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"The Sun Rising," by John Donne, is a lyric poem about two lovers. The poem is divided into three stanzas, each ten lines long. The rhyme scheme in each stanza is ABBACDCDEE. This is a dramatic poem where the speaker and his lover are in bed together. The speaker personifies the sun, and is speaking to it throughout the poem. As the sunlight comes through the windows, the speaker tells the sun to leave them alone. He seems to feel that their life together is complete, and that the sun is being a nuisance. He then tells the sun that his lover is worth more than anything the sun can ever find outside their bedroom.
The sunrise has provoked the speaker to speak. The sun is symbolic of an intruder. Although the speaker acts extremely conceded in parts of the poem, perhaps he is actually insecure and fears that another man will steal the heart of his lover. Maybe the sun is symbolic of another man, which may be the reason that the speaker is really upset. It is also a possibility that the speaker realizes that he is getting old and is worried that his "time" is soon going to run out. He seems to worry a lot about "time." In the first stanza, he is saying how love is eternal and should not be measured by apprentices, seasons, hours, days, or months. On a more realistic level, I think that the speaker is trying to make the point that love is a reality, and that you cannot put a time constraint on love.
"The Sun Rising" is a love poem, but can also be categorized as an aubade poem, where "one of the lovers is waked by the sun and speaks." The speaker is commanding the sun to leave him and his lover alone.
The tone and emotion of the poem changes as the speaker goes on. The first stanza of the poem convey...
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...pectful as well. The speaker wants the sun to go out and bother someone else, such as schoolboys who are late for school. Donne uses a lot of sun-related imagery, such as eclipse and cloud. Because Donne uses such descriptive language, it makes it easy for his readers to envision what he is describing.
I can imagine the poem being directed towards another person, rather than the sun. Because Donne personifies the sun, many of the things the speaker says could also be directed towards a human being, particularly someone that has tried to get in the lovers' way. I enjoyed this poem and wouldn't change anything else. I think that Donne used this particular structure in order to express his creativity. He wanted to write a love poem where the speaker wasn't speaking to his lover, like in the typical love poem. He wrote a poem that stands out from all the rest!
In order to better understand Philip's critique of Donne within the lines of her poetry, a reading
I think all in all when love is concerned in poetry nowadays it is a
The first stanza describes the depth of despair that the speaker is feeling, without further explanation on its causes. The short length of the lines add a sense of incompleteness and hesitance the speaker feels towards his/ her emotions. This is successful in sparking the interest of the readers, as it makes the readers wonder about the events that lead to these emotions. The second and third stanza describe the agony the speaker is in, and the long lines work to add a sense of longing and the outpouring emotion the speaker is struggling with. The last stanza, again structured with short lines, finally reveals the speaker 's innermost desire to "make love" to the person the speaker is in love
I would not say this is a love poem, as the narrator never once says
For those who disagree, it also appears to be about a lover who perceives the world through love which he finds in sunlight.
On the other side, “Love Poem” is very different from the previous poem. This seven stanza poem is based on a man describing the imperfections of his lover. In this, the speaker uses stylistic devices, such as alliteration and personification to impact more on reader, for example as the speaker shows “your lipstick ginning on our coat,”(17) ...
“How Do I Love Thee?” by Elizabeth Barrett Browning, “Meeting at Night” by Robert Browning, and “Parting at Morning” by Robert Browning all share the same theme, love. Biographical information, symbols, setting, and the supported theme in all three of these poems will be discussed.
Love and religion are two of the most common topics of poetry. Many of Donne’s poems are on one of these two very different topics, his works are connected through the continuous use of devices such as allusion, metaphor, and pun; providing a bond for each poem, yet a different context for each one. “The Flea,” “Holy Sonnet VII,” and “A Hymn to God the Father” each have distinct themes, but find common ground by the use of common literary devices. “The Flea” is a carnal poem where the speaker tries to convince his lover to be inclined to him. “Holy Sonnet VII” and “A Hymn to God the Father” are religious poems that address apocalyptic visions and serve as a remembrance to God respectfully, while attending to mention the act of pardoning the speaker’s formerly committed wrongdoings
The first stanza shows a wide range of fantastical language with the intention of drawing the reader slowly and steadily into the hazy, dreamlike setting. Along with the words like ?fantasy?, ?fables? and ?dreams? come affectionate phrases that effectively show us that the poem is meant to be addressed to a lover, ?Dear love? being the most obvious example. Later on in the poem, the language shifts from drowsy and steady to more intense and complicated, yet less passionate and more doubtful. Donne?s choice in the last stanza to utilize fiery words like ?torches? and phrases ?light and put out? and ?thou cam?st to kindle? depict a sense of overwhelming passion, as uncontrollable as fire. Donne doubts that he can control his lover to continue loving him as fervently as in his dream, which is why his dream lover is ?an angel? while his lover in reality is compared to fire.
...) This is one of the most important claims that Donne makes because he indirectly inducts himself and Anne into the canon of saints, thus making them sacred. The poem ends with Donne calling upon all those who have suffered from similar criticisms; this further dignifies Donne as a saint-like figure. Therefore, both of Donne’s latter poems expose the transformation that Donne acquires when he meets Anne. His sexist attitude and views transcend to a more spiritual and emotional one.
The first stanza of the poem makes the reader think that it is a love
In contrast, in the next two lines Donne describes the love he shares with his wife comparing it to moving planets “But trepidation of the spheres”. Using this metaphor he managed to grasp the true meaning of the kind of love they share, a love that is not of the earth like in those lovers who seek physical contact, but a love that is spiritual, heavenly, somewhat “out of this world”, a love close to God. As planets rotate around the Sun they cause great effects on people. We may not notice, hear or see them but they do happen, far away from the eyes of the beholder. And the love that Donne and his wife share is like the movement of the spheres, it is of great importance, silent and not visible to the naked eye, but it is there, in a spiritual form, a connection of souls. We can connect the movement of the spheres to the natural science of mathematics as we did with the previous text. The planets create circles as they rotate around the sun. Circles present perfection and infinity so the space that is created between the Sun and the spheres represents the love that the husband and ...
The use of figurative language and imagery in the two sonnets “How do I love thee” by Elizabeth Browning, and “Shall I compare Thee to a summer’s day” by William Shakespeare, convey complex emotions pertaining to love. The way that Shakespeare describes his feelings toward his significant other, suggests that he desires for the love he shares with his possible mistress to transcend death and last eternally. Mrs. Browning’s use of figurative language is more apparent, as she describes the various ways that she loves this particular person, expressing the extent of her intense unconditional love. Shakespeare uses personification of the Sun, during a summer’s day, to determine whether a summer’s day actually captures the essence of this individual that he loves so dearly. Shakespeare’s sonnet asks a question that he answers when he writes this person into an existence that will last for an eternity, which a limited summers day cannot. Shakespeare’s use of imagery and figurative language is more effective.
John Donne and William Shakespeare shared similar ideas to depict the theme of love in “Sonnet 18” and “The Good-Morrow”. Both Donne and Shakespeare used the concept of eternal love in their poems, but with slightly different perspectives. John Donne establishes the idea of eternal love by saying that his lover’s bodily fluids mixed with his create the perfect match. In other words, through coitus they become a whole perfect person free from death. “Love so alike that none do slacken, none can die.” (Donne 1374). On the other hand, Shakespeare establishes the idea of eternal love through his own poetry. “So long as men can breathe or eyes can see, So long lives this, and this gives life to thee.” (Shakespeare 1173). Shakespeare, conceitedly, is determined that his poetry will last for centuries. As long as mankind can read, people will always know of their love. Shakespeare also establishes the concept of eternal love through summer. “But thy eternal summer shall not fade,” (Shakespeare 1173). Summers are eternal just like his love. Each of the poems also share the idea of temporary ownership. In “The Good-Morrow” John Donne makes a reference to the “Seven Sleepe...
Donne's narrator begins the metaphor in the first stanza, addressing the sun as its morning rays awaken him, through the curtain. He scolds it as if it were an unruly butler, calling the sun a "busy old fool" (Line1). It is suggested that the sun should be attending to more important concerns at that hour, rather than waking to lovers: