Musée d'Orsay Essays

  • Modern Art

    2664 Words  | 6 Pages

    This paper references the following works: Olympia. Edouard Manet. 1863. Oil on canvas. H. 130; W. 190 cm. Paris, Musée d'Orsay Self Portrait. Rembrandt. 1660. Oil on canvas. 31.61 x 26.5 cm. Metropolitan Museum of Art, New York. Self Portrait Dedicated to Paul Gaugin. Vincent van Gogh. 1888. Oil on canvas. 60.5 x 49.4 cm. Fogg Art Museum, Harvard University Pieta. Anabale Carricci. 1600. Oil on canvas. 149 x 156 cm. Museo Nazionale di Capodimonte, Naples, Italy. Woman with Dead Child

  • Manet’s Advertisement An understanding of Vue de l’Exposition Universelle, Paris 1867

    2193 Words  | 5 Pages

    An understanding of Vue de l’Exposition Universelle, Paris 1867 “Manet a toujours reconnu le talent là où il se trouve et n’a prétendu ni renverser une ancienne peinture ni en créer une nouvelle. Il a cherché simplement à être lui-même et non un autre.” Edouard Manet, Motifs d’une exposition particulière, May 1867 (in Courthion: 139) Manet is a transitional painter, emerging from the realism of the early to mid nineteenth century and a precursor to — included in by some authors — the impressionist

  • Jean-François Millet And The Realist Movement In The 19th Century

    936 Words  | 2 Pages

    The 19th century french artists, Jean-François Millet, Honoré Daumier, and Gustave Courbet were all revolutionary for their time. They each had their own unique style, set the precedent for artists to come, and were not afraid to go against tradition. During this time period in France, new artistic and literary movements emerged while the country struggled with revolution. During this time period in France there were many artists some claim to be equally revolutionary such as Manet who were setting

  • Pierre-Auguste Renoir's Work

    1192 Words  | 3 Pages

    Pierre - Auguste Renoir painted several paintings, very few being self portraits. There are three main portraits Pierre created of himself. While there are some differences between Renoir's self portraits, there are far more similarities. Like his color palette, his clothes, the style, and his passion. Renoir had an obsession over his brown trench coat and his white hat. He wore it in most of his self portraits. The coat hid his disability and the hat helped to shade his face from the world. In two

  • Pierre-Auguste Renoir's Luncheon The Boating Party

    762 Words  | 2 Pages

    Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. He was born February 25, 1841 in Limoges, France and died December 3, 1919 in Cagnes-sur-Mer, France. Luncheon of the Boating Party (also known as Le dejeuner des canotiers) by Pierre-Auguste Renoir is oil on canvas. It took Pierre-Auguste 6 months to complete, and it was finished in 1881. The dimensions are 4' 3" x 5' 8". The painting shows Renoir's friends sharing food, wine, and

  • Paul Cezanne

    586 Words  | 2 Pages

    When most people think of Paul Cezanne, they think of two words genius and painting. For these two words he is consider by far to be the Father of modern painting. Cezanne was born in Aix-en-Provence in 1839. He was to die in the same town in 1906. His life and art work was greatly influenced by this small town in France. He was the son of a shrewd business man, Louis-Auguste Cezanne. As a boy growing up in Aix, Cezanne loved to study Greek and Latin literature. At the age of thirteen, Paul met Emile

  • Gustave Caillebotte's Paris Street; Rainy Day

    1575 Words  | 4 Pages

    Gustave Caillebotte's Paris Street; Rainy Day The first thing that strikes me is the size of the work. About seven feet tall and nine feet wide, this painting dominates its gallery and overwhelms the viewer. The couple in the foreground of the painting is nearly life size, and with the man poised to take another step it seems he might climb right over the frame and walk right into the gallery. The bold perspective thrusts the scene outward, and with details such as the sharply receding

  • The Grain Sifter And The Ironers

    2078 Words  | 5 Pages

    “Male and female represent the two sides of the great radical dualism,” wrote American journalist and women’s rights advocate Margaret Fuller in 1843, “there is no wholly masculine man, no purely feminine woman... Nature provides exceptions to every rule.” (((Margaret Fuller, Jeffrey Steele, The Essential Margaret Fuller, Page 310, American Women Writers, 1992))). Her statement during the mid-nineteenth-century was symptomatic of the changing dynamics of the traditional household and workplace in

  • The Gleaners Analysis

    998 Words  | 2 Pages

    Women and nature have almost always been viewed as inexplicably intertwined. Whether it be by the cycles of the moon or by the seeming existence of “mother’s intuition,” artists and writers for centuries have been examining the relationship between women and nature. Similarly, the relationship between women and work has also been explored. Artists explored this to no end, especially at the beginning of the women’s rights movement. Gustave Courbet’s The Grain Sifters, 1854 and Jean-François Millet’s

  • Aguste Rodin Vs Pugliese

    913 Words  | 2 Pages

    Another world renowned sculptor named Auguste Rodin is best known for his sculpture titled The Thinker (Musee-rodin.fr 1). This piece is known worldwide for both its complexity and beauty. Though this sculpture is not intended to represent a Greek or Roman god, but rather a man, the styles incorporated are tremendously similar. The bronze sculpture, unlike those of Matteo Pugliese, displays the skin of the man in a natural, non-textured appearance. The work-style of Rodin is most often similar to

  • Exit Through The Gift Shop Essay

    621 Words  | 2 Pages

    Banksy's film "Exit Through The Gift Shop" title refers to the profit the artist's make from the exhibition they just displayed. Most art galleys offer reproduction, print and other memorabilia of the artist work to the visitors so they can buy them to remind them of the collection they just saw at the art gallery. It is a way for the artist to make money from the work of art they just displayed. In this film Banksy is trying to say that artwork will sell and their only interests in the money they

  • The Louvre Palace, Pei's Bank of China Tower in Hong Kong

    648 Words  | 2 Pages

    PEI’S OTHER WORKS One of his buildings that really captured my attention is the aforementioned Bank of China Tower in Hong Kong. The structural expressionism adopted in the design of this building is supposed to resemble growing bamboo shoots, symbolising livelihood and prosperity. The whole structure is supported by the five steel columns at the corners of the building, with the triangular frameworks transferring the weight of the building onto these five columns. It is covered with glass curtain

  • Are There Visions and Ghosts in Van Gogh Paintings?

    1129 Words  | 3 Pages

    which Van Gogh approached his artwork. He believed in the dry truth and as a result his work was remarkably straightforward in the messages that he portrayed. While visiting Paris, France this past April, I was fortunate enough to have visited Musée d’Orsay, a museum that contains mostly French art from 1848-1914 and houses a large collection of impressionist and post-impressionist masterpieces and 19th century works from the Louvre [The Oxford Companion to Western Art]. I was also favored in having

  • The Importance of Color

    1214 Words  | 3 Pages

    What color is best for the walls of an art gallery? This question is asked a lot and while there may be no “right” answer, many people have their opinions. Speaking about strongly colored walls Jake says, “These colors may make people comfortable, but they skew viewers' perceptions of the paintings. Some shade of gray or white is best: paintings stand out best against a neutral background, and the painting's own colors are true against a neutral background” (Boddy-Evans). While the color of the wall

  • Le Monde des Jeunes - French Essay

    708 Words  | 2 Pages

    et Les Catacombs. A Londres il y a beacoup des monumants de l'epoque des Tudors, comme "Hampton Court" et La Tour de Londre, ou exeautait des criminels! Aussi on peut trouve beacoup de musees par example "The Imperial War Museum", qui est une musee qui a des expositions sur les deux guerres mondiales. Aussi on a le "V&A", qui a un peu de tout. Quand meme on trouve des monumants modern a Londres et a Paris, par example La Tour Eiffel a Paris et "The London Eye" a Londres. Le Transport

  • Manet's Olympia

    956 Words  | 2 Pages

    Did Manet's Olympia break with any tradition, of the female nude, in painting? Olympia (Figure 1), one of the many paintings by Édouard Manet, the nineteenth century painter, attracts hundreds of thousands of tourists and art lovers every year from around the world. It inspires artists and delights everyday people, but it has not always been this way. At the 1865 Paris Salon it raised many eyebrows, caused scandal and brought a horrible wave of criticism to the artist. To understand this huge

  • Male Gaze Essay

    554 Words  | 2 Pages

    “Nakedness reveals itself, Nudity is placed on display, the nude is condemned to never being naked, Nudity is a form of dress” (Berger, 1973, p.54). What is the ‘Male Gaze’? All throughout history the general viewer of the arts were men. The term ‘male gaze’ is a term according to Laura Mulvey’s essay ‘Visual pleasure and narrative cinema’ 1975” when the camera puts the audience into the perspective of a man”. Nearly all paintings done through history feature either nude or naked women and have

  • The Snake Charmer Essay

    617 Words  | 2 Pages

    The Snake Charmer: An Analysis of Henri Rousseau’s Artwork Henri Rousseau, a French born-and-raised artist, was one of the first painters to set the standard for naïve art worldwide (Vallier, Dora). In fact, Rousseau’s artworks are “the most frequently reproduced examples” of naïve art, even in today’s age (Encyclopædia Britannica). His use of rich colors, employement of extensive detail, and subject matters - typically flourishing forests of a sub-tropical nature and exotic creatures - is

  • Impressionism and Post-Impressionism

    1669 Words  | 4 Pages

    movements that did the same for the art community and world as a whole. Without Impressionism and Post-Impressionism our artistic heritage would not be as rich and fruitful as it is today. Works Cited Pierre-Auguste Renoir The Swing. (2006.). Musée d'Orsay. Retrieved February 05, 2014, from http://www.musee-orsay.fr/en/collections/works-in-focus/painting/commentaire_id/the-swing- 3014.html?cHash=9f4a786865. Samu, M. (2004.). Impressionism: Art and Modernity. Heilbrunn Timeline of Art History. Retrieved

  • Manet's Olympia

    799 Words  | 2 Pages

    To measure what is to be considered art is to limit the scope of one’s creative mind. Art is what the humans can use to express their inner wants, desires, fears, and any other emotion that may be inexpressible. In earlier times, art was commonly used to express human sexuality and the lack of acceptance thereof. Take into account the painting “Olympia” by the Édouard Manet. This piece of art depicts a nude white woman laying on a bed wearing only a bracelet, a choker type necklace and a flower