From the founding and settling of the United States, the deeply rooted American ideology of individualism has compeled the nation to strive for self-reliance and nondependence. This ideology is captured in Walt Whitman’s words “A man is not a whole and complete man unless he owns a house and the ground it stands on” (Jackson 50). However, the early 20th century’s threat of dependency and socialism, resulted in the conformity of a nation after WWII, reaching an ultimate height during the Eisenhower Era in the 1950’s. The creation of the National Housing Act and later the G.I. Bill induced the belief of achieving the American dream by increasing the demand for affordable mass-produced housing and extravagant lifestyles. More importantly, the politically influenced televised propaganda and legislation produced not only a culture of femininity, masculinity, but also homogeneity. This led to the manufacturing of an artificially paranoid, decadent, and deluded society. Richard Yates’s book “Revolutionary Road” (1961) and Todd Haynes’s movie Far From Heaven (2002) mirror these socially constructed elements. In this essay, we will examine how the works portray the governmental influenced feminization of women, empowerment of masculinity, popularization of the organization man, and the exclusion of undesirable individuals in suburbia
Firstly, in Yates’s book “Revolutionary Road”, the college graduates Frank and April Wheeler take advantage of the economic situation of the 1950’s to live the American dream, but in doing so, they compromise their dreams of individuality. Frank, a veteran of WWII, is one of many servicemen eligible for beneficial home loans and education benefits through the G.I. Bill. The federal government created the G.I....
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Clark, Geoffrey and Dewitt, Henry “An Interview With Richard Yates.” Plougshares. Issue 3, 1972. Web. 21 April 2014. https://www.pshares.org/read/article- detail.cfm?intArticleID=9523
Executive Orders. National Archives. Web. 20 April 2014. http://www.archives.gov/federal- register/codification/executive-order/10450.html
Far From Heaven. Dir. Todd Haynes. Focus Features, 2002. DVD.
Friedan, Betty. The Feminine Mystique. New York: W.W. Norton, 1963. Print.
Jackson, Kenneth T. Crabgrass Frontier: The Suburbanization of the United States. Oxford: Oxford University Press, 1985. Print.
Yate, Richard. Revolutionary Road. 1961. Reprint. London: Vintage, 2007. Print.
Veteran Benefits Administration. U.S. Department of Veterans Affairs. Last updated December 26, 2013. Web. 19 April 2014. http://www.benefits.va.gov/gibill/history.asp
May begins by exploring the origins of this "domestic containment" in the 30's and 40's. During the Depression, she argues, two different views of the family competed -- one with two breadwinners who shared tasks and the other with spouses whose roles were sharply differentiated. Yet, despite the many single women glamorized in popular culture of the 1930's, families ultimately came to choose the latter option. Why? For one, according to May, for all its affirmation of the emancipation of women, Hollywood fell short of pointing the way toward a restructured family that would incorporate independent women. (May p.42) Rosalind Russell in His Girl Friday and Scarlett O'Hara in Gone with the Wind, for example, are both forced to choose between independence and a happy domestic life - the two cannot be squared. For another, New Deal programs aimed to raise the male employment level, which often meant doing nothing for female employment. And, finally, as historian Ruth Milkman has also noted, the g...
It has defined “manhood” in terms of it’s own interest and “femininity” likewise” (Beale, 146). Because gender roles in American society are so skewed it is viewed with negative connotation if the women is “dominant” in a relationship. Men should, in the eyes of society, be more powerful than the woman. Moynihan connects the lack of dominance in the black male with economic and educational downfall.
For over centuries, society had established the societal standard of the women. This societal standard pictured the ideal American woman running the household and taking care of the children while her husband provided for the family. However, between 1770 and 1860, this societal standard began to tear at the seams. Throughout this time period, women began to search for a new ideal of American womanhood by questioning and breaking the barriers society had placed upon them.
Society in America during the 1950’s was one that portrayed men and women in very different, but rigid roles. Women were housewives, secretaries, and mothers. Men were providers, war heroes, and businessmen. Television, newspapers and magazines played an important role as well in determining ways men and women should behave. Advertisements for real estate were designed to sell to the “All-American” family. For example; Dad would be the returned home veteran who is now running the company, Mom is an ideal housewife who works a couple days a week for extra vacation cash, little Billy likes baseball and his sister Susie plays with dolls. Houses designed with this type of family in mind would prove very effective in luring away many from the city to live in suburbs like this at a rapid pace. Most jobs in the work place were gender divided. Help-wanted ads placed in newspapers in the 1950’s were very gender biased as well. Some ads with attention getting headlines could have read: “Sales Girl,” and “Brides! Housewives!” Occupations offered to women at this time were very limiting.
In Charlotte Gillman’s “The Yellow Wallpaper” the narrator describes several attitudes in which men thought about women and the overall oppression of women in the early 20th century. The perception of men and women encouraged society to place limitations on women and allow men to dominate. Women were seen as caretakers, homebodies and fragile, unable to care for one’s self. This is symbolic to the “Cult of Domesticity”, a term identifying a nineteenth-century ideology that women's nature suited them especially for tasks associated with the home. It identified four characteristics that were supposedly central to women's identity: piety, purity, domesticity, and submissiveness.” One the other hand, men would rule society through their work, politics, and government. They were able to live free and enjoy the public sphere where men enjoyed the competition created in the marketplace through which they gained their identity. In the public sphere, they made decisions that enhanced their own positions in society, while exploiting women’s biological makeup and employing blackmail to render women immobile.
In the 1950’s becoming a wife, having and raising children and taking care of the home was the primary goal for most women. Post war brides were marrying young, having children at significant and unrivaled rates, and settling into roles that would ultimately shape a generation. This ideal notwithstanding, women were entering the workplace like never before and changing the face of American business forever. In the movie The Man in the Gray Flannel Suit directed in 1956 by Nunnally Johnson, we get an inkling of the type of voice American women would develop in the character of Betsy Rath. We are introduced to a wife and mother who leverage her role in the family to direct and influence. The decade of the 50’s signify the beginnings of the duplicity that women would embrace in America, being homemakers and independent women.
In ‘The Great Gatsby’ Fitzgerald criticises the increase of consumerism in the 1920s and the abandonment of the original American Dream , highlighting that the increased focus on wealth and the social class associated with it has negative effects on relationships and the poorest sections of society. The concept of wealth being used as a measure of success and worth is also explored by Plath in ‘The Bell Jar’. Similarly, she draws attention to the superficial nature of this material American Dream which has extended into the 1960s, but highlights that gender determines people’s worth in society as well as class.
Suburban life in the 1950s was ideal, but not ideal for the women. Women were continuously looked at as the typical suburban housewife. In Richard Yates’ novel, Revolutionary Road, we are given the chance to see the dynamics of the Wheeler family and of those around them. Through the use of theme, tone and major symbolism in the novel, we are shown the perspective of gender roles in the 1950s. The author shows the reader the struggles of strict gender roles and how the protagonist of the story will do just about anything to escape from it.
In “Disorderly Women: Gender and Labor Militancy in the Appalachian South,” Jacquelyn Hall explains that future generations would need to grapple with the expenses of commercialization and to expound a dream that grasped financial equity and group unanimity and also women’s freedom. I determined the reasons for ladies ' insubordination neither reclassified sexual orientation parts nor overcame financial reliance. I recollected why their craving for the trappings of advancement could obscure into a self-constraining consumerism. I estimated how a belief system of sentiment could end in sexual peril or a wedded lady 's troublesome twofold day. None of that, in any case, should cloud a generation’s legacy. I understand requirements for a standard of female open work, another style of sexual expressiveness, the section of ladies into open space and political battles beforehand cornered by men all these pushed against conventional limitations even as they made new susceptibilities.
Betty Friedan is the author of the famous book, which credited the beginning of a second –wave feminism in the United States. Friedan’s book begins with describing “the problem that has no name” to women who had everything, but were unhappy, depress and felt like they had nothing. Women are expected to be happy by buying things, a new refrigerator, house, best-selling coffee, having the right make-up, clothes and shoes, this is what the Feminine Mystique symbolized. Something that women wanted but can never have. Furthermore, society in present day is full of advertisements everywhere we go in TV, books and on the radio. The young generation as well as adults get trap in a fantasy world full of perfection. Women always want to have a thin waist, the most expensive make-up and purses, it’s all based on stereotypes. In her book, Friedan mentions that the average age of marriage was decreasing compared to increasing birthrate of women. Moreover, Friedan has been nit-pick at for focusing on the middle-class women and for prejudice against
In Gail Bederman’s Manliness and Civilization, she aims to describe the concepts of manliness and masculinity at the turn of the century. Bederman explains that the concept of what it means to be a man is ever changing as a result of the ideology of the time as well as the material actions of the men. During the Progressive Era, many forces were at work that put pressure on the supremacy of white, middle class men. Some of these forces included the growing move toward empowered women, the unionization of the working class, and the move from self-employment to big, corporate business. She delves into the way that both racism and sexism were used to build up the concept of masculinity and the turn of the century discourse on civilization.
The New Morality in the 1920’s was represented by a shift in cultural values. On one hand the minorities and social vulnerable groups gained more equality and social recognition, and on the other hand people holding the traditional values fearing of this sudden change formed their own groups to resist it, among which the most notable one was the Ku Klux Klan. When the Nineteenth Amendment to the United States Constitution was ratified on August 18, 1920, American women finally gained their suffrages, the legal rights to vote. With this achievement accomplished, in the following decade, American women moved forward and gained even greater roles in society. The feminist ideal known as the New Woman was popular in the 1920’s. Symbolized by an image of women dressed practically, living independently and freely, it manifested sexual liberation and the coeducational system. Flappers, young women with free thinking, casual manners, new fashions a...
Throughout the nineteenth century, gender roles were increasingly characterized by a division of activity into separate spheres for men and women. Men moved freely between home and the outside world, however, women were largely restricted to the home and remained financially dependent upon a man. While this situation offered women more power within the home, that power was very limited in scope. As the twentieth century neared, more and more women began to challenge the societal expectations placed upon them. Many Americans began to fear that the family was disintegrating due to "a declining birth rate, a rising divorce rate, and efforts of a growing number of women to break out of their separate sphere of domesticity by obtaining a higher education, joining women’s organizations, and taking jobs outside the home" (Kellogg and Mintz 1937). As this progressive movement gained momentu...
While historians and scholars use a variety of lenses to analyze American history, the examination of the role that gender has played in society provides a view of history broader than the typical patriarchal tunnel vision taught in most history classes today. Men’s roles in society have been molded and crafted by the changes occurring throughout these societies, but women’s roles both in the home and in the workforce have arguably undergone many more radical transformations since the inception of the United States. Specifically, the transformation of womanhood in the first half of the nineteenth century, beginning with the market revolution, permanently changed how women are viewed in society, by both men and other women, and how women relate
During the 1950‘s suburbs such as Levitown were springing up all across the country, and the so-called American dream was easier to achieve for everyday Americans than ever before. They had just come out of two decades dominated by The Great Depression and World War Two, and finally prosperity was in sight. The need for women to work out of the home that was present during the war was no more, and women were overwhelmingly relegated to female-dominated professions like nursing, secretaries, and teachers, if they worked at all. Televisions became very popular, and quickly became part of the American cultural canon of entertainment. Leave It To Beaver is a classic American television show, encompassing values such as respect, responsibility and learning from your mistakes. But, at least in the episode used for this essay, it is also shockingly sexist to a modern viewer. This begs the question, what does the episode The Blind Date Committee1 say about the gender expectations of the 1950’s?