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What effect has digital technology had on the film industry
What effect has digital technology had on the film industry
Computer technology in the movie industry
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A car peels into a dark road. The sound of thunder and rain scare the passengers inside the car. The driver reads a map drenched with water as the paper falls apart. The passengers are convinced they are lost, but the driver refuses to admit it. He ignores his gut feeling and he takes a road down the wrong path. They head into a world of darkness, mystery and the unknown as the car disappears into the night. This premise sounds similar to the tropes seen in a horror story.
If this were in real life, the story would be cut short, and we would not explore the rest of this story. We would never find out what happens after the car headed on the dark road or what happens in the darkness. This inclusion of electronic devices and internet, ruin the mystery aspect of storytelling. If characters in the story were transported to our time, they would have mobile phones and GPS systems. They could easily find the correct route, or use the maps on their cell phones. This scenario would be fixed without much of a problem and there would be no more stories to tell. There are no longer stories of friends going off on an adventure without the assistance or dependency of technology. In several instances, when people embark on an adventure, they take electronics for assistance. "Films therefore are productive as well as products of culture; in other words, they respond to as well as reflect culture. [...] Film takes ideas and images from the world in which we live and then turns these into stories which aren't simply identical with the world outside of film" (Nowlan). Just as Bob Nowlan, a professor of film at the University of Wisconsin Eau Claire said that films reflect our culture, we also cannot escape technology. Technology is ever changing and...
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...N.p., n.d. Web. 15 Dec. 2013. .
"The Technology of Movies." - GHN: IEEE Global History Network. N.p., n.d. Web. 13 Dec. 2013. .
"UNC Hearing and Communication Center." New technology in movies helps deaf see films through closed captioning. N.p., n.d. Web. 12 Dec. 2013. .
Zacharek, Stephanie. "It's Shtick and Explosions for the Great Robert Downey Jr. in Iron Man 3." The Village Voice. N.p., 24 Apr. 2013. Web. 12 Dec. 2013. .
Zipes, Jack. The irresistible fairy tale: the cultural and social history of a genre. Princeton, N.J.: Princeton University Press, 2012. Print.
Lane, Harlan; Hoffmeister, Rob and Bahan, Ben (1996). A Journey Into the DEAF-WORLD. Dawn Sign Press, San Diego, Ca.
In another budgetary adaptation, the film crew, lacking the funds for cranes and dollies to do moving and panning shots, quickly switched between multiple shots for dynamic dialog, giving a certain frenzied feel to the dialog interactions (Hervey 38). The style this lends to th...
Phillips, W. (2002). Thinking about film . In Film an introduction (pp. 403-438). Boston : Bedford/St.Martin's .
Tatar, Maria. Off with their Heads! Fairy Tales and the Culture of Childhood. Princeton: Princeton University Press, 1992.
Warner, Marina. From the Beast to the Blond on Fairy Tales and Their Tellers. New York: Chatto & Windus, 1994. Print.
While digital technology revolutionizes the film industry, the film industry’s job market is also revolutionizing. The few jobs lost from taking a fall out a window, or walking down a street will be replaced by business and technology jobs related to digital film. New jobs will arise from switching to a digital format. The changes spurred by digital film technology and digital projection are mostly positive. This transition will be a benefit to Hollywood, and the mainstream business world.
read through the article I had to pick out ten important facts about the fairy tale genre and its origins. Collecting my facts was difficult because there were many writers that changed the audience for fairy tales. I didn’t want to just write down 10 authors and their works t...
Zipes, Jack. Fairy tales and the art of subversion the classical genre for children and the process
Rohrick, Lutz. Introduction. Fairytales and Society: Illusion, Allusion and Paradigm. Ed. R.B. Bottingheimer. Philadelphia: University of Pennsylvania Press, 1986. 1-9.
In conclusion, the extent to which a specific fairy tale meets Zipes’ definition varies dependent upon its adaptability and acceptance by society. Some fairy tales are harder to manipulate and their plot is insufficient to reflect society’s values so not all fairy tales are institutionalised. Thus, the manipulation of Little Red Riding Hood throughout its history and its adaptability to a myriad of usage passes Zipes’ definition of ‘institutionalisation’.
Bettelheim, Bruno. “Fantasy, Recovery, Escape, and Consolation. “The Uses of Enchantment: The Meaning and Importance of Fairy Tales. New York: Vintage Books, 1976.
Throughout history, the art of storytelling has been an imperative tool for an array of purposes. Humans have utilized storytelling for nearly everything, such as passing down traditions or just pure entertainment. Storytelling in its most basic form is something that humans need, as they give everyone a sense of everything it means to be human. However, along the path of humanity’s development and growth, stories themselves and the way they are told also seemed to change. With humanity's innovation and push toward new technologies, narratives were then passed along in a variety of forms, spanning from novels and radio to film and television. Although the push for new technologies has provided a stellar platform for different stories to find
Bottigheimer Ruth B. Fairytales Folk Narrative Research and History “Social History” JSTOR 14, 3 (1989). 343-357, Taylor & Francis, Ltd.
The new innovations and changes to American life in the 20th century critically impacted the time and place of the 1920's movie industry explosion. New technology like automobiles and radios would help adapt Americans to the future movie industry and put them in the position to connect and travel like never before. The ability to have faster transportation to public places and easily maintain connection between people prepared the movie industry for the push that it would soon experience.
When film first started, it started as a magic lantern, which is an object that presents dinner entertainment by spinning pictures. They were also known as “motion toys”. Motion toys soon began to compete with magic lanterns and the man who created the praxiniscope developed to praxiniscope theatre which