The New York Crystal Palace: The Great Exhibition of Art and Industry "The Crystal Palace is a partial picture of the age; an exposition of the comforts and luxuries, the manners and attainments which belong to our civilization." -B. Silliman & C. R. Goodrich (The World of Science, Art and Industry at the Crystal Palace, New York, 1854) On July 14, 1853, the Great Exhibition of Art and Industry began in New York City, New York, with the commemoration of the Crystal Palace, the central exhibition
for the Inauguration of the American Crystal Palace: The nations meet, not in war, but in peace, beneath this dome. They meet to bring glory to God on high and goodwill to men. The Crystal Palace is a symbol of the might of Man. Look on, ye Nations, and vow eternal peace and justice. -William R. Wallace (New York Times, July 14, 1853) When the first major international exhibition of arts and industries was held in London in 1851, the London Crystal Palace epitomized the achievements of the
P. H. Delamotte Photograph of the Interior of the Crystal Palace After a successful year of housing the Great Exposition, the Crystal Palace by Joseph Paxton was disassembled and moved to Sydenham, where it stood for the next 85 years (Hobhouse, 32). The Palace, built for the 1851 World's Fair in London, was an architectural and engineering wonder modeled after the bridge and train shed construction of the mid-nineteenth century. The structure had been designed to be quickly assembled out of prefabricated
Chapter Ten The next morning, Franz Sigel spotted Stanislaus at the end of the St. Nicholas Hotel lobby. Sigel offered to show Stanislaus and his family the sights of New York City as a courtesy to Karolina for allowing him to accompany her and her friend Anna at the reception that evening. “A carriage is waiting for your family in front of the hotel,” Sigel told him as they waited for Karolina and her children to catch up. Karolina’s Ohio cousins decided to remain at the hotel but requested their
The Crystal Palace During the 1800’s Great Britain’s empire stretched around the world, and with raw materials easily available to them this way, they inevitably began refining and manufacturing all stages of many new machines and other goods, distributing locally and globally. However, despite being the central ‘workshop of the world,’ Britain was not producing the highest quality of merchandise. When comparing factory-made products made in England to surrounding countries, most notably France
The Changing Function of Victorian Public Parks, 1840-1860 Tastefully laid out in grass intersected by broad gravel walks, and planted with a great variety of trees, shrubs and flowers, botanically arranged. The Arboretum, as these gardens are designated, is much frequented, and has already produced a perceptible effect in improving the appearance and demeanour of the working class. J.M. Milton, in reference to The Derby Arboretum, State of Large Towns, 1871 (l) This mid to late-19th century
Exhibition Building, other than it no longer stands and no attempt was made to rebuild the structure with more permanent materials. Works Cited: Findling, John E., editor, Historical Dictionary of World's Fairs and Expositions, 1851-1988. New York: Greenwood Press, 1990. p. 10-11 Ingram, J.S., The Centennial Exposition; Described and Illustrated. St. Louis: Hubbard Bros., 1876. p. 31-33 The Illustrated Dublin Exhibition Catalogue. London: Virtue, 1853. p. v Sproule, John. Irish Industrial
“Columbus Day”? This was a result of the popularity of The Chicago’s World Fair. Chicago had a really great World's fair which they worked really hard for.Paris also had a very great world's fair, Chicago’s was better by far. Chicago was thought of as a new city that no one really liked but that was changed by the world’s fair. By inventions introduced, The leadership that The Chicagoans had ,and the impact it had on today .This on Chicago was people actually thought of Chicago as a respectable city instead
changed dramatically during the middle part of the 1800's, even though design began to refer back to the styles the century had begun with as it came to an end. This difference in popular taste did not just evolve because of the passage of time, however; new technological advancements in furniture production and an increased interest in the arts of Asia influenced home décor. The changing British culture manifested itself in how the middle-class decorated their homes, and how they perceived themselves.
native traditions. All American traditions are artificial in a sense and therefore all the more valuable and more to be treasured. American often argued against their best traditions, they view Spanish Colonial as just Spanish misunderstood and assume New England saltboxes were just Elizabethan Tudor buildings misunderstood. Nevertheless, they actually have brought these things as part of its cultural baggage, and adapted them to American present circumstances throughout the history of the country. They
BUCK OWENS Synopsis Alvis Edgar Owens, commonly known as Buck Owens, born on August 12, 1929 in Sherman, Texas, was an American country music singer and guitarist; he is referred to as a true legend in country music. Raised in Arizona, Owens dropped out of school in eighth grade and taught himself to play the guitar. Buck is known to have popularized the Bakersfield Sound, an electric instrumentation and rock combination. Early music career In 1945, Owens teamed up with Theryl Ray Britten and they
Bibliography Bruce, Edward C. The Century: Its Fruits and its Festival. Philadelphia: J. B. Lippincott & Co., 1877. Maass, John. The glorious enterprise: the Centennial Exhibition of 1876 and H. J. Schwarzmann, architect-in-chief / John Maass. New York. American Life Foundation. 1973. Snyder, Iris. (February 2000) "The Centennial Exposition, Philadelphia, 1876" University of Delaware, Special Collections Department http://www.lib.udel.edu/ud/spec/exhibits/fairs/cent.htm(25 February, 2001).
helped people to travel and trade products (Colton). This new work in the beginnings of the industrial revolution was a commerce for better future advances for the poor people and middle
Born of Irish immigrants in 1823 in a little place called Warren County, New York; Mathew Brady is known as “The Father of Photojournalism.” While a student of Samuel Morse and a friend of Louis Daguerre (inventor of the “Daguerreotype,” a method of photography that the image is developed straight onto a metal coated surface), in which he had met while under the study of Morse, Brady took up his interest in photography in the year of 1839, while only seventeen years of age. Brady took what he had
the Eiffel Tower every year, but only a few miles away lies another jewel, a palace so magnificent the gods wept at its beauty. The Palace of Versailles is a stunning structure built by Louis XIV to glorify France during the 16th century, and it exudes French sophistication and extravagance. Louis spent years transforming a mediocre hunting lodge into a grandiose palace, perfecting every last detail. This opulent palace however, had its own secret agenda to lure the government out of Paris and into
including: the hudson river school, architecture and engineering, the arts and crafts movement and american impressionism and realism. The Hudson River School was America’s first true artistic society. Its name originated to identify a group of New York City based landscape painters that emerged in about 1850 under the influence of Thomas Cole.Because of the inspiration exerted by his work, Cole is usually
and current conditions. From 1910 until 1970, all tendencies enter of the modern architecture trend. Western civilization is the product of modern architecture. “ The work of some of these were a part of what is broadly categorized as Art Nouveau ("New Art"). Note that the Russian word for Art Nouveau, "Модерн", and the Spanish word for Art Nouveau, "Modernismo" are cognates of the English word "Modern" though they carry different meanings. An early use of the term in print around this time, approaching
Streamlining Ukrainian State Theater: Foyer - Norman Bel Geddes, Horizons Norman Bel Geddes was a Broadway stage designer turned industrial designer. During much of his life, his ideas stretched beyond the vision of most people. He encountered a lot of apprehension toward his innovative ideas, many of which never left the drawing board. Yet, Geddes' notions of "Streamlining" are important to understanding public life. Steven Heller and Louise Fili (1995) write, "[Streamlining] was at once the
“Industrial Revolution is the period of major industrialization that took place during the late 1700s and early 1800s.” Britain was the ‘mother’ of the Industrial Revolution. During that period Britain was making great strides in the innovation of new materials such as the development of superior steel, cast iron and glass. For a time, this gave Britain the advantage over most ‘advanced’ countries in development, mostly as it relates to construction. There were also great developments in the field
horn-blowing tritons that shoot water from the horns. People have reported that the design of the fountain resembles a neo-classical theme. The fountain was created to resemble a popular fountain in Paris. That fountain was displayed during the Crystal Palace Exhibition of 1851 in London. However, the fountain has not always been considered a landmark for Madison. In 1876, The Broadway Fountain was found in the Philadelphia Centennial Exposition and put on display for the Agricultural Nave. In 1886