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Thoughtful laughter is a tool that is used in writing and is said to be the “true test of comedy.” There is no true definition of thoughtful laughter, but for the most part, it means how it sounds. A scene portrays that initially ensues laughter, but then gives an understanding of a larger concept. In Shakespeare's comedic plays he often ensues thoughtful laughter in his audience. One scene in which it shows comes from Taming of The Shrew, Act II, Scene 1. In this scene, Katherine and Petruchio engage in a verbal battle, showing Katherine’s true shrewdness and Petruchio’s cunningness, as well as setting the audience up for the rest of Petruchio’s antics.
The scene starts off Katherine terrorizing her sister, the men all introducing themselves, and Hortensio being hit by a lute. Katherine is eventually brought out to met Petruchio and they are left alone. Petruchio takes to calling Katherine by “Kate”, wriling her up. Kate begins to insult her suitor without hesitation. They then engage in an argument, which was more along the lines of clever puns and metaphors thrown to and fro. It then ends in Kate hitting Petruchio and his response being they will be married on Sunday, “will you. nill you”.
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Kate is in a rage, and Petruchio is so clever-witted that he turns all her insults into sexual innuendos before finally having her forced into marrying him, but what makes this laughter thoughtful? From Kate’s lashes, you are able to truly see just how vulgar and unhappy she is. She is wild, but she is also quite clever in her quick responses. On the opposite end, Petruchio’s character is shown. He is quick-witted as well, yet more crude. He takes joy in dishing out his “attacks” whereas Katherine becomes even more enraged. He’s finally determined to make her his wife, no matter
However, it is the the effects of each of these situations that allow us to evaluate the two as a whole. Although Kat’s emotions go up and down about Patrick nonstop throughout the movie, in the end she is much happier than she was before she met Patrick. Similarly, Katherine ends up stating how submission has “made her heart great”, implying that she is content with the situation, but she does not appear to be truly happy with Petruchio. She is aware that she has no choice in regards to submission, and that her life will be better if she just accepts it. Thus, Katherine’s happiness is superficial as opposed to Kat’s which is real. Also feminism did not exist until the 19th century, so during the time of Shakespeare Katherine and Bianca did not even think of the idea that they could have a choice when it comes to men. Marriages were arranged, and that concept was accepted for many centuries,In fact, Katherine and Bianca are not even considered to be citizens because they
Petruchio deprives Kate of all her fundamental needs and essentials to prove he is going to be a master tamer to her. As soon as they get to Petruchio’s house and sit down for dinner, Petruchio refuses to eat the meal because he verbally expresses it is burnt and forbids Kate to eat the meal as well saying they will fast. Exhibiting his authority as a master tamer, Petruchio stops Kate from eating the meal to weaken her so she cannot resist him. Deprived of sleep, Kate angrily states, “But I, who have never known how to beg and never had to beg, am starved for food, dizzy with lack of sleep, kept awake with curses and fed with brawlings”(4.3.6). Petruchio believes that depriving Kate of her sleep along with food will make her unable to go against what he asks for and says. Getting ready for Bianca’s wedding, Petruchio takes on his role as a master tamer and shows Kate a new dress and hat he has had made for her but he changes his mind. He argues with Kate stating that if she were an elegant and graceful woman she could have the dress and hat, however she is not, therefore she does not deserve them. Depriving Kate of all her necessities, Petruchio believes he is acting as the best master tamer possible.
“And to conclude we have ‘greed so well together That upon Sunday is the wedding day” (Act 2: scene 1 l 314-315.) Throughout the first scene of act 2 Kate and Petruchio fight about Kate loving him. He only cares about himself he is self entitled. His sexism towards his wife escalates throughout the entire play. Sexism normally isn’t vocal the person doesn’t really point it out that there being sexist they just go with it. Petruchio doesn’t say to Kate “hey um you're wrong because your a girl.” He portrays it through his actions in the scene right after they get married he doesn’t allow her to eat, claiming the food is all burnt and none of its good. Another example of him only thinking of himself. Poor Kate is thinking to herself am I that horrible? Kate isn’t the problem, Petruchio is. He wants her to be something that shes not. He wants her to be calm and a obedient wife. He doesn’t ever take time to think abou...
Petruciho uses the beautiful gown to show Kate that she will no longer have her way. Petruicho also uses several other instances to tame Kate. Petruicho is "fashionably late" to his wedding with Katharine and upon arrival is dresed as a jester. Petruciho "kidnaps" Kate from her wedding reception, and upon arrival to his home only allows Kate to smell the delicious food. Petruicho conduct himself in this manner to show Kate how she looks and behaves.
Laughter is an interesting topic. Mainly because of the lack of thought that goes with it as to why we laugh. In an article titled Laughter: An Essay on the Meaning of the Comic by Henri Bergson, the theory behind why things are funny is explored. He mentions many different things in his article pertaining to the comic, however, there are a few that stand out more than others. He talks directly about the fact that things are only funny if they relate to humans. Then he touches on the idea that accidents are funnier than planned events. Finally, he speaks on laughter being directly related to social setting. The 1992 film Noises Off is a perfect demonstration of everything that Bergson writes about. Henri Bergson’s essay on laughter is perfectly supported by the film Noises Off.
A long time ago, a drunken man fell asleep outside an alehouse. This man, Christopher Sly, was discovered by a mischievous lord who took him into his home. The witty lord then convinced Sly that he was a lord, as well. The lord then put on a play for him. The play, The Taming of the Shrew, was about the two young daughters of Baptista. The youngest daughter, Bianca, wished to wed but her father, Baptista, would not allow this until his eldest daughter, Katherina, was married. Under normal circumstances, it would be easy to find a husband for Katherina with all her beauty, but all her beauty was covered by her shrewd personality. By this time Bianca's suitors were growing very impatient, so they decide to team up and find a husband for Katherina. In jest they mentioned their plan to a friend, Petruchio, who surprisingly agreed to marry Katherina. All her beauty and wealth were enough for him. Katherina reluctantly was wed to Petruchio and she was taken to his home to be tamed. With Katherina out of the way, Bianca was now allowed to marry Lucentio, who offered her father the highest dowry for her. In the final scenes of the play, Katherina proves that she is tamed by winning an obedience contest at a dinner party. Katherina is now even more in accordance with her wifely duties than Bianca. A fare is a type of comedy based on a ridiculous situation. The Taming of the Shrew, an eminent example of a farce, is the first of three farces written by Shakespeare.
At the end of the play, The Taming of the Shrew, Petruchio genuinely cares for Katherine. In Act One Scence Two, Petruchio states,"... if thou knows one rich enough to be Petruchio's wife, as wealth is burden of my wooing dance..". This states that Petruchio was only marrying for money. Although, if this was true then he would not be attempting to change better her life after receiving the dowry. It would have been easier and less expensive to have treated her poorly.
This, once more, reads as a sarcastic remark at the way Katherine was treated. She speaks of how women are deemed “foul” when they act out against their husbands. This very incident happened to Katherine when she was labeled as a crabby shrew for acting out. She is wittily commenting on her situation here and bringing up a valid point by masking. It appears as though she is saying something along the lines of “if a woman acts out, why she is nothing more than a villain to her husband.” But looking at the subtext I see that it could possibly read as “I acted out and this is how you (Petruchio) treated me for it.” To me, this reads as a masked, witty prod and not a genuine statement, establishment of power, or even a warning. Katherine has been broken but not changed so she still maintains her original ideology. She just doesn’t want to receive more grief by being
Shakespeare often uses satire to showcase the flaws of human nature. In the play, The Taming of the Shrew, Shakespeare teaches us that people tend to put unrealistic standards on women. Women were treated very poorly at the time. The play is mainly about a man named Petruchio who agrees to marry Katherine for money. Throughout the play, Petruchio tames Katherine. He tries many different methods in attempt to tame her. He wants Katherine to be the ideal wife and behave the way he wants her to therefore he will have control over her. He starts off by almost dehumanizing her by starving her, depriving her of sleep, and forcing her to wear old rags. Petruchio tries to manipulate her in many other ways. He attempts to have Katherine agree with him
Called "cursed Kate" throughout the play, Katherine is openly jealous of the attention he sister is receiving, whereas she, because she speaks her mind, is being bypassed and even avoided in the wooing process. Katherine reveals this attitude in act 2 scene1, lines 31-35, "nay, now i see she is your treasure, she must have a husband; i must dance barefoot on my wedding day, and for your love to her, lead the apes to hell. Talk not to me i will sit and weep!...." This anger is not concealed, it serves to provide motivation as to why a rational person would rebuke petrucchio so rudely upon first encountering him. Katherine surely realizes that petruchio is interested in her for ulterior motives other than love. Be it purse that the dowry will bring or the actions of an...
In Shakespeare's play Taming of the Shrew, the theme of love, marriage, and women’s expectational roles recur often throughout the piece. Shakespeare wrote this play in the 1590’s as one of his early comedies. Around this time, marriage was usually treated as nothing more than a contract; an exchange of cash, goods and persons through written consent. Furthermore, these contracts favored men far above their partners. Women were treated as property; a slave to her husband in a sense, and women who acted otherwise were labeled as “undesirable” or “shrewish”. The way that the relationship between Katherine and Petruchio is handled shows this social construct often throughout the
In “ Taming of the Shrew” By William Shakespeare, Katherine is tamed by Petruchio. In the story, Baptista Minola, negotiates for the marriage of his two daughters, Bianca and Kate. He sets up the story of The Taming of the Shrew by setting an important rule. His temperamental Kate must marry before his beloved and admired Biana. Katherine is described as a daunting shrew, because of her behavior of expressing what she thinks with harsh words, this causes men to be scared of marrying her. Bianca on the other hand is known as avid, and beautiful barely expressing how she feels in a demeaning matter, like Katherine. Baptista considers Katherine getting married as negligible because of her behavior, so he supports Bianca more in getting married.
The next way that Petruchio abuses Kate is by taking her dress for her sister’s wedding and making her wear rags to the wedding. The tailor has a beautiful dress made for Kate, when Petruchio sees it he criticizes it and ruins the dress. When Kate starts to tell him to stop Petruchio replies by saying, “‘Well, come, my Kate, We will unto your father’s, Even in these honest mean habiliments. Our
In The Taming of the Shrew, Shakespeare creates humour through his characters by creating false realities (as demonstrated by Petruchio’s behaviour and attire in the scene of his wedding) and by the use of subterfuge and mistaken identity (shown in the final scenes with the transformation of Kate and Bianca’s respective personas). He also uses irony quite extensively, especially towards the end of the play (as can be seen in the final ‘wager’ scene).
In the film she is seen as a feminist who acts as if she couldn’t care and “angry girl music” is played as soon as a scene is focused on her. Although from different times and place both female characters are seen as feminist in there respected time. Katherine of the 17th century has a great sense of individuality but her actions were not welcomed by the audience of that era. “My tongue will tell the anger of my heart, or else my heart concealing it will break.” When Katerina states this she is telling all that she will speak from the heart and do as she wished. She is reluctant to marry just as the 21st century Kate is very disgusted at the idea of dating. Kat even went as far as to say “Have you seen the unwashed miscreants that go to that school.” In the play Katerina has no freedom and is forced to go along with expectations, finally giving in in the end. Kat is angered when her individuality is taken away from her. She is especially mad when her Dad does not agree with her choice in college. Although Kat has more individuality over Katerina as she has a different dress sense and opinions that are not constantly getting her in serious trouble but all Katerina has is her ability to scare away man to get back at her