Movies are a big part of people’s lives; everyone has a favorite movie, or set of movies. They have impacted people’s lives since they were first made, and continue to do so today. In recent years, movies have cast women to play the roles of heroes. Although women have been playing heroic roles recently, they have always been role models in movies, which have set examples for future generations, empowered women, and have shed light on the feminist movement in the U.S.
Women have been in movies since they first started playing on the big screen, they have played an assortment of roles, the damsel in distress, the first one to die, the poor scullery maid who ends up a princess, the evil witch, etc. While some of the roles have shed bad light on women, for example being a femme fatale, other movies have set positive examples for the future generations. As time has changed, the Disney princesses have evolved with it, each princess becoming more outspoken and independent, influencing the young women of today to want to grow up to be just like them, “They enact a shift from the "princesses" of ballet to the "heroes" of sport. Heroism, egalitarianism and autonomy are slipped into the conventions of Disney princesshood” (Do Rozario, R.,C., 2004, para. 34). In Mulan the movie, Mulan saves her father by disobeying him, and taking his place in the war by doing that she ended up saving her whole country. Disney isn’t telling young women to disobey their parents; they’re showing them that while you may be a girl, you can be brave and succeed.
As a result actresses have empowered young women to become something more than just the average girl. According to the article, Feminists call Katharine Hepburn...
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...set examples for future generations and have shed light on the feminist movement in the U.S.
References:
Do Rozario, R.,C. (2004). The princess and the magic kingdom: Beyond nostalgia, the function of the disney princess. Women's Studies in Communication, 27(1), 34-59. Retrieved from http://search.proquest.com/docview/198270180?accountid=32521
Feminists call Katharine Hepburn a role model for young women. (2003, Jul 02). Daily Townsman. Retrieved from http://search.proquest.com/docview/356293285? accountid=32521
Kelley, K. (1994). A modern cinderella. Journal of American Culture, 17(1), 87. Retrieved from http://search.proquest.com/docview/200667825?accountid=32521
Oppenheimer, B., Adams-Price, C., Goodman, M., Codling, J., & Coker, J. (2003). Audience Perceptions of Strong Female Characters on Television. Communication Research Reports, 20(2), 161-172.
Film making has gone through quite the substantial change since it’s initial coining just before the turn of the 19th century, and one would tend argue that the largest amount of this change has come quite recently or more so in the latter part of film’s history as a whole. One of the more prominent changes having taken place being the role of women in film. Once upon a time having a very set role in the industry, such as editing for example. To mention briefly the likes of Dede Allen, Verna Fields, Thelma Schoonmaker and so forth. Our female counterparts now occupy virtually every aspect of the film making industry that males do; and in many instances excel past us. Quite clearly this change has taken place behind the lens, but has it taken
Women in Film as Portrayed in the Movie, Double Indemnity. Introduction American commercial cinema currently fuels many aspects of society. In the twenty-first century, it has become available, active force in the perception of gender relations in the United States. In the earlier part of this century filmmakers, as well as the public, did not necessarily view the female “media image” as an infrastructure of sex inequality.
Com Editors). This feministic role once again not only brought entertainment to society but also a progressive point of view which helped open up peoples' minds. This loveable character softened the blow of the untraditional practices seen in the movie and made it easier for people to accept them. With her representation of relatable and admired characters, Katharine Hepburn entertained and changed society through her
Noted in Yvonne Tasker’s Working Girls: Gender and Sexuality in Popular Cinema, Goldie Hawn says this about women's role in the film business “There are only thee ages for women in Hollywood: Babe, District Attorney and Driving Miss Daisy” (1998, p. 3). While Haw...
However, as stated before, a combination of masculine approach and feminist approach will serve as a complete perspective on gender role and character representations in Disney movies. Masculinity Studies is an interdisciplinary field of cultural, social, historical, political, psychological, economic, and artistic analysis that interrogates the constructions of masculinity in communities across the world and at various times in history (Prof. Helena Gurfinkel, 2012). Henceforth, understanding of feminism requires understanding of masculinity, and understanding of the two approaches is required in understanding gender
The documentary Miss Representation identifies the numerous ways women are misrepresented in the media, including in news, advertisements, movies, and television. The title Miss Representation emphasizes that the way we portray women in the media is a misrepresentation, as in it does not do women justice and oftentimes, has a negative impact on the perception of women. Frequently in the media, women lack leading roles and complexity, are held to an unrealistic standard of beauty, and are subject to objectification and beautification (Newsom, 2011). These misrepresentations lay the groundwork for gender socialization, and therefore, shape how women perceive themselves and are perceived by others.
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
The women’s suffrage movement and gender equality are things that have changed everything in our society, and changed them for the better. Compared to the past, when the role of a man and the role of a woman had a distinct difference, in today’s society the role and opportunities of both sexes in America are nearly equivalent. While when many people think of the key players in these movements as strong willed women such as Rosa Parks or national icons such as Rosie the Riveter who was a symbol for the women working in the factories during World War two, many other attributes had immense impacts on the movement. One of these attributes is pop culture, and in specifically the Star Wars movies.
Films are very culturally significant, and because of this, they impact how masculinity is portrayed, showing it was apathetic, power driven, and violent in nature. Julia T. Wood, a humanities professor and a director of the Department of Communications at the University of North Carolina at Chapel Hill, brings up the point that “the ways [media] misrepresents genders may distort how we see ourselves and what we perceive as normal” (1). Wood states that media--specifically films--influences how humans see themselves. Thus, they also influence how masculinity is perceived by society. To expand upon this, Wood notes, “Highly popular films such as Lethal Weapon, Predator, Days of Thunder, Total Recall, Robocop Die Hard, and Die Harder star men who embody the stereotype of extreme masculinity Media, then reinforce long-standing cultural
Disney promotes sexisim by forcing young girls to live in a patriarchal world. Cinderella, Sleeping Beauty, The little mermaid, Aladdin, and Snow White are all examples of popular Disney movies that encourage young viewers that they need a man to save the day. Yes, it’s true that there are recent movies such as Moana and Frozen that prove otherwise, but how long will it take to completely get over the fact that women are mainly viewed as secondary citizens compared to the men? There are countless examples of how Disney movies influence this theme, and how much the female characters’ actions, ideas and thoughts are not included in a Disney movie.
middle of paper ... ... Greenberg, H. R. & Greenberg, H. R. "Rescrewed: Pretty Woman's Co-opted Feminism. " Journal of Popular Film and Television 195605th ser. 19.1 (1991): 1-8.
Women have made progress in the film industry in terms of the type of role they play in action films, although they are still portrayed as sex objects. The beginning of “a new type of female character” (Hirschman, 1993, pg. 1). 41-47) in the world of action films began in 1976 with Sigourney Weaver, who played the leading role in the blockbuster film ‘Aliens’ as Lt. Ellen Ripley. She was the captain of her own spaceship, plus she was the one who gave out all the orders. Until then, men had always been the ones giving the orders; to see a woman in that type of role was outlandish.
Feminism is a movement that supports women equality within society. In relation to film, feminism is what pushes the equal representation of females in mainstream films. Laura Mulvey is a feminist theorist that is famous for touching on this particular issue of how men and women are represented in movies. Through her studies, she discovered that many films were portraying men and women very differently from reality. She came up with a theory that best described why there is such as huge misrepresentation of the social status quos of male and female characters. She believed that mainstream film is used to maintain the status quo and prevent the realization of gender equality. This is why films are continuously following the old tradition that males are dominant and females are submissive. This is the ideology that is always present when we watch a movie. This is evident in the films from the past but also currently. It is as if the film industry is still catering to the male viewers of each generation in the same way. Laura Mulvey points out that women are constantly being seen as sexual objects, whether it is the outfits they wear or do not wear or the way they behave, or secondary characters with no symbolic cause. She states that, “in traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote it-be-looked-at-ness.”(Mulvey pg. 715). Thus, women are nevertheless displayed as nothing more than passive objects for the viewing pleasure of the audience. Mulvey also points out through her research that in every mainstream movie, there is ...
Feminist theory was derived from the social movement of feminism where political women fight for the right of females in general and argue in depth about the unequality we face today. In the aspect of cinema, feminists notice the fictitious representations of females and also, machismo. In 1974, a book written by Molly Haskell "From Reverence to Rape: The treatment of Women in Movies" argues about how women almost always play only passive roles while men are always awarded with active, heroic roles. Moreover, how women are portrayed in movies are very important as it plays a big role to the audience on how to look at a woman and how to treat her in real life due to the illusionism that cinema offers. These images of women created in the cinema shapes what an ideal woman is. This can be further explained through an article 'Visual Pleasure and Narrative Cinema' written by a feminist named Laura Mulvey in 1975. She uses psychoanalysis theories by Sigmund Freud to analyze 'Scopophilia' which is the desire to see. This explains how the audience is hooked to the screen when a sexy woman is present. In a bigger picture, where Scopophilia derives from, 'Voyeurism' is also known as feeling visual pleasure when looking at another. Narcissism on the other hand means identifying one's self with the role played. It is not hard to notice that in classical cinema, men often play the active role while the women are always the object of desire for the male leads, displayed as a sexual object and frequently the damsels in distress. Therefore, the obvious imbalance of power in classical cinema shows how men are accountable to moving the narratives along. Subconsciously, narcissism occurs in the audience as they ...
When it comes to class and character, not many women can exceed Audrey Hepburn, one of the most iconic and successful stars of her era. Her name is synonymous with an ethereal combination of 1950s and 1960s retro fashion, supreme elegance, and childlike innocence. She stood among stars like Marilyn Monroe and Elizabeth Taylor as the epitome of female glamour. As a decorated and award-winning actress, Audrey was known for the powerful yet, classy female roles she played in some of today’s greatest classic movies. While her work in the film industry has brought her world-renowned success, it is her captivating charisma and sophisticated style that has been regarded for nearly half a century. What seems to appeal about Audrey to girls today is not at all different from what women liked about her then. She was the link between three distant subjects back in her day:--femininity, strength, and ideology. She represented a figure all girls not only wanted to be, but could be. In other words, Audrey Hepburn was possible.