It is sometimes difficult to unpack the meaning behind poetic words written on paper. Electronic poetry allows a poet to blend art and digital media to parlay a transparent interpretation and an enhanced emotional experience to the reader. In Murmuring Insects, Ingrid Ankerson integrates imagery and sound to transcend Otagaki Rengetsu’s original work into a multi-dimensional poetic remembrance and reflection of America’s 9/11/01 tragedy.
As the electronic poem begins, Ankerson immediately employs imagery to engage the audience in her meaning. The burning Twin Towers, the vapor trails from an airliner, and the date 09.11.01 all visually clue the viewer into remembering this painful event in American history (Ankerson [0-6.88 seconds]). As
Poems have the ability to express thoughts into words. They convey messages and stories for the audience to interpret, and emotions for the audience to feel. Gwen Harwood, one of Australia’s most highly regarded poets, demonstrates sophistication and provokes emotions from the audience with descriptive use of imagery and inspiring messages in her poems. Harwood uses different methods to portray the themes of innocence, death and rebelling against authority in her poem Barn Owl. These ideas are clearly depicted through the use of literary techniques such as onomatopoeia, alliteration, imagery, direct speech and metaphors in the poem.
Imagine walking up on the scene of that fateful day of 9/11 knowing absolutely nothing apart from the talk around you, seeing the black smoke accumulating around the World Trade Centers, hearing the blare of sirens as the police cars accelerate by. Thomas Beller knew what all those things felt like. He was a simple pedestrian riding his bike going about his everyday life when he saw the black smoke, heard the sirens, and felt the whip of the police cars speeding by. Beller had no clue what was going on when he approached the scene, but in his personal narrative “The Ashen Guy” he explains his recollection of what he experienced on that historical day. Beller uses tones such as chaotic, nervous, confused, and worry to illustrate a picture of what it was like for him to approach the World Trade Center.
Poetry is a very subjective art it is up to the authors to determine how they want to convey their message to the readers. Both Ezra Pound’s poem “In the Station Metro” and Emma LaRocque’s poem “The Red in Winter” use imagery, that is very subjective to interpretation, to convey their message in an economic manner. Pound’s artistic imagist poem shows that art isn’t just visual but it can also be portrayed through words alone; and that imagery is a powerful aspect of poetry. LaRaque’s however is focused on how images can portray political issues among differing cultures.
Even though people aren't seen throwing themselves out the windows like in other images it is said that a spiritual image was seen in the smoke of that tower. September 11 is a day full of nightmares for many individuals.
The Strange Fascination of People of Turning Catastrophes Into a Media Event This opinion article tries to outline why the destruction of New York is presented in films and takes the 11th September terrorist attack as a case study and it attempts to find reasons why disasters that happen in real life remain stamped in the imagination of the human psyche. The destruction of the New York skyline has long been an obsession for the American film industry. It is depicted a lot in the Planet of the Apes series when in the first film's memorable closing sequence we see Charlton Heston finding the Statue of liberty half buried in the sand.
¨We shall never forget, We shall keep this day, We shall keep the events and the tears In our minds, our memory and our hearts and take them with us as we carry on.¨ by: Anonymous (Memorial Website). An epic turn in history all around the world, around 3000 people lost their lives, the two world trade center’s crashed into pieces, the pentagon was crashed… all of this occurred on September 11, 2001. This date till today causes people to tear, as they remember themselves watching the event occur in person, TV or websites. The entire world was watching while it occurred. This attack caused a great impact all around the world, no one could believe what was happening and how. As soon as people got the news they realized that in a blink of an eye one of the biggest tragedies in the history of the United States of America had hit. This date caused negative impact on all kind of industries especially the aviation industry, in this paper you will learn exactly how this industry was affected.
September 11th, 2001 is one of the worst days in the United States of America’s history by far. It all began at 8:45am when a stolen airplane crashed into the north tower of the World Trade Center. Many people believed that this was...
He asserts that with the invention of television, writing can basically be eliminated (125). There’s no use for it anymore, after all. What can be more engaging than a form of media that stimulates the senses so? Despite the beliefs of those who lived in the 60s and 70s, the twenty-first century is unfortunately not home to the world of the Jetsons. Writing is still a very powerful form of media, for the very book that this essay is centered around is still influential, forty-nine years later!
He uses powerful imagery and onomatopoeia to achieve the desired effects that make the poem more realistic. All this combined together produces effective thought provoking ideas and with each read, I gradually get an improved understanding and appreciation of the poem.
Sound Devices help convey the poet’s message by appealing to the reader’s ears and dr...
Geraldine Brooks the author of People of the Book conveys the story of Sarajevo Haggadah. In the chapter “An Insect’s Wings,” Lola, a young Jewish girl, experiences running away from Nazis and coming back to Sarajevo. In this chapter, it also shares some details of how the famed Sarajevo Haggadah was saved from WWII. This chapter shares the journey of Lola and all the unpleasant events she went through.
Concrete poetry presents its readers with a unique and often confounding situation. In addition to using language or parts of language in non-traditional ways, concrete poetry also uses elements that are more commonly associated with visual art. However, concrete poetry is not visual art. It is still concerned, primarily, with the use of language, generally to communicate some meaning to the reader in a way that is undeniably linguistic in nature. Concrete poetry is therefore an especially unique genre that draws upon and incorporates many different concepts from a variety of disciplines in order to fill in the gaps left when traditional grammar and syntax are eschewed.
Richard Wilbur's recent poem 'Mayflies' reminds us that the American Romantic tradition that Robert Frost most famously brought into the 20th century has made it safely into the 21st. Like many of Frost's short lyric poems, 'Mayflies' describes one person's encounter with an ordinary but easily overlooked piece of nature'in this case, a cloud of mayflies spotted in a 'sombre forest'(l.1) rising over 'unseen pools'(l.2),'made surprisingly attractive and meaningful by the speaker's special scrutiny of it. The ultimate attraction of Wilbur's mayflies would appear to be the meaning he finds in them. This seems to be an unremittingly positive poem, even as it glimpses the dark subjects of human isolation and mortality, perhaps especially as it glimpses these subjects. In this way the poem may recall that most persistent criticism of Wilbur's work, that it is too optimistic, too safe. The poet-critic Randall Jarrell, though an early admirer of Wilbur, once wrote that 'he obsessively sees, and shows, the bright underside of every dark thing'?something Frost was never accused of (Jarrell 332). Yet, when we examine the poem closely, and in particular the series of comparisons by which Wilbur elevates his mayflies into the realm of beauty and truth, the poem concedes something less ?bright? or felicitous about what it finally calls its 'joyful . . . task' of poetic perception and representation (l.23).
Poem Hunter. N.p., n.d. Web. The Web. The Web. 18 Oct. 2011.
Baron, Dennis. “From Pencils to Pixels: The Stages of Literary Technologies.” Writing Material. Ed. Evelyn Tribble. New York. 2003. 35- 52.