Chicago Film Critics Association Essays

  • Resilience In Dirty Pretty Things

    978 Words  | 2 Pages

    What do you get when you combine desperation, a search for home, and heartbreak? You find a surprising tale of love, loss, and resilience on the streets of London. In Dirty Pretty Things we find a Nigerian doctor working as a night porter, a Muslim Turkish woman working as a housekeeper, and a Hispanic hotel manager working as an organ broker. We also find a world of depict, a world where tough decisions with no right answers are made on a daily basis. At it’s heart, Dirty Pretty Things is a movie

  • Analysis Of The Film City Of God

    917 Words  | 2 Pages

    founded in 1960, planned and executed by the government of the Guanabara State as part of the policy to systematically remove favelas from the center of Rio de Janeiro and settling their inhabitants in the suburbs. It is used as backdrop in the 2002 film City of God. (Barrionuevooct, 2010) http://www.nytimes.com/2010/10/11/world/americas/11brazil.html Who is the director? Fernando Meirelles directed the movie City Of God. He was born in a middle class family in Sao Paulo city, Brazil on November 9

  • Spike Lee

    1487 Words  | 3 Pages

    nature and the nickname stuck well into his adult life. He attended Morehouse College in Atlanta, Georgia where he gained an interest in film and then graduated with a Bachelors degree in Mass Communication. Lee went on to attend New York University’s Tisch School of the Arts where he created his first student film and graduated in 1982 with a Master of Fine Arts in Film and Television. Being one of the few black students to attend Tisch School of the Arts, the aspiring filmmaker’s first year at New York

  • The Mystic Knights Band and Daniel Robert Elfman

    879 Words  | 2 Pages

    Tim Burton and Paul Reubens asked Danny Elfman to write the score for their film Pee-wee’s Big Adventure. At the time he had no formal training but sought help from Steve Bartek the guitarist and arranger for Oin... ... middle of paper ... ...on all 24. Nominated for 2 British Academy Film Awards and has not won either, same with Broadcast Film Critics Association Awards. Nominated for 4 Chicago Film Critics Association Awards and did not win any of them. Nominated for 2 Emmy Awards won one. Nominated

  • Analysis Of A Raisin In The Sun By Lorraine Hansberry

    1958 Words  | 4 Pages

    Lorraine Hansberry was born in Chicago on May 19,1930. She was the youngest child of four and died in 1964 at the age of 34 from pancreatic cancer. She was well known for writing her play A Raisin in the Sun. Hansberry was influenced by two events from her childhood. She grew up in a middle class household during the Great Depression. During that time her family was considered wealthy. The first event that shaped her was when she was five years old in 1935.On Christmas her parents bought her

  • Sexuality and Surprises in 8 Femmes, a Film by François Ozon

    665 Words  | 2 Pages

    In the French film 8 Femmes, François Ozon, the director, guides a play from the 1950’s that focuses on a lively family that have deep secrets that all intertwine. In this musical mystery, comedy film, a murder has happened and each woman has their own motives for wanting to kill the man in the home. Yet, Ozon’s storyline is not the main focus of the film. The film follows each of the women which show the themes of betrayal, secrets, and most importantly sexuality. Sexuality is a main theme in

  • amina

    1752 Words  | 4 Pages

    Philology, Vol. 24, No. 1, pp. 32-41, The University of Chicago Press. Scruggs, Charles. (2004). ‘“The Power of Blackness”: Film noir and its critics’, American Literary History, Vol. 16, No. 4, pp. 675-687. Oxford University Press. Solomon, Stanley J. (1974).‘Film study and genre courses’, College Composition and Communication, Vol. 25, No. 4, pp. 277-283.National Council of Teachers of English. Warshow, Paul. (1977). ‘More is less: Comedy and sound’, Film Quarterly, Vol. 31, No. 1, pp. 38-45, University

  • A Closer Look at the Musical, Chicago

    1744 Words  | 4 Pages

    Chicago is an American musical with music by John Kander, lyrics by Fred Ebb and a book by Ebb and Bob Fosse. Set in Prohibition-era Chicago, the musical is based on a 1926 play of the same name by reporter Maurine Dallas Watkins about actual criminals and crimes she reported on. The story is a satire on corruption in the administration of criminal justice and the concept of the "celebrity criminal." Fred Ebb explains: “So I made it [Chicago] a vaudeville based on the idea that the characters were

  • How Did George Balanchine Contribute To Dance

    1051 Words  | 3 Pages

    Broadway musical Pal Joey (1940). Kelly moved to Hollywood, California, and made his film debut with American actor Judy Garland in For Me and My Gal (1942), which launched his career. He subsequently appeared in and co directed such popular film musicals as On the Town (1949) and Singin' in the Rain (1952). His dancing and choreography in An American in Paris (1951) were acclaimed as outstanding examples of film ballet, as was his performance of Richard Rodgers's "Slaughter on 10th Avenue"

  • The Relevance of Aristotle’s Poetics to the World Today

    1161 Words  | 3 Pages

    that order.  Over two-thousand years before Ondaatje wrote that line, Aristotle, in his Poetics, did attempt to define the order necessary for a work of art, whether it be literary, visual, or performance-based, to be successful.  But we, as modern critics and artists, must ask, can a theory proposed so many years ago still be worthy or interpretation and study today?  Even a quick look at the literature and the theater produced in the last couple of centuries would reveal the public's answer:  Much

  • Fellini's 8 1/2

    2001 Words  | 5 Pages

    “The original title of Fellini’s 8 ½ was ‘Beautiful Confusion,’ and Fellini branded his film as a comedy. Anyone who has seen 8 ½ cannot help but laugh at the eclectic and satirical humor that imbues Fellini’s work, but ultimately the feature does not come off as comic,” (Horak). While certain critics (such as Horak) argue that Federico Fellini’s 8 ½ (1963) evokes partial tragedy, one could dually aver that the film epitomizes a classical, “bathos” model; everything within the work, even the dramatic

  • The Shameless Show

    1277 Words  | 3 Pages

    William H. Macy, who plays Frank Gallagher, has won best leading actor in many different award ceremonies including Primetime Emmy Awards, Golden Globes, Screen Actors Guild Award, Critics Choice Television Awards, GLAAD Media Awards, Online Film & Television Association Awards, Prism Awards, and Satellite Awards. Many others share the opinion of the show being underrated. It doesn’t get enough credit from its originality and ability to address real life situations in an

  • Field of Dreams - The Innocence in History

    3903 Words  | 8 Pages

    these games were mainly from the New York and Massachusetts areas. There were many discrepancies between the New York rules and the Massachusetts rules. This then led to the founding of the National Association of Baseball Players on March 10, 1858. [4] The new rules that the National Association of Baseball Players had installed then allowed the amateurs and others to play the game as well.

  • Modern Ireland: Past, Present, and Future

    1522 Words  | 4 Pages

    Modern Ireland: Past, Present, and Future Hunger is a film written by Edna Walk and Steve McQueen and also directed by Steve McQueen. McQueen, an Englishman, is known in the art industry for having a very creative and detailed eye for identifying, capturing, and magnifying the slightest detail and assigning it a multitudinous of different contextual meanings. Hunger, McQueen’s first feature film, does not disappoint or deviate from his artistic fashion and as a result, Hunger brings to life

  • The Novels of James Joyce

    879 Words  | 2 Pages

    the reception surrounding Joyce’s work, has been said to pinpoint largely from himself due to his talent for working amidst expansive print culture, as well as being surrounded by an association of friends and acquaintance who were eager to promote his work . Although Ezra Pound – one of Joyce’s earliest critics and supporters when he was still relatively unknown – presented Joyce’s work in a simple-minded format, he portrayed Joyce as a ‘supranational, European writer, one devoted to a universal

  • Chaarisand: A Brief Biography Of Barbra Streisand

    1467 Words  | 3 Pages

    Barbra Streisand Barbra Streisand is one of the most influential people in theatre of all time. She has been in many shows and movies including Funny Girl and I Can Get It for You Wholesale, and has won Academy, Golden Globes, Grammys, Emmys, and Tony Awards. Her voice and charisma has inspired millions to go after their dreams of becoming actresses, actors, and singers. Barbra Joan Streisand was born on April 24, 1942 in Brooklyn, NYC, NY to Diana and Emanuel Streisand. Growing up, both of her parents

  • The IQ Debate

    1150 Words  | 3 Pages

    progressively spread to all parts of the world. The use of these tests has raised controversy among psychologists and educators, with supporters of IQ tests assuming that the tests produce measure of genetically transmitted intelligence. On the other hand, critics of the tests have pointed out that IQ test provides a measure that defines intelligence through the use of cultural deterministic concepts. The ethnocentrism embedded in the assumptions of many commentators, has generated into a justification for

  • Country Music in O Brother, Where Art Thou?

    3571 Words  | 8 Pages

    Art Thou? Abstract: This essay explores the way white trash identity is performed through country music. In particular, the focus is on the way the film O Brother, Where Art Thou? (Joel Coen, 2001) uses a soundtrack of 'old-timey' country music from the 1920s and 30s to aurally assist the film's white trash aesthetic. Various cultural critics (Barbara Ching) and music historians (Richard Peterson) have already documented the way country music is white trash music. Such histories are drawn upon

  • Hollywood's Take on the Civil War

    1907 Words  | 4 Pages

    The film, Gone with the Wind became a cultural phenomenon after its release in 1939. The Civil War based film follows the storyline of Scarlett O’Hara. The lead heroine is dealt with the hardships of love as well as the destruction of her town. Set in the South, the movie stresses the community’s devotion to the confederacy. After its box office success, many historians believed that the film had a strong influence on America’s perception of the Civil War. That influence being a backing attitude

  • Impact of the Film, Dr. Strangelove, on American Attitudes Towards the Atomic Bomb and Cold War

    5224 Words  | 11 Pages

    Impact of the Film, Dr. Strangelove, on American Attitudes Towards the Atomic Bomb and Cold War "The truth is bad enough--but nowhere near as bad as you probably think. The truth will do away with a lot of silly ideas, a lot of completely wrong notions, which millions of people now believe about the atomic bomb. These ideas could easily cause great panic. And right now the possibility of panic is one of the best weapons any enemy could use against us." (Gerstell, How to Survive an Atomic Bomb