Casablanca, directed by Micahel Curtiz, is said to be one of the world 's best movies. At the time, it had an all-star cast, and apparently they are still considered legendary. The main stars of the film were Ingrid Berman as Ilsa Laslow, Humphry Bogart as Rick, and Paul Henreid as Victor Laslow. The cast did a fantastic job of portraying their characters. Rick plays the main role as a man who runs a popular “saloon” in Casablanca. His true love, Ilsa, comes with her husband, Victor, to seek for help to go to America. Upon encountering Rick, Ilsa becomes weak and wants to stay with him in Casablanca rather than go with her husband to America. Being the big-hearted person he is, Rick gets them both their visas and helps them escape to America. …show more content…
Towards the beginning of the movie, I didn’t think there was any point to the story and was completely lost. As the movie progressed it got a little better and I got a general understanding of what was going on. There was some comedy in the movie which was enjoyable, like the bartender who was in love with Rick’s “girlfriend” and would do anything for her. However, the love portion in this movie wasn’t the best. I felt that there should have been more chemistry between Rick and Ilsa. The producer only showed the history of their love. Ilsa had left him standing at the train station in Paris and never saw him again. The next time they met was at his saloon when they had rekindled for some time. She showed up in his room to ask for the papers and was going to shoot him but couldn’t bring herself to do it. Although Ilsa betrayed Rick, he was still willing to do everything for her even if he didn’t show it. The main point of their love was to show the audience that not all love is loyal. With distance especially, it can be hard to maintain a relationship when you don’t know what the other person is up …show more content…
I don’t think this was a “chick-flick” or a woman’s movie even. To be considered a romantic movie, there would need to be more of a love concept involved. Let’s take the movie, The Vow, for example. It is considered a romantic movie and one of the best “chick-flicks” there is out today. There is much more of a romantic background to this movie. The plot revolves around a married couple who get into a terrible car accident where the wife loses her memory. The husband tries to do everything he can to make her remember that they were a married couple, but the wife refuses to believe anything and doesn’t want anything to do with him. In the end, she finally gives in and wants to know everything that they had between them. Normally, in romantic movies there’s always a happy conclusion. Casablanca ended with Victor taking Ilsa home rather than Rick, which personally shocked
In the essay “Beautiful Friendship: Masculinity & Nationalism in Casablanca”, Peter Kunze lavishly explains the magnificence of Michael Curtiz’s 1942 film Casablanca. Kunze focuses on how the movie not only highlights an exchange of relationships, but how the film has an underlying meaning between these relationships. He also implies that there is a more complex meaning behind every character in regards to their gender, economic, and social roles. The overall thesis of his reading is “the patriarchal ideology underlying the narrative commodifies Ilsa, leading Rick to exchange her with other men in an act of friendship and solidarity as well as to dissuade any perception of queerness between the strong male friendships in the narrative” (Kunze
In the film Casablanca, directed by Michael Curtiz, a clear juxtaposition exists between Rick and America. Despite Rick’s numerous similarities to America and his deep longing to be part of the country, a physical and psychological barrier separates the two. With America practically being on the opposite end of the world, Rick understands that he cannot abandon his responsibility to aid and influence others in Casablanca. Rick is willing to sacrifice his personal comfort and well-being for the greater good of society. This juxtaposition between America and Rick foreshadows that the United States would soon become involved in the war by overtly displaying Rick’s transformation when he confronts his troubled past.
Audience members, when seeing Casablanca, would associate it as a war film, and I agree with that, but to be more precise, it is a pro-Allie war film. The literary elements in the film are the reasons why it can be viewed this way, with the emphasis on the plot and characters. The timing of when the film was released also supports the idea of it being an anti Axis film. Although it was set in 1940, it was made a year after Pearl Harbor and America entering the war, but it was released right before the Allies had a meeting in Casablanca, so the filmmakers seemed to have wanted the audience to empathize with the Allies. The whole plot seems to be focused around how Rick is neutral at the beginning of the film, but because of an old flame coming into his life once again, he slowly becomes in favor of the Allie side.
The film Casablanca, indeed, involves problems that Rick faced and he finally solved that problem, ending in a satisfying way. Risk’s equilibrium is disrupted when he is going to leave Paris with his girl friend Ilsa because Ilsa doesn’t showed up at last. Risk becomes a boss of a cafe in Casablanca but he never imagines that he would encounter Ilsa again. Ilsa walks into Risk’s life again by accident when she is planing to get a letter of transit in Casablanca in order to escape to America with her husband. At the same time, Nazi Major Strasser arrives in Casablanca and tries to stop Ilsa’s husband from leaving Casablanca. Risk’s equlibrium is disrupted again. Risk still loves and hates Ilsa, and moreover, he gets the letter of transit. Even though Risk wanted to stay with Ilsa and let her husband go to America alone, Risk finally let Ilsa and her husband go and killed the Nazi Major Strasser. That is a satisfying ending.
In Casablanca, we emerge with a feeling of hope, and joy, that the forces of good can win, and that eventually we will triumph over our enemies, wherever or whatever they may be. While slochky and romantic, Casablanca is a touching movie, and probably one of the best ever made. 1984 on the other hand, is a deep psychological thriller.
Casablanca debuted in 1942, shortly following the bombing of Pearl Harbor and the United States' entrance into World War Two, although there was plenty of anti-Nazism sentiment, the movie fueled these feelings. There is pro-Allied forces propaganda to support the war, from the scene with La Marseillaise, to the characters of Renault and Rick, and to the last scene. Although the majority of the French patriots were elated to sing their national anthem, it created tension with the German soldiers who imposed their patriotic songs on the crowd, representing the imposition of Germany on France during the war. Captain Louis Renault, who tries to placate who he believes will be the winning side, seems flimsy when compared to Rick, the firm patriot who believes in freedom at all costs. The phrase, "Louis, I think this is the beginning of a beautiful friendship" represents the new strong bond between France and the United States once Nazi-Germany has fallen. Although the film is propaganda against the Nazis, the political language in the movie does not glorify American courage and valor, nor is it militaristic. The movie presents the facts while emphasizing the poor qualities of the Nazis.
Despite not being considered as the traditional ‘hero’s journey’ which is outlined in Joseph Campbell’s argument of ‘separation-initiation-return’, Humphrey Bogart’s character Rick Blaine, in the 1942 film Casablanca, can be argued to follow this twelve-step journey. Campbell states “whether the hero be ridiculous or sublime…” (p.38), on this basis, Rick Blaine qualifies as a hero. These twelve steps are: Ordinary World; Call to Adventure/Disruption; Refusal of the Call; Meeting with the Mentor; Crossing the First Threshold; Tests, Allies, and Enemies; Approach to the Inmost Cave; Ordeal; Reward; The Road Back; The Resurrection; and Return with the Elixir. Although in some parts stages may overlap, this essay aims to argue that Casablanca still
...t it is clearly obvious what is about to happen using an establishing shot. Casablanca also uses camera angle specifically portraying Captain Renault and Strasser as less powerful people in the office scene. Editing allows for smooth transitions between shots and allows for us as viewers to experience the scene like we are seeing through the characters eyes. Lighting provides us a mood of the scene, specifically when Rick first sees Ilsa for the first time since Paris. The Music plays a role in how we as audiences should feel while watching the movie. And without production design movies would not flow correctly. Every setting is specifically chosen to depict the location where the scene takes place. Casablanca is a quintessential film because it ties up all the formal elements of classical Hollywood. Without this movie Hollywood may be a completely different place.
Amy Heckerling’s movie Clueless focuses on an upper middle class 16-year-old girl, Cher, who lives in a nice neighborhood with her father and stepbrother, Josh. Cher and her friend, Dionne, take in a new girl, Tai, to help her fit into their high school. All of the major characters in the movie are in adolescence, which ranges from 10-19 years of age. In adolescence, teenagers undergo cognitive and emotional development. According to Piaget’s cognitive developmental theory, adolescents are in formal operational period from 11-20 years of age. During this period, adolescents develop abstract thinking and rational decision making. They experience two aspects of adolescent egocentrism, imaginary audience
...r, this movie is lack of depth of storyline. The audiences can even predict what will happen in the next scenes. Moreover, the ending of this movie is too cheesy and irrational according to me. If only they change the ending to become more interesting and rational, I will give a four or five stars out of five. In spite of a lame twist ending, this movie is a perfect example to show that managers should be able to motivate and challenge their employee. It is important to remember that a happy employee means a productive employee.
Robert B. Ray categorizes Casablanca as "the most typical" American film. Ray uses Casablanca as a tutor text for what he calls the formal paradigm of Classical Hollywood as well as the thematic paradigm that addresses the conflict between isolationism and communitarian participation. The film is typical in its appropriation of an official hero Laszlo, who stands for the civilizing values of home and community, and an outlaw hero Rick, who stands for individu...
Although I enjoyed the main portion of the movie, there were some obvious likes and dislikes in my opinion. I believe that I learned from this movie and it helped me understand more of what the people of that time were feeling.
Titanic is an epic romance-disaster movie written and directed by James Cameron, and it is one of the highest box movie in the history of film industry. The movie depicts a love story of Jack and Rose. Jack was a talented, poor artist who wandered around the world and painted his pictures, and his ticket to Titanic was actually won by gambling at the bar 5 minutes before Titanic’s departure. Rose, an upper class miss, was 17 years old when she had an engagement with Cal and was actually heading to New York to finish her marriage with Cal. However, she was very upset with her situation since that her marriage did not depend on her willingness, but aimed at changing the economic status of Rose’s family. She was portrayed to felt numb
Even more so in 1950s Hollywood where most things are dramatized. Rick’s gender role in masculinity is the very definition of the word; acquiring strength, independence, being a risk taker, logical, and even rejecting weakness until confronted by Ilsa. While, Ilsa takes the role of being more feminine by caring for looks, focusing on her relationship, and being weak in a way where she needs to be comforted by a male counterpart. Casablanca like most Hollywood films, expresses the ideal gender roles of 1950s and give text book examples of gender roles whether it is biological or deprived from society expectations. Gender playing a part in the characters personality and
The film Family Weekend was not given a fair shake. Family Weekend is story of a dysfunctional family. Eldest daughter Emily comes up with the plan of kidnapping her parents in order to save her broken family. Emily is a driven girl who is an accomplished jump-roper. Her siblings consist of her older brother Jackson (Eddie Hassell) who is openly gay, her younger sister Lucinda (Joey King) who is movie obsessed, and her youngest brother Mickey (Robbie Tucker) who has the perfect memory. Along with Emily’s crazy siblings she also has two self-absorbed parents, Samantha (Kristen Chenoweth) and Duncan (Matthew Modine). The bases of the film story are surround by the problems that go along with Emily kidnapping her parents. Critics