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An analysis of aladdin movie
An analysis of aladdin movie
An analysis of the main character in the Aladdin movie
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In the 1992 Disney movie Aladdin, Jasmine, an Arabian princess, has three days to marry a prince before her eighteenth birthday. Although she explains to her father, who is the Sultan of Agrabah, that she only wants to marry for love and not because of some law, he still insists that she marries for her own protection for the future. However, she meets and falls in love with Aladdin, who lies about being a prince when he is really just an orphan living on the streets of Agrabah. Of course in a fairy tale, there has to be that one evil person. In Aladdin, Jafar, the Grand Vizier to the Sultan, and his parrot, Lago, do their best to make sure Aladdin’s fate is in their hands. Since Aladdin is the “diamond in the rough,” Jafar selfishly tricks him to go search for the magic oil lamp that contains a genie inside in return for a reward of riches. But, Aladdin actually ends up with the lamp and accidentally rubs it. He quickly becomes fond of the genie. Aladdin’s first wish is to become a prince to impress Princess Jasmine. Believing that he can trick everyone, still Jafar realizes that “Prince Ali of Ababwa” is just the street boy Aladdin and he orders him to be killed. Using his second wish, the genie saves Aladdin, which leaves him with only one wish left. Right as he gets the courage to tell Princess Jasmine that he is just a phony, Lago takes the lamp from right under him and gives it to Jafar. Of course the genie is at the mercy of his master so Jafar has three wishes. His first two wishes make him the most “powerful person on Earth.” Aladdin then tricks Jafar to wish that he were more powerful than the genie, which turns him into a genie himself. With the help of the genie, his best friend Abu (a monkey), and the magic carpet, h...
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... crying over him just like women are supposed to in this society. Even when she had nothing to do with Aladdin being sentenced to be killed the first time, she felt guilty. She trusted someone just because he had a flying carpet? So basically what the movie says is that women cannot see the world on their own, they need the assistance of a man. I guess it was good that I was oblivious to the actual messages behind the movie when I was a child because I probably would have never envisioned myself as Princess Jasmine. I am disappointed that the directors of this film created a movie for an audience of young girls and knowing at the same time that they are sending the message that men are superior to women.
One last side note: is it not ironic how the movie is named after the male protagonist when the storyline is really based around the female? Shame on you Disney.
Cinderella, Sleeping Beauty, Snow White, and many other Disney movies all have one thing in common, they feature a female lead who needs a male figure to save them. However, things started to change after the release of Mulan in 1988. Movies that were only representing female leads as weak and always needed to rely on someone, started to feature females who showed off their more masculine side. Mulan was one of the first animated films that had started to dive into that, not to mention it was based on a true story, making it even more powerful. In the article “Post-Princess Models of Gender: The New Man in Pixar/Disney”, authors Ken Gillam and Shannon R. Wooden explore Pixar movies show male characters who were not afraid to show their emotions
Disney Princess movies target children and are none other than a transfigured fairytale story in which innocence and moral virtue are questioned. In pursuit of romance and having the mindset of doing whatever it takes for love, Disney creates this magical world and targets the youth, especially young girls. Walt Disney was a creative and “radical filmmaker who changed [one’s] ...
This passage from the story insinuates that men need women to see it they way they do, and men don’t appreciate it when women are free-thinking. Women in fiction, not just in books but in movies and television as well, are often represented in certain molds or ideas. The story of Cinderella and the story by Hurston both reinforce the idea that fictional portrayals of women are
The Telegraph had only negative things to say about this movie. The writer, Sarah Sands, says, “I imagine that when male critics say they feel "emotionally rewarded" or even "worshipful" towards this film, it may be because men do rather well out of it.” She goes on claiming that the movie is subpar because women are not central to fighting scenes and specifically says, “ Liv Tyler floats off accompanied by folk music, and a spirited, if anemic, Blonde princess who takes a fancy to the warrior Aragorn (cue sword-play) is dispatched to a back passage with all the other toothless old women and grubby children.” More than once in this film the women are protected by men because they cannot fight, they are not put on the field of battle because traditionally they did not learn to fight.
Disney’s 1998 classic tale, Mulan, is renowned as a timeless film, one that inspires young girls everywhere. It is by far the most girl-power filled film in the Disney Princess franchise due to its eponymous heroine who goes to war in place of her father by impersonating a male soldier. Not only does she singlehandedly save the whole country of China, but she also manages to get a husband in the process, with whom she lives happily ever after. Although this sounds like the perfect tale of girl power, some more sinister themes lay beneath the innocuous, picturesque surface.
For this engagement essay the article Mean Ladies: Transgenders Villains in Disney Films by Amanda Putnam and the chapter “Someday My Prince Will Come”: Disney, the Heterosexual Imaginary and Animated Films by Carrie L. Cokely will summarized, analyzed, and engaged with using the Queer analytical framework.
...aves Princess Jasmine multiple times and falling in love at first sight. They also live happily ever-after together, just as every other Disney prince and princess in every other Disney movie. Parents should be aware of the subliminal messages that their children view in the Disney movies they are watching, and grow up to believe that is how life goes. The children that are growing up watching Disney movies with such strong gender stereotypes are learning things they may factor into their own futures, and think that acting the way of the Disney roles is the only way for them to live their life in a happy manner. The way Disney animated films assign gender roles to their characters effect young children’s views of right and wrong in society. It is wrong, and they should not be exposed to such material growing up because it is harmful to their future expectations.
The Princess Bride is an example of how typical gender roles were defied by people even back then. Then even everyone wasn’t the same, everyone didn’t act they same way or even conform to a stereotype. It is a modern fairy tale set in a typical fairy tale setting: a kingdom before a lot of
Disney movies have a very narrow view of what women should be like. Since the arrival of the first Disney movie, Snow White and the Seven Dwarfs in 1937, the idea of it has expanded, but rather marginally. There is a clear distinction of what a young women should be and what she shouldn’t be. Those who do not fit the mold of Disney’s expectations are cast aside to become villains, but those who do, end up becoming the damsel in distress. Ultimately, these stereotypes are what influences young girls who watch these films, and can have devastating effects on their self worth and change their idea of what it means to be a women. Films like Sleeping Beauty, The Little Mermaid, Cinderella, and Snow White and the Seven Dwarfs,
...omen in early 20th century were dependent on men. They lived under the shadow of men. They did not make their own choices but instead did as the men required of them. They were supposed to marry men of their fathers’ choices and not of their own. If they fell into any problems, they could not get make do without the help of their male counterparts. However, as the 21st century approached, the depiction of women started to take a different, more realistic direction. Women are seen beginning to make decisions on their own and to assert their independence. The characters also started getting married to the husbands of their choice. The women begin to participate in previously male-dominated roles and are depicted as performing equally competently. This represents Disney’s recognition of the transformation of society to into a gender-sensitive and socially aware set up.
Disney promotes sexisim by forcing young girls to live in a patriarchal world. Cinderella, Sleeping Beauty, The little mermaid, Aladdin, and Snow White are all examples of popular Disney movies that encourage young viewers that they need a man to save the day. Yes, it’s true that there are recent movies such as Moana and Frozen that prove otherwise, but how long will it take to completely get over the fact that women are mainly viewed as secondary citizens compared to the men? There are countless examples of how Disney movies influence this theme, and how much the female characters’ actions, ideas and thoughts are not included in a Disney movie.
“Aladdin” demonstrates how social class and power can affect the lives of different individuals. The 1992 film is an Arabian-style folktale, based in the time period of high poverty. Aladin is more than just a kids story, it has more meaning to it. It is a story that represents the struggle for lower classes in Islamic and worldwide society. In this story Aladdin struggled with poverty, he was a master thief who had a dream to make higher class. He was given his opportunity to take on his dream when he came across a genie who could grant his wish, which allowed him to become prince and marry the princess, but he was not satisfied with his success. In fact throughout the story of “Aladdin”, social class had made a huge impact on each individual character in the story,
England, D. E., Descartes, L., & Collier-meek, M. (2011). Proquest. “Gender role portrayal and the disney princesses”. Sex Roles, 64(7-8), 555-567.
Women have been in movies since they first started playing on the big screen, they have played an assortment of roles, the damsel in distress, the first one to die, the poor scullery maid who ends up a princess, the evil witch, etc. While some of the roles have shed bad light on women, for example being a femme fatale, other movies have set positive examples for the future generations. As time has changed, the Disney princesses have evolved with it, each princess becoming more outspoken and independent, influencing the young women of today to want to grow up to be just like them, “They enact a shift from the "princesses" of ballet to the "heroes" of sport. Heroism, egalitarianism and autonomy are slipped into the conventions of Disney princesshood” (Do Rozario, R.,C., 2004, para. 34). In Mulan the movie, Mulan saves her father by disobeying him, and taking his place in the war by doing that she ended up saving her whole country. Disney isn’t telling young women to disobey their parents; they’re showing them that while you may be a girl, you can be brave and succeed.
Over the years, Disney has presented many movies to their audience—most having a Princess as the protagonist. These movies became a babysitter for most parents in the early stages of their child’s life. Most people found these movies as relatively harmless. The obvious assumption about the Disney Princesses is that they only desire true love since almost every movie ends in romance. Parents just viewed these movies as romantic movies on a child’s level. However, these movies were not solely intended for an audience of an age that can be counted on both hands. They were intended to speak to “an intelligent and active audience” (Sumera 40). However, there are many people who disagree with the ways of the Disney Princess movies. The disagreements lie within the portrayal of women gender roles in these movies. It is argued that Disney portrays women as a being nurturing individuals without any control over their identity. The women are unable to think for themselves, because they are uneducated, and they are quick to fall in love with the first man that pays them any attention. However, this is not completely true. The people that are against the portrayal of women in the Disney movies are failing to recognize the underlying concepts in these movies. For example, Belle, in Beauty and the Beast, was well educated, Mulan went to war despite the consequences, and Merida, in Brave, stood up to her mother in refusal to marry. The Disney Princesses desired intelligence, bravery, strength, and independence—not true love’s kiss.