The Gilded Age: A Tale Of Today

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19th Century Art The Gilded Age in United States history is the late 19th century, from the 1870s to around 1900. Mark Twain's novel The Gilded Age: A Tale of Today, mocked or satirized an era of social problems masked by “a thin gold gilding.” During the Gilded Age American art expanded into several uniquely different styles and movements including: the hudson river school, architecture and engineering, the arts and crafts movement and american impressionism and realism. The Hudson River School was America’s first true artistic society. Its name originated to identify a group of New York City based landscape painters that emerged in about 1850 under the influence of Thomas Cole.Because of the inspiration exerted by his work, Cole is usually …show more content…

The movement began in literature in the mid 19th century. Realism is generally considered the beginning of modern art, it embraced the “progressive aims of modernism.” Realism portrayed how life was structured socially, economically, politically, and culturally in the mid nineteenth century. This led to art that was sometimes considered ugly do to the portrayal of life's unpleasant moments. The color scheme was usually, earthy tones that went against high art's ultimate ideals of beauty. Realism was the first nonconformist art movement, following the explosion of newspaper printing in the wake of the Industrial Revolution, Realism brought in a new conception of the artist. The realist movement also originated in France during the 1800's. The realists wanted to break away from the formal artistic styles and subjects of the past. Their works typically portrayed ordinary, or working class people as opposed to heroic, historic, biblical, or royal figures. They depicted scenes of traditional life, with rural landscapes and ordinary …show more content…

Arts and Crafts designers strived to improve standards of decorative design. The Arts and Crafts movement did not promote a particular style, but it did advocate reform as part of its philosophy. As modern machines replaced workers, Arts and Crafts proponents called for an end to the division of labor and advanced the designer as craftsman. The American Arts and Crafts movement was inextricably linked to the British movement and closely aligned with the work of William Morris and the second generation of architect designers, including Charles Robert Ashbee and Charles Francis Annesley Voysey, whose work was known through important publications such as The Studio. British ideals were spread in America through journal and newspaper writing, as well as through societies that sponsored lectures and programs. Boston was the first city to feature a Society of Arts and Crafts, founded in June

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