Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Casablanca film analysis
Casablanca film analysis
Casablanca film analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Casablanca film analysis
The atmosphere of a film is very important to any film, regardless of the it’s genre. It establishes the tone of the film and manipulates the audience's mood through imagery, setting, and character emotion/action. Successful producers know that setting the atmosphere of a film is essential in the filmmaking industry because it allow the viewers to appreciate, enjoy, and relate to the film. Michael Curtiz’s Casablanca offers an atmosphere in his prominent screenplay to hide the fact that the film’s main goal was to brainwash millions of people for the benefit of the U.S. government. The atmosphere that was created was strong because it masked the scent of the hidden anti-fascist propaganda within the film. People related to the film so …show more content…
The first time we see Rick, there is a sense of authority with his image due to the camera angle he was presented in, the low angle shot. Then the viewers welcome Rick into a corrupt world. His legendary motto screams everything about the type of person he is at the beginning of the film: “I stick my neck out for nobody.” Suddenly, one of the main actors appear; this time a woman known as Ilsa Lund, a woman that already knew Rick. It is revealed that Rick had loved this girl years before in the iconic and romantic city of Paris. Under the disguise of a German, he had planned their runaway from the Nazis, but he believes that she had left him, left him at the transit with the big tickets to democracy. But maybe it was just destiny that she suddenly appears in his bar in current time-referring to one of the most iconic film quotes of all time “of all the gin joints in all the towns in all the world, she walks into mine.” Now there is conflict though because Ilsa already has an established relationship with Victor Laszlo, a hero of France. All that had happened in this scene was captured in a few artistic, frugal camera shots, and invites the audience to be emotionally moved by the coincidence that had just occurred. After the sense of sight is manipulated, use of music is slyly included. The bar’s piano player plays the perfect song for the perfect moment, “As Time Goes By.” The dramatic tune marks Rick and Ilsa’s closeups, and the scene remembers bitterness, guilt, and the fading memory of the couple in Paris with regards that their love was very real. In Casablanca, it will never be forgotten that in this world, there is a place where good rules evil, and regardless of immorality, romance can still be kept in this chaotic
Film Noir, as Paul Schrader integrates in his essay ‘Notes on Film Noir,’ reflects a marked phase in the history of films denoting a peculiar style observed during that period. More specifically, Film Noir is defined by intricate qualities like tone and mood, rather than generic compositions, settings and presentation. Just as ‘genre’ categorizes films on the basis of common occurrences of iconographic elements in a certain way, ‘style’ acts as the paradox that exemplifies the generality and singularity at the same time, in Film Noir, through the notion of morality. In other words, Film Noir is a genre that exquisitely entwines theme and style, and henceforth sheds light on individual difference in perception of a common phenomenon. Pertaining
November 1998, written for FILM 220: Aspects of Criticism. This is a 24-week course for second-year students, examining methods of critical analysis, interpretation and evaluation. The final assignment was simply to write a 1000-word critical essay on a film seen in class during the final six-weeks of the course. Students were expected to draw on concepts they had studied over the length of the course.
In 1982, the journalist Chuck Ross, in an experiment for Film Comment, mailed the script of Casablanca to 217 agencies under a different title and under a different authorship name. Although many rejected it for external reasons, eighty-one agencies read it and of those, fifty-three did not recognize it as the classic. But here’s the cherry on top: forty-one agencies criticized the iconic, Oscar-winning script with harsh words. One wrote, “Story line is thin. Too much
In the film Casablanca, directed by Michael Curtiz, a clear juxtaposition exists between Rick and America. Despite Rick’s numerous similarities to America and his deep longing to be part of the country, a physical and psychological barrier separates the two. With America practically being on the opposite end of the world, Rick understands that he cannot abandon his responsibility to aid and influence others in Casablanca. Rick is willing to sacrifice his personal comfort and well-being for the greater good of society. This juxtaposition between America and Rick foreshadows that the United States would soon become involved in the war by overtly displaying Rick’s transformation when he confronts his troubled past.
I have discussed how Francis F. Coppola exploits a wide array of audio and editing techniques to create suspense, tense, and anxiety in the sequence to affect the audience’s feelings. Despite the simple fabula, this multifaceted film requires certain intellectual involvement and efforts of the audience to grasp fully its underlying meanings and subtle nuances.
The film Casablanca will always remain an American classic. American people critiqued it as a high quality film over a time period, defining a classic and still today Casablanca remains a top American movie. Michael Curtiz, the director, shows World War II on the home front, using the setting to transfer the view point. The famous and popular Humphrey Bogart, Ingrid Bergman, and Paul Henreid play the complex love triangle that leads the film to the stories purpose and theme. Casablanca illustrates liberal criticism through a hometown war rebellion setting, the nationalistic view points, and true love’s tribulations.
The song “As Time Goes By”, plays a specific role in connecting the past of Rick and Ilsa in Paris. The first time Ilsa walks into Rick’s cafe she asks Sam to play that very song. Sam at first seems hesitant because he knows the pain the song can put on Rick. The song brings him back to when they were happily in love, and the pain he felt when she didn’t show up at the train station. Just like the other guests, Rick tries to forget that pain by trying to never hear that song again. Sam eventually decides to play the song, and it turns out for the best. Rick even though remembering the hurtful past experiences, remembers the good ones as well. They eventually become reacquainted with each other. This allows Rick to keep his life moving because when Ilsa ditched him, he has been in halted state. Now that Rick had his life back up and running, he could setout to be the hero depicted towards the end of the
All through this film moods were continuously changed through lighting and music creating a symbolic meaning behind every scene. An example
The noir style is showcased in Sunset Boulevard with its use of visually dark and uncomfortable settings and camera work, as well as its use of the traditional film noir characters. In addition, the overall tone and themes expressed in it tightly correspond to what many film noirs addressed. What made this film unique was its harsh criticism of the film industry itself, which some of Wilder’s peers saw as biting the hand that fed him. There is frequent commentary on the superficial state of Hollywood and its indifference to suffering, which is still a topic avoided by many in the film business today. However, Sunset Blvd. set a precedent for future film noirs, and is an inspiration for those who do not quite believe what they are being shown by Hollywood.
...t it is clearly obvious what is about to happen using an establishing shot. Casablanca also uses camera angle specifically portraying Captain Renault and Strasser as less powerful people in the office scene. Editing allows for smooth transitions between shots and allows for us as viewers to experience the scene like we are seeing through the characters eyes. Lighting provides us a mood of the scene, specifically when Rick first sees Ilsa for the first time since Paris. The Music plays a role in how we as audiences should feel while watching the movie. And without production design movies would not flow correctly. Every setting is specifically chosen to depict the location where the scene takes place. Casablanca is a quintessential film because it ties up all the formal elements of classical Hollywood. Without this movie Hollywood may be a completely different place.
Just about everyone can voice their opinions on a film that viewed as we all do after leaving the theatre. It may be found to be useful when a friend or individual is interested in seeing the film themselves. However, I believe the only way that you could understand a film is by analyzing the film beyond the average person. When one begins to analyze they begin to develop an understanding of the film and may grow to love the film. The director Hitchcock is a fairly well known director. He has directed many different films from Vertigo to Psycho that are found to be popular with the viewers. In this paper I am going to analyze certain elements that spoke out to me during the film. Those elements that spoke to me the most during the film was the lighting techniques, camera movement, and symbols.
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...
Modern day directors use a variety of methods to hold ones interest. Ethan Hawke and Kenneth Branagh’s created versions of Hamlet that shared some similarities, but ultimately had many differences in respects to an audience’s appeal. An appealing movie is one that has an alluring ambiance and an intellectual stimulus. With these two movie versions, a setting and a mood forced an audience to acquire specific emotions, but Ethan Hawke’s version generated emotions more strongly and effectively. Also, these movies had extremely different uses of music and visuals, but both movie versions incorporated them well for the ambiance it tried to obtain. Finally, both movie versions drew characters to captivate the audience; however in Ethan Hawke’s version, the characters were used so effectively that it was easy to feel involved with them. While both these versions of Hamlet had a captivating ambiance, Ethan Hawke’s version was more appealing due to the intellectual incentive that it offered.
The first camera technique Curtiz uses to help narrate the film is the close-up shot. The close-up can effectively convey the story to the viewer without the use of excessive dialogue. In this instance, the viewer is introduced to the main character, Rick, through the use of the close-up. The first scene in "Rick's Cafe," shows people gambling and making illegal deals to leave Casablanca. An employee of the cafe brings a check to a man seated at a chess table to sign. The signature reads, "OK. Rick." By using this shot, the director makes clear to the reader, without any dialogue, that the man signing the check is Rick. This technique, however, is just the first of many used by Curtiz.
With reference to the films you have studied for this topic, explore in detail two of the key elements that produce an emotional response in the spectator.