their own interpretations of the Negro during this Period. In Alain Locke’s essay, The New Negro, he distinguishes the difference of the “old” and “new” Negro, while in Langston Hughes essay, When the Negro Was in Vogue, looks at the circumstances of the “new” Negro from a more critical perspective.
The Great Migration started in 1910 and continued through 1930. It was a period in time which saw 1.6 million African Americans relocate from the southern states to the northern states(AAME). There are four main which contributed to this occurring. The first was better and more skilled job opportunities available in the north. Many blacks were not allowed to work or hold high paying jobs in the South. The second was the oppression of African Americans in the South. They were treated very poorly and were often victims of racism and crime at a much higher rate than in the Northern states. The third was they wanted to have the right to vote. The Jim Crow laws restricted African Americans from basic rights including voting, in the South, while
Marcus Garvey had a huge influence on the African Diaspora and where it connected with the black men and women. Ethiopia, in Garvey’s perspective, was seen as the home of all African’s in exile in the African Diaspora. (McMurray 48) See now what Garvey was influencing, yet not the initiator of, was on how the African Diaspora connected with the idea or dream of returning home to Africa. With that movement already going on and established, he was able to feed off other ideas and goals and incorporate them into his own. Garvey began to wonder who was the voice for the African’s and why the black men and women didn’t have the opportunities that other people, not African, did.
The formation of the Africana Studies Project includes Knowledge, Power, and Humanity. This insurrectionary intellectual formation examines the worlds of meaning, thought, and expression of Africans, reconstructing new meanings and possibilities for humanity. Development of African American Studies has increased awareness of the contribution of African Americans to the civilizations of the world, using its many themes and concepts, while also displaying many issues. One main issue of this, is the lack of Africana knowledge. For African American discipline to advance, its focal point must be the production and utilization of knowledge, to develop solutions to various issues in our society.
In Chapter 8 of Major Problems in American Immigration History, the topic of focus shifts from the United States proper to the expansion and creation of the so called American Empire of the late Nineteenth Century. Unlike other contemporary colonial powers, such as Britain and France, expansion beyond the coast to foreign lands was met with mixed responses. While some argued it to be a mere continuation of Manifest Destiny, others saw it as hypocritical of the democratic spirit which had come to the United States. Whatever their reasons, as United States foreign policy shifted in the direction of direct control and acquisition, it brought forth the issue of the native inhabitants of the lands which they owned and their place in American society. Despite its long history of creating states from acquired territory, the United States had no such plans for its colonies, effectively barring its native subjects from citizenship. Chapter 8’s discussion of Colonialism and Migration reveals that this new class of American, the native, was never to be the equal of its ruler, nor would they, in neither physical nor ideological terms, join in the union of states.
Chapter four talks about the differing views between Du Bois and Washington regarding African American advancement. Though a black man himself, Washington valued practices which ultimately kept African Americans oppressed, whereas Du Bois valued equality. Chapter five details the way in which Park contributed to the concealment of Du Bois’ importance and distinguishes that the reason for this power stems from Park’s racial privilege. In chapters six and seven, Morris explores the relationship between Du Bois and Weber. He shows how Weber took Du Bois seriously and was influenced by him. Morris exemplifies this by telling how Weber requested several publications, such as the one addressing race-to-caste relationships. Requesting these publications reflects Weber’s true feelings; that he trusts and respects Du Bois as a serious sociologist. Their collaboration is an example of a counterhegemonic intellectual network, which Morris explains to be a result of systematic racial exclusion and failure to be recognized (Morris, 2015, p. 187). In the concluding chapter 8, Morris makes his own contribution to sociology by creating a way in which scholars could critically analyze the concepts, evaluations, and contributions of intellectuals, especially those marginalized, to ensure they are not erased from
Olaudah Equiano's Interesting Narrative provides insight into cultural assimilation and the difficulties such assimilation. The writer embraces several Western traits and ideals yet guards his African virtues jealously. In doing so however, he finds himself somewhere in between a full European and a displaced African. This problem of cultural identity Equiano struggled with is still present in modern American society. The modern day African-American appears to also be in the process of deciding the between two competing cultures and often being left somewhere in middle becoming a victim of cultural identity just like Olaudah Equiano some 250 years ago.
Palmer, Tom G. "Globalization, Cosmopolitanism, and Personal Identity." Ethics & Politics 2 (2003): 1-15. Web.
In fact, it is clear to the reader that Huggins makes a concerted effort to bring light to both ethnicities’ perspectives. Huggins even argues that their culture is one and the same, “such a seamless web that it is impossible to calibrate the Negro within it or to ravel him from it” (Huggins, 309). Huggins argument is really brought to life through his use of historical evidence found in influential poetry from the time period. When analyzing why African Americans were having an identity crisis he looked to a common place that African American looked to. Africa was a common identifier among the black community for obvious reasons and was where Authors and Artists looked for inspiration. African American artists adopted the simple black silhouette and angular art found in original African pieces. Authors looked to Africa in their poetry. In The Negro Speaks of Rivers by Langston Hughes, the names of rivers in Africa such as the Euphrates, the Congo and the Nile were all used and then the scene switches to the Mississippi river found in America showing that blacks have “seen”, or experienced both. Huggins looks deeply into Countee Cullen’s Heritage discussing “what is Africa to me?” a common identifier that united black artistry in the Harlem Renaissance, “Africa? A book one thumbs listlessly, till slumber comes” (Countee). The black community craved to be a separate society from white Americans so they were forced to go back to the past to find their heritage, before America and white oppression. Huggins finds an amazing variety of evidence within literature of this time period, exposing the raw feelings and emotion behind this intellectual movement. The connections he makes within these pieces of poetry are accurate and strong, supporting his initial thesis
“The history of the American Negro is the history of this strife, – this longing to attain self-consciousness, manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He would not Africanize America, for America has too much to teach the world and Africa. He would not bleach his Negro soul in a flood of white Americanism, for he knows that Negro blood has a message f...
Mercer, Kobena. Welcome to the Jungle: New Positions in Black Cultural Studies. New York: Routledge, 1994. 171-220.
The third reason that leads to the criticism on his book is his his ignorance of making effort to seeking for the answer for race instead questioning it. As mentioned in the text, “Locke, on the other hand, although unhappy with the Howard administration, had done almost nothing to foment change except to read and reflect on the question of the meaning of race in the twentieth century (Rampersad xii). His unclear answer to race makes looks over the the existence of the blues that it became an important part of the entertainment that Africans succeed in.
As I have shown, throughout his essays, Gordon establishes a narrative of the past in the Diaspora which is distinctly negative, drawing on images of the Jewish people as passive and parasitic, alienated from nature and labor and accordingly without a living culture. Through his ideology, Gordon establishes an idea of the perfect relationship between people, nature and labor; a relationship that must be withheld in order for a people to be a living, creative culture. Gordon asserts that the Jewish people have been kept apart from the natural sphere in their own land in which they developed as a people, and have been severed from direct contact with nature in the countries where they are living in Diaspora, thus creating a strictly negative identity for the Diasporic Jews. The Diaspora experience is presented by Gordon as an identity defining experience that is presupposed as part of the Jewish self-understanding. The ideology of Gordon indicates that the Diaspora was a degrading and negative experience for all Jews:
Next is John Henrik Clark, who refers to African America Studies as Africana Studies because he believes that Black tells you how you look, not who you are. He goes on to state that he calls African American Studies “a dilemma at the crossroads of history” (Clark 32). This is because European people knew history well enough to distort it and use it, as well as political weapons such as the gun and bible, to control the world. This is the reason why a look at African culture will show what Africana Studies are about or should be about. Africana Studies should embrace the Africans all around the world, in places like Africa, North and South America, the Caribbean Islands even those in Asia and the Pacific Islands. Clarke states that Africa is
Marcus Garvey and W.E.B. Du Bois Impact the Fight for Racial Equality. The beginning of the early twentieth century saw the rise of two important men into the realm of black pride and the start of what would later become the movement towards civil rights. Marcus Garvey and W.E.B. Du Bois influenced these two aforementioned movements, but the question is, to what extent? Marcus Garvey, born in Jamaica, came to the United States on March 23, 1916 to spread "his program of race improvement" (Cronon, 20). Originally, this was just to gain support for his educational program in Jamaica, but would soon become much more.