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Analytical essay of an article
Analytical essay of an article
Analytical essay of an article
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[Name] [Professor] [Subject] [Date] Amy Bloom's "Hold Tight" Some writers are born to give stories that intrigue and touch from beneath in the heart. Amy Bloom’s collection of short stories in her book “A blind man can see how much I love you” is a clear depiction of love and loss, of suffering and of endurance, and of struggles and survivals. One of her stories “Hold Tight” gives the readers insight in to the effects and influences of a the sickness of a mother on her daughter. The terminal illness may bring her death, but that may also bring about suffering of implacable nature in others that surround and comfort her. It is asserted that the vitality of the “mother's painting, "Lot's Wife", in Amy Bloom's "Hold Tight" can be compared to the meaning associated with Anna Ahkmatova's poem "Lot's Wife" in the sense that both women find importance in the destroyed city of Sodom, the physical pain of dying, and the story of Lot's wife herself. The destroyed city of Sodom is significant to both Amy Bloom and Anna Ahkmatova because it symbolizes the destroyed lives of the mother and of Lot's wife. In "Hold Tight" the portion of the mother's painting that is the destroyed city of Sodom is described by Amy Bloom as "bright and grim, were the sticky little flames of the destroyed city, nothing, not even rubble, around it." This is symbolic of the Mother's destroyed life because she was dying and her husband and daughter were becoming more dysfunctional the closer to dying she became. Bloom writes "more often than not, we'd end up back in the brown fog of his study, me taking a last few puffs with my legs thrown over his big leather armchair, my father sipping his bourbon and staring out at the backyard." The husband and daughter are dealin...
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...thus comparing uses the tale of Lot's Wife to attach importance to the story of a mother and her siblings in the "Hold Tight” by using the notion that the dying woman is not someone that one ought to feel pity upon, but that is a woman one ought to say, yes this is the most remarkable woman with exceptional strength to cope with life’s stresses and difficulties. Difficulties that would give in the end miseries for the ones that are left behind, but even so, the strength, that would one day hold tight the grievances and expand the courage to live. References Bloom, Amy. "Hold Tight." The Bedford Introduction to Literature. Meyer, Michael. Boston: 2002. 650-654. Ahkmatova, Anna. "Lot's Wife." The Bedford Introduction to Literature. Meyer, Michael. Boston: 2002. 1198 ~ Work cited available at http://www.superioressays.com/DisplayPaper.php?PaperID=7, Accessed 21/06/03
This week’s reflection is on a book titled Girls Like Us and it is authored by Rachel Lloyd. The cover also says “fighting for a world where girls not for sale”. After reading that title I had a feeling this book was going to be about girls being prostituted at a young age and after reading prologue I sadly realized I was right in my prediction.
I really admire the phrases author used to describe the feelings , emotions , visions and thoughts of that woman .
The components of marriage, family and loss has played a big role in Anne Bradstreet’s writing of “Before the birth of One of Her Children”, “In Memory of Dear Grandchild Elizabeth Bradstreet”, and Edward Taylor’s “Upon Wedlock and the Death of Children.” In, these writings both authors Puritan culture and their faith plays a big role. In these poems one author starts questioning their God and the other to take honor in their God throughout their grieving process, while both showing different aspects of their everlasting union with their spouse, and the love for their children.
Along with each character’s similar attributes, the relationships they both have with their husbands are comparable. Zeena Frome and Elizabeth proctor share many characteristics and relationships through each story, showing how similar each works of literature are alike. Over the two stories previously mentioned there are many similarities and are strongly comparable through each character, which can be found looking at various pieces of
The short story, “Astronomer’s Wife,” by Kay Boyle is one of perseverance and change. Mrs. Ames, because of neglect from her husband, becomes an emotionless and almost childlike woman. As a result, Mrs. Ames, much like John Milton in his poem, “When I consider how my light is spent” (974), is in darkness, unaware of the reality and truth of the outside world. However, the plumber who is trying to repair leaking pipes in her house, starts by repairing the leaking pipes in her heart. He helps her realize that the life she is living is not a fulfilling one. In short, to Mrs. Ames, “[…] life is an open sea, she sought to explain in sorrow, and to survive women cling to the floating debris on the tide” (Boyle 59). Similarly, in Flannery O’Connor’s short story, “Everything That Rises Must Converge,” the mother is also “cling[ing] to floating debris” (Boyle 59). She is trying to hold on to her old life, the one in which she is socially better than blacks and other women. But, like Milton and Mrs. Ames, she is soon forced to see the world in a new perspective. Thus, a new life is created for Mrs. Ames and the mother after their epiphanies, with the realization of a new world, one in which hard work and understanding can lead to change in one’s life and of one’s identity.
Mature Love In Laura Kipnis Against Love, what I believe love to be is uniquely questioned and probed in every manner. Kipnis yanks at every part of a relationship that is, according to her, inevitably bound to fail. Unfortunately I believe she mostly writes about the negatives of marriage and infidelity rather than love. It is troubling to agree with her uncomfortable views on marriage and coupledom becoming a sort of renunciation of personal desires, but I think Kipnis is brave in creating this polemic suggesting the way love has been programmed into us by modern society, as an all encompassing, fantasy type of love, all about one person forever.
Get comfortable and enjoy the ride of the fiction story “Closer To The Heart” by Mercedes Lackey.
...ouse wives, and mothers who are fragile and insignificant. Instead, she is to remain in a “closed pot” (228), just as she is expected to do. As a result, she cries at the truth that she will always be reminded, that she is a “weak” and “useless” woman, which only increases her frustrations and dissatisfactions about her marriage (238).
woman she once knew. Both women only see the figure they imagine to be as the setting shows us this, in the end making them believe there is freedom through perseverance but ends in only despair.
As in the lines: “And for thy mother, she alas, is poor, which caused her thus to send thee out of door” (Academy of American Poets. Lines 23-24). She is clutching to a child that had to leave before she was set to let go. Bradstreet writes that she "washed" (Bradstreet. Line 13) the face of the book, meaning she made attempts at improving its appearance and content, but in "rubbing off a spot, still made a flaw," (Bradstreet. Line 15). The use of these metaphors describing her actions upon the book certainly personify the work as a child with an "irksome" (Bradstreet. Line 10) face and "hobbling" (Bradstreet. Line 16) legs that are metaphors also for the sequence of plot events. The last line contains both personification and metaphor as the child/book is sent out of the door, meaning it is put out for
(4). The religious lesson in this poem can be seen in lines 21-22 where Bradstreet wrote, "When by the ruins oft I past/My sorrowing eyes aside did cast" (233). According to Giffen, "this experience leads the speaker to chide her heart for the ways it is 'out of order' " (4). This event shows the struggle that the woman has with classifying the importance of things, in this poem it was in terms of materialistic or religious importance. Giffen shows that lines 21-22 connect with the book of Luke when he wrote about Lot and his wife and how she is "the woman punished for looking back at her home as it burned with fire and brimstone" (5). Giffen states that in the poem, the action of looking back at the burning house is halting the woman's spiritual pilgrimage because she is going against what God asks of her, which in Genesis Luther believes that when someone looks back that means that they are "depart[ing] from God's command and … [are] occupied with other matters … outside one's calling" (6). She believes that at this point in the book of Luke is "warning to be prepared to leave behind the things of this earth and fix our attention on God" and Bradstreet does well to incorporate this idea into this conclusion of the
...want to be a mother" (15.374) this is seen to be of a humorous nature yet it draws to the attention of the reader Blooms ability to sympathize with the women around him and his ability to consider the pain and struggles they go through. Joyce utilises Bloom as a voice that appreciates women and understands their plight.
Images inspired by Diamant’s work flooded my conscious. Perhaps I was experiencing flashes of my rememory, my collective unconscious coming to life on the paper in front of me. However, it was not just The Red Tent providing me with stimulation, but other works such as Toni Morrison’s Beloved, Ntozake Shange’s for colored girls who have considered suicide/ when the rainbow is enuf, Mary Oliver’s “The Fish,” Judy Chicago’s “The Dinner Party” and The Book of Genesis. Each work embodied themes of childbirth and motherhood to self-love and social standing, in which I could find connections that affected me creatively. Aesthetically, I intended my visual art to be full and consistent in texture and fecund in my use of sensuous lines. My hope is to celebrate women and the strength that comes from battling adversity, challenge, victimization and in actualizing the power of childbirth. In all of these works, a connection is made: these are stories of women that need to be remembered and cel...
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
The first reader has a guided perspective of the text that one would expect from a person who has never studied the short story; however the reader makes some valid points which enhance what is thought to be a guided knowledge of the text. The author describes Mrs. Mallard as a woman who seems to be the "victim" of an overbearing but occasionally loving husband. Being told of her husband's death, "She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance." (This shows that she is not totally locked into marriage as most women in her time). Although "she had loved him--sometimes," she automatically does not want to accept, blindly, the situation of being controlled by her husband. The reader identified Mrs. Mallard as not being a "one-dimensional, clone-like woman having a predictable, adequate emotional response for every life condition." In fact the reader believed that Mrs. Mallard had the exact opposite response to the death her husband because finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow. "Free! Body and soul free! She kept whispering." We can see that the reader got this idea form this particular phrase in the story because it illuminates the idea of her sorrow tuning to happiness.