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Spanish music culture essay
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On October 23, 2016 I went to a concert type of event that different music groups were performing. This event is what Hispanics call a “Jaripeo Baile,” which is a place that people can see other people bull riding like in the rodeo, but this event was only about music groups performing. One of the music groups that performed was a band called “Josecito Leon y Su Internacional Banda Roja.” While I watched the band’s performance it reminded me of how it relates to the themes that were from our readings and discussions that we had throughout the semester.
The band is composed of six musicians, and has been in the music industry for over twenty years. The main singer is the director and is the oldest member of the band, he has been there since
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The five members that are in the band as of now are younger than the main singer because the original member were “recycled” and when they left the band, new people were added in. When “Josecito Leon y Su Internacional Banda Roja” perform they have their own uniform that they wear. Their type of clothing represents the traditional way of how Mexican people dress, but with more exaggerated colors that stand out. The main singer wears a “sombrero,” and they all wear boots, buckle belts, and their “Grupero” outfits that are embroidered with their band’s name and have vivid …show more content…
The importance of these, is that it would bring the attention of the audience. The band performed about 13 songs in total. It was a mixture of Banda songs and Corridos. The band’s songs talked about a lover and the longing of a loved one. The audience reacted in a good way. They were dancing of the floor section and they were cheering on the band, others were singing along with the singers meanwhile, others were recording them on their cell phones.
Correspondingly, after a few songs the band responded by singing the songs that the audience liked and by motivating them to scream and cheer for them. This way the audience wouldn’t get bored and stop cheering and dancing. This event took place in a dome-shaped like place where it also holds events like bull riding. There was a floor section where the people stand and there was the seat section where it went around the place and it was fenced around. This is what Hispanics call a “Jaripeo” because you can have concerts and bull riding, which is kind of like being at the
For centuries, music has been defined by history, time, and place. To address this statement, Tom Zè, an influential songwriter during the Tropicália Movement, produced the revolutionary “Fabrication Defect” to challenge oppression as a result from the poor political and social conditions. On the other hand, David Ramsey discusses, in mixtape vignettes, the role of music to survive in New Orleans’ violent setting. Furthermore, “The Land where the Blues Began”, by Alan Lomax, is a film and perfect example to understand under what musical conditions profound ways of communication are made to stand the hard work of cotton plantations. As a result, music plays a crucial role in the sources’ cultures and its creation relies on particular conditions such as the social
Bands are a group of dozens of people made out of one family and do not have a set area where they live and in that band they would have only had one ethnicity and language.
Thursdays at Cal State L.A. seemed like any other typical day- warm, busy, and tiring. However, on December 2, 2015, something was particularly different; not only was it the last day of class before finals, but there was also a Mariachi concert directed by Cynthia Reifler Flores. As I was walking towards the State Playhouse, I thought about how the music would be composed. The first thing that I expected was the music to have a quick, upbeat tempo, something that would be played at a festival or a party. I walked through the screen door and was given a pamphlet. In it contained detailed information about their programs, musicians, Flores’ biography, and the prodigious mariachi group. After waiting for what seemed like an eternity, the doors
Music is magical: it soothes you when you are upset and cheers you up when you are down. To me, it is a communication with souls. I listen to different genres of music. When appreciating each form of music, with its unique rhythm and melody, I expect to differentiate each other by the feelings and emotions that it brings to me. However, I would definitely never call myself “a fan of jazz” until I witnessed Cécile McLorin Salvant’s performance last Friday at Mondavi Center. Through the interpretations and illustrations from Cécile’s performance, I realized that the cultural significance and individual identity are the building blocks of jazz music that create its unique musical features and support its development.
I grew up in a Mexican family listening to corridos, which are a type of song, since at every party, every celebration, and every occasion, that’s what the family would play. As I became more aware and conscious, I began to realize what these songs were actually saying. These corridos were telling a life story, ranging from life issues such as poverty, hard times, immigration, social and political problems, and/or life in general. A prominent and recurring theme that I saw developing throughout was immigration. Many of these songs, were expressing strong feelings that many Mexican immigrants, including my parents and other family members, were feeling regarding they’re citizenship status, how they were being discriminated against, and ultimately how they were feeling.
The band consist of 8 members, Nathan East bassist/vocals, Andy Fairweather-Low, lead guitar/vocals, Steve Ferrone- drums, Chuck Leavell-key boardist, Ray Cooper- tambourines, Katie Kissoon and Tessa Niles- vocals, and Eric Clapton- composer, rock n roll guitarist, lead vocalist. The band members dressed in casual attire. The band members were professionals, they knew exactly how to orchestrate every chord, they collaborated with the lead singer and each other in ways that wasn’t so noticeable to the audience but they knew which chords to use for every song, the band was a top notch team. The tempo of the songs were a mixture of fast, slow, to a medium style beat. The texture of the songs was homophonic and well put together lyrics. The style of the music was from the 1960s-1970s which genres were rock, blues rock, psychedelic rock, hard rock, jazz and blues.
Chicanos study 50 made me want to discover more into what music helped motivate people in their everyday life or just brought their spirits up. Chicano Rock will always be a part of history and will continue to evolve even though some people will not have political views in their songs anymore. Mana is part of modern day rock in Spanish, but his songs are more about love. Music will continue to follow what society is asking for and since modern society is not as heavily opened to discrimination anymore rock and other genre will not focus in that. Just like Chicano movements’ leaders, Chicano Rock was there to push individuals to keep fighting for peace and acquire their rights. Chicano Rock was like Caesar Chavez and Rodolfo Gonzales; it brought hope to people when hearing their favorite artist speaking about incorrect politics and how it should be put to an end. Los Lobos, Zapatistas, and Los Curdos were small popular bands in the Chicano Rock that inspired Chicanos during the movements. Chicano Rock will probably will not be as big as other Latin genre and other modern genres, but like me and other people, there will always be followers who will continue to hear Chicano Rock and will be forever a part of history that will never be
The Los Angeles County Museum of Art has a website that announces its programs. Anyone can easily find and choose a concert. I chose a concert for Sunday July 25, 2010. This concert was emerging artists from Ipalpiti Festibal 2010. It included the four pieces of music that are described below. One of these was Fantasiestucke, Opus 88, both Romanze and Duet were preformed. This concerto was performed by pianist Luiza Borac, violinist Vladimir Dyo, and cellist Yves Dharamraj. The second piece was Ahnung, a new discovery piece from Kinderszenen. This piece was U.S. Premiere, played solo by the pianist Luiza Borac. The third piece was Piano Quartet in E-flat major, Opus 47. This piece was an Andante cantabile piece. This concerto was performed by pianist Luiza Borac, violinist Conrad Chow and Adelya Shagidullina, and Cellist Kian Soltani. The last piece was Piano Quintet in E-flat major, Opus 44. What I discovered about my own musical understanding by attending this concert is the following thing. I know how to appreciate and to enjoy music that is a little bit familiar, but my understanding stops when a very new type of music is performed. I made a conclusion from this experience. My conclusion is that learning about music will increase the pleasure of listening to music, but that musical learning is not, perhaps, as easy as learning subjects like Math or History.
The bottom line is that people need to respect players that have spent weeks practicing. If a traveler went to a foreign country, they are expected to learn the culture as to not offend anyone. So using this knowledge of concert and jazz band origin, type, and expectations, it is critical that listeners learn the ‘culture’ of fine art to behave correctly. And if they don’t, Rigby High School will never get that clean recording that is so essential for auditions and opportunities for competitions and performances throughout the world.
Ecuador is located in Northwestern South America bordering the Pacific Ocean between Columbia and Puru. Spanish is the official language known throughout Ecuador, However a very large amount of the population still speak the ancient ican language of the time of the Spanish conquest. The dominant religion of Ecuador is Roman Catholic but over the past decade the influence of the Roman Catholic Church in rural societies seems to be declining. The Culture throughout Ecuador is made up of many different ethnic groups combined together which represent the community in which they live. Ecuador is very famous today for their indigenous music and colorful dance festivals. The ancient people of Ecuador were known to have played homemade instruments like flutes and drums at musical festivals which played a huge role in their lives.
Today I will be discussing the Rebel Music video and how the it affects the individuals in the video. They are presenting an uprising of a new generation that is helping the Native American community turn in a positive direction by using music in different ways. Notable artists, such as Inez Jasper, Mike “Witko” Cliff, Frank Waln and Nataani Means are at the forefront of this new 7th generation movement of music.
Music comes in many shapes and forms, and has been a magical element of inspiration and encouragement throughout time. The art of music derives from many different things, such as culture and traditions. One such type of music is mariachi music, deriving from Mexican culture and traditions. Mariachi music is often an upbeat rhythm, consisting of a band of up to six to eight violins, two trumpets and a guitar. Unlike modern music and other music bands alike, mariachi bands lack in numbers when it comes to band size. Though they are small, their music brings great significance and life to the places they perform and the people that they touch with their joyous music. In this paper, I will be comparing the culture and style of mariachi music to twentieth century modern music.
The never-ending conflict of Mexico’s drug war has led to the rise of this pop culture narcocorridos. The horrifying news of the cartel war reflected in a controversial music genre of narcocorridos. The lyrics are glorifying the violent crimes and drugs. Narcocorridos differ from the rap because it does not only focus on drugs and money. Narcocorridos talk about family in depth, they also talk about the role they play in this type of life, but the difference here is that these Narcos use other artists to have them create the music for
“Music is uniquely wonderful. It is incapable of being touched yet it touches everyone who is capable of hear sounds. It can seemingly evoke any emotion; we instinctively respond to happy tunes, mournful songs, beautiful melodies, inspiring anthems, stirring hymns, and majestic orchestrations.” (Doolan, Robert. 1985) There is no question that music is great part of society; it has been at civilization’s side whether it be the lyres and flutes of the ancient Greeks or how it calms or excites emotions and keeps armies in order during battle. Within society, there has also been social unrest and the desire for change. Protesting is the expression of a society’s concerns on current events of which they feel affected by whether it be through public rallies, picketing, riots or even bombings. Protest through music is one powerful medium for engaging people. Amidst what life throws at individuals, music has comforted the soul, provoked individualistic thought and opinion, and music draws people together through groups alike who have the same attachment or concerns with their surroundings. Whether it be rock, jazz, blues, rap, hip hop, dance, spiritual, or world, music has inspired artists to spill out their expression and views of society. Music is a universally effective tool of protest in generating social change and unrest as it continues to unite those with like ideas.
The Latin American music scene is an amazingly diverse, engaging and entertaining music culture. Thomas (2011) explains, “…Latin American music has engaged in ongoing dialogue and cultural exchange that has profoundly affected music making in Europe and the United States and, more recently, in Africa and Asia as well”. This paper will be describing different aspects of the music culture from its musical features, to the historical aspect of this interesting music culture. Also, I will discuss a personal experience with Latin American music. After researching the music culture, I attended a concert performed by Boogat, an Emmy award nominated Latin American musician from Quebec who has toured all over North America. Latin American music culture