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Analysis of taming of the shrew
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Literature Essay on The Taming of the Shrew
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10 Things I Hate About You takes William Shakespeare’s classic play, The Taming of the Shrew and manages to make it relevant to a modern audience. The story remains the same with the younger sister, Bianca, not allowed to have a relationship until her older sister, Kat, does. They did maintain several original scenes and even used several direct quotes from the original play. The writers have eliminated some of Bianca’s suitors and changed the way Kat is tamed to appeal to a modern audience. Shakespeare would have agreed with the casting of the movie. This movie may turn Shakespeare’s work into a teen comedy but it maintains many of the elements that made the play such a hit. The younger sister cannot have a relationship with a man until …show more content…
In the play, Lucentio wants to marry Bianca and pretends to be her tutor so he can spend more time with her. He pays Petruchio to wed Bianca’s sister, Kate, so he can marry Bianca. Cameron acts as Bianca’s French tutor to gain more face time with her. He convinces Joey Donner to pay Patrick to date Kat. Patrick is nice to Kat throughout the movie and tries to win her back after she finds out that he was paid to go out with her. Kate never finds out that Petruchio was paid to marry her. Petruchio and Patrick both use deceitful tactics in order to be with their respective loves. They disguise their true feelings and motives for being with their girl. Both Kat and Katherine fall in love with the man who was paid to be with her. The fact that they fell in love is meant to show how they were tamed. Kate gives a speech about how she understands how she should be subordinate to her husband. Petruchio has tamed her because she allows him to be in charge of her. “And place your hands below your husband's foot/ In token of which duty, if he please/ My hand is ready; may it do him ease” (Shakespeare Vii 177-179). Petruchio may …show more content…
It captured the essence of the characters that he created but with a more modern twist. Julia Stiles, as Kat Stratford, provides the tough exterior necessary to play the “shrew.” She does not care about what other people think and is resistant to love much as Shakespeare intended. Kate, in the play, conveys a sarcastic tongue much like Kat does in the movie. In the end, Julia Stiles captures Kat’s “taming” as she admits to being in love with Patrick. Kate who never wanted to show any affection by the end is kissing Petruchio in the street. “Nay I will give thee a kiss. Now pray thee love stay” (Shakespeare Vii 148). Heath Ledger, as Patrick Verona, displays the mysterious charm necessary to make him seem like a rebel. He seems to be only in it for the money in the beginning much like Petruchio. “Tell me her father's name and 'tis enough; / For I will board her, though she chide as loud/ As thunder when the clouds in autumn crack” (Shakespeare Iii 93-95). Larisa Oleynik stars as Bianca Stratford conveying the necessary sweetness and innocence required to seem the opposite of her sister. She also translates the shallowness of Bianca. “If you affect him, sister, here I swear/ I'll plead for you myself, but you shall have him” (Shakespeare IIi 14-15). To her, It does not even matter who she marries as long as she does. This is similar to how Bianca wants to go out with Joey even though she
Throughout the story, it has been Sister who has tried to persuade the reader to take her side in the debacle with her family. The truth is that it was Sister who caused the entire dispute that is going on with her obsession to compete with her sister that goes back to her childhood where she feels that Stella-Rondo is spoiled and continues to be spoiled up to the end following Sister’s desperate need for attention.
The scene starts off Katherine terrorizing her sister, the men all introducing themselves, and Hortensio being hit by a lute. Katherine is eventually brought out to met Petruchio and they are left alone. Petruchio takes to calling Katherine by “Kate”, wriling her up. Kate begins to insult her suitor without hesitation. They then engage in an argument, which was more along the lines of clever puns and metaphors thrown to and fro. It then ends in Kate hitting Petruchio and his response being they will be married on Sunday, “will you. nill you”.
...ence more reasoning to the jealousy of the characters and the actions they take. With the changed setting come many differences: drugs and alcohol, peer pressure, violence, and different sources for jealousy and hatred. These issues are the dilemmas we, as teenagers in this new millennium, are faced with day to day. "O" addresses these new era evils without abandoning the original themes and major issues of Shakespeare's Othello. The audience can relate to a story written down hundreds of years ago and benefit from it.
Using the same satirical techniques, he points out, a little more subtly, that servants, like women, are treated like less than people, when they are people just as good as everybody else. throughout the play we see instances of the mistreatment of servants, such as Vincentio beating Biondello, Petruchio abusing his entire staff, and Lucentio using Tranio as a pawn to help him win over a girl. Tranio even laments about this, saying, “Oh, sir, Lucentio slipped me like his greyhound, which runs himself and catches for his master.” Tranio is comparing himself to a dog to be used at Lucentio’s command in this quote, commenting on how Lucentio may treat him well, but he still does not value him as a person.
...With its unforgettable characters and witty charm, this Much Ado entertains the masses and at the same time reveals the troubles and adversity of love and mistrust. Kenneth Branagh creates his own individualistic adaptation of this classic through the use of visual imagery, characterization, and setting. Branagh cut many lines and speeches from the text to better support his interpretation of a more open and informal society of warm-hearted, affectionate characters. Though Shakespeare's mood is more formal, Branagh remains true to the essence of the play as all of the same characters and most of the dialogue are justly included in the film. Although distinct differences can be made between Branagh’s film and Shakespeare’s written work, they both share a common denominator of good old-fashioned entertainment; and in the world of theater, nothing else really matters.
From the beginning of the play, the differences between Katherina and Bianca are highlighted through their interactions via dialogue. Early in the second act, Bianca pleads with her sister to not “make a bondmaid and a slave of me” because, as deemed by society, Bianca is not supposed to marry before her older sister (2.1.2). Bianca asks Katherina to “unbind [her] hands” so that she can get rid of all the gawdy implements she is forced to wear as a polite woman of the time, because if she doesn’t want to follow one rule, she doesn’t see why she should follow any of them (2.1.4). This immediately sets up these two sisters by showing how one depends on the status of the other to be truly happy, or happy as deemed by the doctrines of society anyway.
Kathy and Tommy’s special connection has been evident since the beginning of the story when Kathy tries to calm down Tommy during one of his tantrums. When they are around 16 years old, Tommy and Ruth start dating and for a brief period of time, Ruth and Tommy break up. Many of Kathy’s peers noticed the connection between Kathy and Tommy and deemed her the “natural successor” of who should date Tommy next. However, Ruth believed that she and Tommy belonged together and asked Kathy to convince Tommy to get back together with her. Tommy and Ruth begin dating again and remain dating until they leave the Cottages. With Kathy’s loyalty to both Ruth and Tommy, Ruth and Tommy’s relationship constantly complicates the dynamics of their friendship. However, Ruth saw the special relationship between Kathy and Tommy all along and did not admit it until she and Tommy are donors and Kathy is a carer. Ruth asks for Kathy’s forgiveness and admits that keeping Tommy and her apart was the worst thing she did. Ruth then says, “ I’m not even asking you to forgive...
After this is all said and done, petruchio ends up getting Katherine and lucentio gets Bianca, but both Bianca and Katherine are changed in dramatic ways. In the movie 10 things I hate about you, The characters stay the same, and their reasoning stay the same, but the names are changed and the outcomes are a little different. In the movie, Patrick/Petruchio changes a lot and Katherine does not change at all. In the end Katherine is the one who changes Patrick because he calms him down and makes him into a good guy. Lucentio, Bianca, and Baptista stay almost completely the same except for the reasoning behind Baptista. Baptista doesn’t want them dating at all, so he made the rule that the only way the Bianca gets to do anything is if Katherine is also doing
The second reason the bond survives is that Petruchio is strong enough to accept the fact that Katherine has a mind and, more importantly, he loves her for that reason. Petruchio cleverly weaves the relationship into the framework of society without compromising the integrity of the relationship. Petruchio does this by comparing Katherine’s attitude to repulsive clothing. Carefully and calculatingly, Petruchio forges a relationship that is envied by all who witness it. Called "cursed Kate" throughout the play, Katherine is openly jealous of the attention her sister is receiving, whereas she, because she speaks her mind, is being bypassed and even avoided in the wooing process.
Transformations inherently contain traces of the author’s social and cultural context. Much of the same can be applied to “Much ado about nothing”. It incorporates comical features, yet retains the sense of tragedy which is attached to almost all of Shakespeare’s plays. Brain Percival’s role as a director, was determining, understanding and distinguishing the social norms and the social structure of the society, and how the themes represented in the play can be transformed into a modern text. The Elizabethan society was typically a patriarchal society. Percival has used as well as transformed certain themes and textual features to ensure, that the film is more appealing and assessable to the critical modern audience.
The story is about two sisters Katherine and Bianca. Bianca has a suitor who would like to marry her, Lucentio, but the only way that he will be able to marry her is if her older sister is married first. When Petruccio arrives to Padua he agrees to court and marry Katherine because she will provide a lovely dowry. Rumor has it that Katherine is a cynical, unruly, and extremely unpleasant female. Bianca on the other hand is the typical image of a lovely woman, beautiful, soft-spoken, and very feminine.
...st play, it is not sexist and demeaning towards women. Petruchio, Hortensio, and Lucentio may have bet on their wives compliance in some eyes, but after further analysis, they were actually betting on the trust between the couple. The reader must also take into account the time period the play was written in which was the 16th century, where women were usually not even allowed to go to school to be educated, and Bianca was having private tutors for her education. Kate was changed by Petruchio’s “taming” from the beginning to the end of the play, but at the end of the novel when Kate was called upon and made her speech, she was the happiest she had been in the entire story. There are however some sexist elements in the story, but just because there are certain characteristics of sexism in a play does not mean the play in itself is sexist and demeaning towards women.
In conclusion, the film "10 things I hate about you" directed by Gill Junger explored a wide variety of themes and issues such as peer Pressure, the value of individualism and the elements in a relationship. These themes directly correlates to issues displayed in high school society, and can potentially aid teenage into making correct decisions.
Viewed through the lens of a one kind of feminist critic, we could ask: wasn’t Kate’s “taming” the result of a brutal conditioning by a manipulative Petruchio who was a kind of shrewd “behavioral psychologist?” For at the close of the play, in this passage especially, Kate appears to have metamorphosed from an intractable, ill-tempered woman into a subdued, submissive “Stepford Wife” for Petruchio. And wasn’t her final speech a humilia...
With all of the male characters changing their identities, Shakespeare tried to portray the women as being ignorant and not realizing what was going on. With at least two major characters changing parts to get closer to their loved ones, the women seemed to be clueless. Shakespeare portrayed these women as being easily tricked. While it seemed like all the men were trying to suit Bianca, Petruccio was taming Kate.