While both Andrew Marvell in “To His Coy Mistress” and Robert Herrick in “To the Virgin to Make Much Time,” both poems express the same idea of Carpe Diem, Marvell wants his mistress to give into his seduction by persuading her with images of worms crawling inside of her and Herrick is asking all young women to deference the idea of embracing their sexuality and to enjoy beauty while one still has it. The speaker of Herrick's poem stressed the short-lived character of life and to take advantage of their youth to promptly celebrate life, to be amiable, to take chances, and the pleasures it has to offer. Nonetheless, the speaker doesn't advocate the “virgins” to participate in unmoral acts but to find harmony in wedlock. This poem is directed towards youthful virgins, insisting them to find love and get married while they have the advantage of being young and attractive. The speaker is hoping the reader will consider the idea o...
In her poems Christina Rossetti references the loss of innocence stemming from premarital sexual encounters. In both the poems “An Apple Gathering” and “Cousin Kate”, Rossetti tells stories of women who lost their purity before marriage, and therefore deemed outcasts of society. These acts of dalliance exhibit how the loss of innocence can affect a Victorian woman’s life. Each poem begins with the introduction of the women who pursued physical relationships, followed by their abandonment by men, and thus, living their lives as outcasts.
McAuley’s poem ‘The Seduction’ is critical of teenage magazines. McAuley shows a disliking attitude towards the contents of teenage magazines. This may be because she is against the way love and romance is presented these types of magazines. McAuley is also critical of society’s attitude towards teenage pregnancy. She explores how things like anorexia and drugs amongst teenagers are accepted by society and how teenage pregnancy is not.
In the Other Paris, Mavis Gallant presents the unloving and rushed nature of marriage expressed through her usage of detached diction and the caricatures of intellectual young adults pressured by societal expectations, in the 1950’s, towards marriage. Gallant’s usage of disconnected diction as she describes the “unsuitable medical student with no money and eight years’ training still to go” satirizes the materialistic societal pressures on women to marry financially reliable men, further emphasizing the unloving nature of marriage during this time. This express the unempathetic societal expectations towards the marriage of young adults, due to the unfeeling and analytic concept of the man being “unsuitable” for holy matrimony due to his lack of wealth.
During the 17th century, certain poets wrote poems with the specific purpose of persuading a woman to have sexual intercourse with them. Three of these seduction poems utilize several strategies to do this: Andrew Marvell’s “To His Coy Mistress,” and Donne’s “A Valediction: Forbidden Mourning” and “The Flea.” Some of the reasoning used by both poets is similar to the reasoning used today by men to convince women to have sexual intercourse with them. These gimmicks vary from poem to poem but coincide with modern day rationalization. The tactics used in 17th century seduction poems are relevant and similar to the seduction tactics used in the 21st century.
Throughout the entire poem, coyness is not regarded as an attractive behavior in the long term view of objective reality. Time is always of the essence, and death puts an end to all physical and emotional interactions between people. This is expressed in the line “that long-preserved virginity, and your quaint honor turn to dust, and into ashes all my lust” (Marvell). As time progresses, so does the process of decay, and this is what leads to the cycle of life and death. Marvell conveys both the biological and emotional need to propagate the concept of carpe diem, seizing the day and taking initiative in the face of time’s constant war against mortality.
Lady Chudleighs’s “To the Ladies” exhibits a remorseful stance on the concept of joining holy matrimony. Chudleigh’s usage of metaphoric context and condescending tone discloses her negative attitude towards the roles of a wife once she is married. It is evident that Mary Chudleigh represents the speaker of the poem and her writing serves a purpose to warn single women not go get married and a regretful choice to women who are.
As portrayed by her thoughts after sex in this passage, the girl is overly casual about the act of sex and years ahead of her time in her awareness of her actions. Minot's unique way of revealing to the reader the wild excursions done by this young promiscuous adolescent proves that she devalues the sacred act of sex. Furthermore, the manner in which the author illustrates to the reader these acts symbolizes the likeness of a list. Whether it's a list of things to do on the weekend or perhaps items of groceries which need to be picked up, her lust for each one of the boys in the story is about as well thought out and meaningful as each item which has carelessly and spontaneously been thrown on to a sheet of paper as is done in making a list. This symbolistic writing style is used to show how meaningless these relationships were, but the deeper meaning of why she acted the way she did is revealed throughout the story.
“To the Virgins, to Make Much of Time” by Rober Herrick and Andrew Marvell’s “To His Coy Mistress” have many similarities and differences. The tone of the speakers, the audience each poem is directed to, and the theme make up some of the literary elements that help fit this description.
In the poem “To His Coy Mistress”, the speaker is trying to seduce his wife. In the assumption the mistress is his wife; she is being bashful towards losing her virginity. The speaker, which is the mistress’s husband, develops a carefully constructed argument where the speaker seeks to persuade his lady to surrender her virginity to him.
There is a similar theme running through both of the poems, in which both mistresses are refusing to partake in sexual intercourse with both of the poets. The way in which both poets present their argument is quite different as Marvell is writing from a perspective from which he is depicting his mistress as being 'coy', and essentially, mean, in refusing him sex, and Donne is comparing the blood lost by a flea bite to the blood that would be united during sex. Marvell immediately makes clear his thoughts in the poem when he says, "Had we but world enough, and time/ This coyness, Lady were no crime", he is conveying the 'carpe diem' idea that there is not enough time for her to be 'coy' and refuse him sexual intercourse and he justifies this thought when he suggests when she is dead, in ?thy marble vault?, and ?worms shall try that long preserved virginity?. He is using the idea of worms crawling all over and in her corpse as a way of saying that the worms are going to take her virginity if she waits until death. Donne justifies his bid for her virginity in a much longer and more methodical way, he uses the idea of the flea taking her blood and mixing it with his, ?It suck?d me first, and now sucks thee?, and then...
Response to His Coy Mistress Andrew Marvell's "To His Coy Mistress" is the charming depiction of a man who has seemingly been working very hard at seducing his mistress. Owing to Marvell's use of the word "coy," we have a clear picture of the kind of woman his mistress is. She has been encouraging his advances to a certain point, but then when he gets too close, she backs off, and resists those same advances. Evidently, this has been going on for quite some time, as Marvell now feels it necessary to broach the topic in this poem. He begins in the first stanza by gently explaining that his mistress's coyness would not be a "crime" if there were "world enough, and time…" (l.2).
Marvellous to His Mistress: Carpe Diem! In Andrew Marvell's poem "To His Coy Mistress," he's arguing for affection. The object of the speaker's desire is to wait and take the relationship slow, while the speaker pushes for instant gratification. This persuasive poem makes the point that time waits for no one
In "To His Coy Mistress," Marvell makes use of allusion, metaphor, and grand imagery in order to convey a mood of majestic endurance and innovatively implicates the carpe diem motif. & nbsp; Previous carpe diem poems (such as those written by Robert Herrick at the same time period) often took an apostrophic form and style which stressed the temporality of youth. The logical extension was to urge the recipient of the poem to take advantage of that youth to further her relationship with the narrator. They were often dark and melancholy in theme, underneath a light exterior of euphony and springtime images (perhaps to urge consideration of the winter to come). & nbsp ; Marvell chooses not to employ many of these techniques in the opening of "To His Coy Mistress."
Marvell uses many images that work as tools to express how he wishes to love his mistress in the first stanza of the poem. From line 1 to 20 Marvell tells his mistress how he wishes he had all the time in the world to love her. In the very first line Marvell brings up the focus of time, “Had we but world enough and time/This coyness, lady, were no crime”. The second line shows the conflict that the author is facing in the poem, her coyness. Marvell continues from these initial lines to tell his mistress what he would do if he had enough time. In lines, three and four Marvell talks of “sitting down” to “think” where they will walk on their “long love’s day”. All of these word...
Structure, a major tool stressed in this poem, tends to rearrange the text in a large-scale way. In "To His Coy Mistress", the reader should focus on the most significant types of structure: stanza and temporal. In other words, time and chronological order assemble the whole meaning of the text throughout the poem. Although the story contains seduction and intimacy, which is portrayed in the title alone, it is merely a cry for two lovers to be together before time runs out. Temporally, the man first explains to the woman how he would love her if he only had the time. The man's sincerity is truly expressed when Marvell writes, "Had we but world enough, and time...I would love you ten years before the flood...nor would I love at lower rate," (373: 1, 7-8, 20). It seems that the man genuinely cares for the lady, or is he secretly seducing her into bed? Taking a look at the second stanza...