In Shakespeare´s Macbeth the image pattern of clothing is delicately woven into the plot, as it relates to the characters´ nature in an often metaphorical way. The plot develops around Macbeth´s and Lady Macbeth’s yearn for power and social superiority, a desire that leads to the murder of King Duncan. By disguising themselves, the main characters try to cover their disgrace from the deed they committed, this in order to uphold their appearances and maintain their newly acquired power. However, they can neither fool themselves or their surroundings.
First of all, the initiation of the play first exemplifies how clothing uncovers the character of the witches. When the nobleman Banquo encounters them he utters: “What are these So withered, and so wild in their attire, That look not like th´inhabitants o´th´earth, and yet are on´t” (1.3.40). Although these witches have the physical form of women, their clothing reveals that they may be wicked. Their appearance is so odd that it makes Banquo question their existence and intentions. Since they are not real women, their prophesies should not be trusted. A false attire may equal a false heart.
Macbeth also finds himself dubious to their intentions, but the witches´ prophesies mesmerizes him. Not until Ross calls him by his new title can he grasp the significance of their foretelling. Still, he has questions: “The Thane of Cawdor lives: why do you dress me In borrowed robes?” (1.3.105). Macbeth´s head has yet to be engulfed by the thought of power and he can still reasonably query the accuracy of his new title. The metaphorical use of garments confirms his doubts, as borrowed robes indicate a borrowed title.
Banquo recognizes the dilemma the new role as Thane of Cawdor has caused Mac...
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...a tyrant.
To sum up, both Macbeth and his Lady tries to deceive and empower themselves with clothing, failing miserably. The dishonor and shame they feel can never be concealed. How appearances always will be exposed the eloquent Malcolm explains:
But Macbeth is [treacherous]. A good and virtuous nature may recoil In an imperial charge. . . Angels are still bright, thought the brightest fell: though all things foul would wear the brows of grace. And yet grace must still look so (4.3.20)
There is indeed nowhere to hide from you true self, and no ambition, power or clothing can change this. Deception will but lead to destruction. When striving to mislead their fellow beings they go beyond salvation. Power can never be obtained by treachery, only death may arise from it.
Works Cited
Shakespeare, W. The Tragedy of Macbeth. London: Penguin Signet Classics, 1998.
The literary clothing motif is connected most with loyalty. If Macbeth had truly been loyal to Scotland and his King, then Duncan would not have been killed for his power, status, or wealth. Macbeth was persuaded by Lady Macbeth to kill their King, Duncan. After Duncan’s death, Macbeth took his position as King, and doing so, he started wearing higher status clothing. Act 4, scene 3, Malcolm speaks to Ross and Macduff about “pulling down a man’s hat”, to pull down a man’s hat is a symbol of decreasing his social status. Lower class, slaves, servants, bums, and lower status people typically
In the first Act of Macbeth, Shakespeare uses loose clothing as a symbol of changing times. After Macbeth defeats Macdonwald, a traitor, he becomes the new Thane of Cawdor. Once he accepts his new title, he removes his fighting armor and replaces it with robes. He asks the people present, “Why do you dress me in borrowed robes?” (1.4.108-9). Macbeth infers that the clothes of the previous Thane of Cawdor, the traitor, do not fit him. Shakespeare uses this symbolism throughout the play to show how Macbeth evolves into a greedy and murderous monster. Toward the final scenes of the play, Macbeth realizes what he has become. While Macbeth requests to be put into his armor for his last battle, Angus makes a comment about him to Menteith, Caithness, and Lennox, “Those he commands move only in command, nothing in love. Now does he feel his title hang loose about him, like a giant’s robe upon a dwarfish thief” (5.2.19-22). Angus says that anyone who follows Macbeth does so only out of command to do so, not out of love. He also remarks that the title of “King” does not fit Macbeth, but rather it hangs around him like a dwarf in a giant’s clothing. Shakespeare shows the transformations of Macbeth simply through what he we...
‘Brave Macbeth,’ (1.2.18.) as he is first introduced, possesses a valiant temperament, is adored by his generous king and all those who have viewed his prowess on the battlefield. Noble and righteous, Macbeth is portrayed as a respectable man who – although it being prophesied by the three witches before he obtains knowledge of his good fortune – gains his title of Thane of Cawdor solely through his loyalty to his kingdom. At first glance, the play’s protagonist ostensibly has a near perfect balance of both ambition and pride. However, as the plot progresses and the Weyard Sisters equivocate the future in their familiar groups of three, the reader may discern an imbalance that contradicts early perceptions of the protagonist’s personality. ‘[Yielding] to that suggestion whose horrid image doth … make [his] heart knock against [his] ribs against the use of nature,’ (1.3.144–47) Macbeth has already succumbed, albeit only in thought, to his overwhelming ambition, adding more weight to his formerly balanced internal scale, thus raising pride raising slightly higher, as ambition takes precedence. Yet this change is relatively minute, and balance is retained, as he has no desire to act upon these thoughts, wishing to gain power only ‘if chance will have [him] king … without [his] stir.’ (1.3.154–55) It is not until his wife asks him, ‘If thou are afeard
The contrast is that the Bell Shakespeare production uses modern clothing. An example of this is King Duncan wearing a suit to show his position in society as someone of importance, maintaining the idea of a hierarchy. Whereas other characters such as, Seyton (Macbeth's servant) who is in a low position in society would not wear fancy clothing, portrayed through jeans and a T-shirt. In Act 1 scene 3 Banquo observes Macbeth’s uneasiness in adjusting to this new role of Thane as he states, “New honours come upon him, like our strange garments, cleave not to their mould, but with the aid of use.” Macbeth himself also struggles to accept being dressed in a Thane's clothing because he does not feel like he owns the title. This further illustrates that Macbeth is suspicious of the witches’ predictions and is not sure about his fate to have these titles. Consequently, in both productions, clothing represents the character's fate, especially
Unquestionably, Macbeth and Lady Macbeth show how ambition mixed with greed and unchecked morales can ultimately lead to one’s downfall. Shakespeare excellently portrays this through the main characters in his play Macbeth. By using two protagonists, Shakespeare allows the reader to view two different ways the meaning of the play can have an effect on people. Undeniably, the Macbeth’s greed based off ambition is thoroughly shown throughout
Among the greatest gifts that the renaissance produced was the eloquent and incredible Shakespearean plays. Written mostly in the 1590s these plays have been performed and admired countless times; entertaining mass audiences by providing interesting tales that explore the depth of human insights and the different universal themes. Among the many Shakespearean plays Macbeth, written in 1606, stands out with its short composition but multiple themes. This tragedy narrates the tale of Macbeth and Lady Macbeth’s quest to grasp ultimate power by ignoring their morals and succumbing to their dark desires, which ultimately leads to their downfall. This tragic play portrays the desires, needs, and temptations that accompany ambition in men and women. However the ambition in Macbeth is blind, it does not abide to the morals, but it allows space for dark actions as means necessary for accomplishment. Blind ambition serves as the main driving force that drives Macbeth to subdue to his dark desires, defy his noble behavior, and ultimately his downfall.
(Well he deserves that name)/ Disdaining fortune, with his brandish steel/. (1.2.17) The rest of the scene consists of other recounts of Macbeth’s success; the thane of Ross informs the king that Macbeth has successfully suppressed the joint efforts of the thane of Cawdor, and the king of Norway. Furthermore, in this scene the king announces that Macbeth is to be promoted as the new thane of Cawdor. In this scene, Macbeth is portrayed as a mighty, patriotic, warrior and a loyal subject to the king. However, as the play progresses, Macbeth deviates from these traits. Macbeth’s encounter with the three witches confuses him.
In the play of “Macbeth”, Shakespeare gradually and effectively deepens our understanding of the themes and most importantly the relationship between Macbeth and Lady Macbeth. The main theme of Macbeth is ambition, and how it compels the main characters to pursue it. The antagonists of the play are the three witches, who symbolise the theme appearance and reality. Macbeth and Lady Macbeth’s relation is an irony throughout the play, as most of their relation is based on greed and power. This is different from most of Shakespeare’s other plays, which are mostly based on romance and trust. There is also guilt that leads Macbeth and Lady Macbeth to the final consequences of the play. As the progresses, the constant changes in Macbeth and Lady Macbeth are exposed.
In Shakespeare’s Macbeth, a selfish Scottish thane becomes over-ambitious and commits several murders in order to gain and stay in power. After the murders, Macbeth evades suspicion by hiding his guilt and intentions, therefore deceiving others into thinking that he is innocent. Other characters including Lady Macbeth, the witches and the Scottish thanes also use their appearances to hide the truth and deceive others. With these examples, Shakespeare shows that appearances can be deceiving.
One of the biggest hidden concepts in this play is the idea of deception. Deception happens very prominently throughout the play by many different characters. These individuals used deception in order to achieve a personal gain, though there is an opportunity cost to this personal gain, thus leading to cloaking of true individual intent. Lady Macbeth faultlessly portrays this idea of deception when she tells Macbeth to “Look like the time; bear welcome in your eye, Your hand, Your tongue look like the innocent flower, But be the serpent under’t” (1, 5, 65-66) she wants Macbeth to hide his true intentions that way he can grow close to his aspiration of killing the king. In addition, Macbeth continues his deception as he exclaims “That
In the old Shakespeare play Macbeth, women wear the pants, while the men wear the dresses, this is the theme throughout the play. It focuses on the marriage of Macbeth and Lady Macbeth takes the lead role, while she convinces her husband to kill Duncan. Shakespeare play concerning gender roles, shows the untraditional marriage in Scotland; what one sees is not what one gets. It also show how one starts is not how they end. The story of Macbeth shows power and betrayal. It shows power because it shows how one can take charge and get it done. It shows betrayal because he kill Duncan just to get the crown.
Macbeth: Appearance and Reality. The theme of appearance versus reality is very important in William Shakespeare’s Macbeth. The characters of Duncan, Macbeth, and Lady Macbeth are unable to differentiate between appearance and reality, resulting in tragic consequences. Poor judgment is evidenced by Duncan, who trusts Macbeth too much; Lady Macbeth, who is fooled by the witches; and Macbeth, who is tricked repeatedly by others.
Macbeth’s choice to put his trust in the witches, rather than take heed like Banquo, leads to his own destruction. Macbeth first encounters the three witches after his victory over the Norwegians. When Macbeth passes the three witches on the road, the greet him with, “All hail, Macbeth! Hail to thee, thane of Cawdor!” All hail, Macbeth! Hail to thee, thane of Glamis! All hail, Macbeth, that shalt be king hereafter!” (I,iii,49-51). Macbeth doubts these claims until Ross and Angus soon tell him of his newly acquired title, the Thane of Cawdor. He starts to believe the sisters to be true and that he just might become king. Macbeth jumps to the conclusion that the three sisters are of the supernatural and decides to trust them. He does so despite Banquo’s warning, “ But ’tis strange. And oftentimes, to win us to our harm, the instruments of darkness tell us truths, win us with honest trifles, to betray ’s in deepest consequence...
“All hail, Macbeth! Hail to you, thane of Glamis. All hail, Macbeth! Hail to you, thane of Cawdor. All hail, Macbeth, that shalt be king hereafter!”(1.3.51-53) and also goes on to tell Banquo that his descendents will be kings even though he won’t become one. At first Macbeth dismisses these claims, and Banquo suggest that they were just hallucinating, but the idea of becoming Thane of Cawdor and king of Scotland has been implanted in Macbeths head. Coincidentally just before Macbeth and Banquo meet the witches Duncan announces to Ross that Macbeth will be the new thane of Cawdor “No more that thane of Cawdor shall deceive our bosom interest: go pronounce his present death, and with his former title greet Macbeth.”(1.3.76-76) When Macbeth finds out that he will become thane of Cawdor from Ross and Angus he starts to truly believe that he can and will become the new king. The witches use this previously announced fact “Hail to you, thane of Cawdor” as a catalyst, to trick him into believing that he will become king which makes him take action towards the prophecy, but which was really his free will maki...
This specific action consequently resulted in Macbeth’s level of morality to continually decline as he is acutely aware of his own tyranny. Therefore Macbeth attempts to forget the horrific deed he has committed and be the figure that orders and disorders. Our perception of Macbeth being a wise and loyal soldier is now eroded, as we start to view Macbeth constantly questioning his own actions, and is also impelled to perpetrate further atrocities with the intention of covering up his previous wrong-doings.