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Symbolism in poes work
Symbolism in poes work
Symbolism as a literary tool essay
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The Close Reading- To the Ladies by Mary Lady Chudleigh Lady Chudleighs’s “To the Ladies” exhibits a remorseful stance on the concept of joining holy matrimony. Chudleigh’s usage of metaphoric context and condescending tone discloses her negative attitude towards the roles of a wife once she is married. It is evident that Mary Chudleigh represents the speaker of the poem and her writing serves a purpose to warn single women not go get married and a regretful choice to women who are. In “To the Ladies”, Chudleigh uses allegory throughout her poem to make her point that getting married is like a contract of slavery. She opens the poem with what she defines marriage is to her, “Wife and servant are the same,” (1). This line alone is an example …show more content…
She explains that once the vows are exchanged, she must obey her husband from that point forward. Chudleigh emphasizes the word obey by not only using it in line 5, but in line 17 as well, “Him still must serve. Him still obey” (17). In line 5, she capitalizes the word and even italicizes it along with the usage to emphasize her stance. The expression to love, honor and obey is used as a synecdoche during a vow exchange at a marriage ceremony right before the “I do’s”. Conversely, Chudleigh chooses to use obey which is also found in vows as a term to convince the reader her overall disparage of marriage. The phrase obey is synonymously used as a term of submission, subordination, and a required commitment. Chudleigh’s interpretation suggests that if the vows contend to “obey” your husband, yielding a life of servitude, then such a life would hardly differ from the life of a slave. Chudleigh’s patronizing diction and selection of verbiage such as this one addresses her despise of matrimony. Based off the dismal circumstances presented throughout the poem, it is more than safe to say that Mary Lady Chudleigh is opposed to the future endeavors that a marriage encompasses. Her final warning is stated in the last section of her poem, “Who, with the power, has all the wit. Then shun, oh! Shun that wretched state”, (20, 21). She strongly advises the unmarried woman to do anything to avoid (shun) the “wretched” state of marriage. She also repeats the word shun, forcing her deliberation on the reader. Using the term wretched, again portrays her disapproving attitude towards the thought of being
In the eighteenth century, the process of choosing a husband and marrying was not always beneficial to the woman. A myriad of factors prevented women from marrying a man that she herself loved. Additionally, the men that women in the eighteenth century did end up with certainly had the potential to be abusive. The attitudes of Charlotte Lennox and Anna Williams toward women’s desire for male companionship, as well as the politics of sexuality, are very different. Although both Charlotte Lennox and Anna Williams express a desire for men in their poetry, Charlotte Lennox views the implications of this desire differently than Anna Williams.
The Canterbury Tales has many stories with multiple meaning and messages, but love is one subject that is argued throughout the book. There are two stories of the book that are discussed quite often on this subject “The Franklin’s Tale” and “The Wife of Bath’s Tale”. “The Franklin’s Tale” argues that a marriage where everyone is considered equal is superior while the “The Wife of Bath’s Tale” supports the idea that a marriage best works with a woman being in charge. These two stories argue the two dramatically different opinions of gender relations in marriage, with their own tales as examples to support their position. Since the Wife’s tale is based off of inequality in relationships while the Franklin’s tale is centered around equal gender relations. Due to this the Franklin’s tale is of course the ideal situation.
In The Canterbury Tales Chaucer portrays a wide spectrum of marriage from what can be traditionally seen as the worst to the best. Three of these tales, The Miller's, The Franklin's, and The Wife of Bath's, support this examination of what can constitute an ideal marriage.
Beauvoir’s thesis in The Married Woman revolves around women characterization and inferior nature oppressed by men in a marriage opening her piece comparing housework to “the torture of Sisyphus” (380). Using imagery and descriptive language, Beauvoir describes the expected duties of a women forced up by her husband as she is in “war against dust, stains, mud, and dirt she is fighting sin, wresting with Satan” (381). Beauvoir believes that the sanctity of marriage lies only in the males supremacy of women, as women are “temped—and the more so the greater pains she takes—to regard her work as an end in itself” (382). This comparison depicts marriage as a waste of life, rather than devoting “time and effort in such striving for originality and unique perfection” (382); the woman succumbs to marriage and housework. Beauvoir truly believed her ideology of marriage and lived her life accordingly to her death in 1986. Simone de Beauvoir’s account of marriage as scrupulous, demeaning, and “sadomasochistic” (381), repres...
The Bible which is seen as one of the most sacred text to man has contained in it not only the Ten Commandments, but wedding vows. In those vows couples promise to love, cherish, and honor each other until death does them apart. The irony of women accepting these vows in the nineteenth century is that women are viewed as property and often marry to secure a strong economic future for themselves and their family; love is never taken into consideration or questioned when a viable suitor presents himself to a women. Often times these women do not cherish their husband, and in the case of Edna Pontiellier while seeking freedom from inherited societal expectations and patriarchal control; even honor them. Women are expected to be caretakers of the home, which often time is where they remain confined. They are the quintessential mother and wife and are expected not to challenge that which...
...sed society with religious overtones throughout the poem, as though religion and God are placing pressure on her. The is a very deep poem that can be taken in may ways depending on the readers stature yet one thing is certain; this poem speaks on Woman’s Identity.
In The Canterbury Tales by Geoffrey Chaucer, Chaucer’s real opinions about marriage and relationships between men and women are shown. Marriage is an institution viewed upon in many different ways. Some believe it is a consecrated union of two people in order to procreate. On the other hand, there are those who look at it as a social contract which often binds two people that are not necessarily right for each other. Chaucer combines these two beliefs into one major belief. Chaucer seems to look at marriage as an obligation that is constantly dominated by one of its two members, this view being shown in the prologues and tales of the Clerk, the Wife of Bath, and the Miller.
In “The Wife of Bath’s Prologue and Tale” of Geoffrey Chaucer’s The Canterbury Tales, the Wife of Bath challenges the oppressive standards women are expected to uphold and asserts her agency by reassessing women’s public and interpersonal roles. However, rather than naively disregarding the influence of gender constructs, the wife manipulates the “limitations” that binary oppositions create for her gender in order to dominate the skill of persuasion. Through the careful use of language, the Wife of Bath exploits societal standards placed upon females in order to reconstruct women’s role within her culture and the institution of marriage. In particular, the Wife argues that her opinions should be regarded because her amount of marriage experience undermines authority. By invoking experience over authority, the Wife is able to disguise her domineering arguments, references, and ethics as informed opinions rather than efforts to overturn masculine supremacy. Although her scandalous actions and suggestions within her prologue and tale are seen as distasteful by many of the pilgrims, she still seemingly adheres to the customs appropriated for her gender. She is able to re-interpret said customs through the manipulation of semantics, and in doing so she successfully overturns patriarchal power. By working the system to her advantage, the Wife of Bath contests for the re-evaluation of the power dynamics within marriage.
Mahin, Michael J. The Awakening and The Yellow Wallpaper: "An Intertextual Comparison of the "Conventional" Connotations of Marriage and Propriety." Domestic Goddesses (1999). Web. 29 June 2015.
“The Wife of Bath’s Tale” in The Canterbury Tales by Geoffrey Chaucer is a story about a widow who took a pilgrimage to the town of Canterbury with an array of dynamic characters whose diverse backgrounds allowed them to share their stories with one another to make the long journey more interesting. The widow named Alisoun in the “The Wife of Bath’s Tale” told the tale of her experiences with her five past husbands and a story about a knight and a witch. She truly believed that for a woman to have a happy life she would need to gain dominion over a man; however one could assume this was programmed into her by her influential mother and her own religious doctrines. Accordingly, Alisoun argued that the woman must control everything in order to have a happy marriage; however, her life experience and the story she shared should tell her otherwise.
This past week we read four stories, My Contraband, The Two Offers, The Bride Comes to Yellow Sky and The Darling. The one thing all the stories have in common is that they all have a theme relating to marriage. In the story, My Contraband, Ms. Dane, a war nurse, helps her contraband to find out what happened to his wife, Lucy, who was taken away from him by his brother. While reading The Two Offers, it is a sad story of a woman, Laura Lagrange, who is faced with an ultimatum to get married or remain an old maid for the rest of her life. The title, The Bride comes to Yellow Sky, precludes that the story is about a marriage. Finally, The Darling tells the tale of a woman, Olenka, who marries several times.
Les Femmes Savantes The Learned Ladies is an astounding play. As each new character enters time transforms characters are bedazzled, enchanted and wigged we know we are sharing the stage with royalty. The women’s gowns are extremely detailed with hoop shirts to make them puffy the men are wearing exceptionally detailed waistcoats. This comical drama is set in the living room or “salon” of the family. This plays plot is focused on one major couples chaotic and forbidden love. The characters are joined by blood and lead by the controlling wife, Philamonte (Maya Jackson) and her weak spouse Chrysale (Edward Brown III). Jackson’s voice is directing with a profound tone that would have the capacity to stop anybody dead in their tracks. It is not
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
In medieval England, society’s roles were dominated by men and women were either kept at home or doing labor work. Among the most famous medieval English literature, “The Canterbury Tales” by Geoffrey Chaucer, lies ‘The Wife of Bath's Prologue’ and ‘The Wife of Bath's Tale.’ Within, Chaucer shares his perspective of the Wife of Bath, the Queen, and the Crone. Through the use of symbolism and diction, Chaucer aims to change society’s expectations of women.
Chaucer’s The Canterbury Tales, demonstrate many different attitudes and perceptions towards marriage. Some of these ideas are very traditional, such as that illustrated in the Franklin’s Tale. On the other hand, other tales present a liberal view, such as the marriages portrayed in the Miller’s and The Wife of Bath’s tales. While several of these tales are rather comical, they do indeed depict the attitudes towards marriage at that time in history. D.W. Robertson, Jr. calls marriage "the solution to the problem of love, the force which directs the will which is in turn the source of moral action" (Robertson, 88). "Marriage in Chaucer’s time meant a union between spirit and flesh and was thus part of the marriage between Christ and the Church" (Bennett, 113). The Canterbury Tales show many abuses of this sacred bond, as will be discussed below.