The first morsels of electronic dance music came into existence in the late 70’s, thanks to the integration of synthesized instruments by influential European artists such as Kraftwerk and Giorgio Moroder (europopmusic.eu). This concept came into full realization in the 1980’s, with the rise of house music, whose existence is often credited to recently deceased pioneer Frankie Knuckles. The vast majority of this music is reliant on a “four on the floor” kick drum, providing a thumping, danceable rhythm. The general term for this style soon became Electronic Dance Music (EDM). The underground house movement eventually attracted British artists seeking a more syncopated, fast paced kind of music, leading to the foundations of Jungle and Drum’n’Bass. Yet some people still yearned for an even more contemporary, experimental sound. These innovative musicians began to form record labels such as Warp Records and Rephlex, dedicated to a less accessible, more complex branch of dance music. Over the past decades, this music has become known as a variety of things, one of the most common being Intelligent Dance Music, or IDM.
The rapid incline of house music’s popularity in the 80’s led a handful of its followers to utilize the hardware and machines used in house to craft new, arguably more classically inspired music. For instance, the legendary Roland TB-303 bass synthesizer was often heard in the subgenre Acid house. This device is also widely heard throughout the IDM world, as both a beloved sound and as homage to its roots. While oftentimes danceable, Intelligent Dance Music is not always quite so. In fact, it commonly incorporates intense rhythmic breaks, shuffling rhythms, and odd time signatures. The general feeling of the music ...
... middle of paper ...
...tation with time signatures and algorithmic programs, along with their rather lengthy song times. The duo’s latest album, Exai, is over 2 hours long (discogs.com). Another early founding act is The Black Dog, whose particularly house-inspired sounds and beats helped lay the starting points of industrial techno, tech-house, and dubstep, as well as IDM. Yet another, albeit odder example is Brazilian producer Amon Tobin. While starting his career in Drum’n’Bass, his intensive dabbling in field recording has made his recent material considered IDM. He is most notable for his astonishing three-dimensional imaging during concerts. Last but not least is the R&S Record Label, founded in 1988. It is considered one of the first supporting labels of IDM, thanks to their willingness to sign artists such as the aforementioned Aphex Twin and Black Dog, as well as newer artists.
What has been great for the underground scene is its ability to sell more records now, and that is by and large due to the increase of smaller, independent record labels(see chapter 1). Labels such as Rawkus, Fondle ‘Em, Stones Throw, Goodvibe, ABB Records, and others can compete with majors like Bad Boy and Def Jam now because they are backed by people who have money and want to see hip-hop culture survive.
Not parents, not teachers, but music changed the decade of the 1950s. Welcome to the decade, where rock ‘n’ roll music emerged. Rock ‘n’ roll changed the world, but it wasn’t just the music. The music created a movement. People were not afraid to be different. The Birth of Rock ‘n’ roll, created a major impact on many cultures and society. When I think of Rock ‘n’ roll music, I think of the music, as a stepping stone for Americans. I think of Rock ‘n roll music as a stepping stone for Americans because the music reflects on the change of America after the war. Everybody was afraid to break out and be different. Rock and roll music made it cool to be different. During the 1950s no other genre of music was accepted or despised as much a rock ‘n’ roll. The popularity of rock music can also be traced to the controversy that the music stirred up. When rock ‘n’ roll music hit the white suburbia area and became popular to the youth, the following decades talk trash about rock ‘n’ roll music. Despite the people talking trash about rock music, the music did help break down racial barriers. Rock music was universal. The music allowed different races to join together on the dance floor. As we take a journey through the 1950s, we will be able to understand the roots of Rock ‘n’ roll, famous idols, fashion sense the music created, and why rock ‘n roll has stirred up so much controversy during the fifties.
I am interested in Deadmau5's music because it interests me how a musician can incorporate technology into their work. He has the ability to press a button and completely change a song. Each of his live sets can differ completely from the last, most of them improvised and ever changing. He was at the forefront of electronic music, changing the way that musicians treat their subject manner. Not only does he use the programs readily available for electronic musicians to use, he also helps create and improve the software. In this way, he is nothing but original.
This essay, as the title suggests, will be about the origins of jazz music. Starting from the roots when African slaves arrived in North America, they helped the development and the emergence of early jazz a great deal. It is also important to not forget the significance of the Congo Square which kept the music alive in New Orleans, never letting it die out. Then, continuing on with the slavery theme, the essay will talk about why and how jazz music appeared in its widely considered birth place, New Orleans. Also, as early jazz developed into different styles, the text will mainly be focusing on its two most prominent ancestors: ragtime and blues. Additionally, jazz would not exist as it is known today without the assistance of some of the
Chapter six in our book discusses a lot about neuroanatomy. It is written that in order to be moved by music (physically and emotionally) it helps a great deal to have a readily predictable beat. Composers accomplish this by subdividing the beat in different ways, and accenting some notes differently than others; a lot of this has to do with performance as well. Groove is that quality that moves the song forward, the musical equivalent to a book that you can't back down. ''Super Freak'' by Rick James is used as an example, and I have to agree. It has a funky and fun groove to it. The book states that music is organized sound, but the organization has to involve some element of the unexpected or it is emotionally flat and robotic. I agree with
The Use of Electronic Technology in 20th and 21st Century Music In this essay, I have examined the use of electronic technology within 20th and 21st Century music. This has involved analysis of the development and continuing refinement of the computer in today’s music industry, as well as the theory of the synthesiser and the various pioneers of electronic technology, including Dr. Robert Moog and Les Paul. Also within the essay, I have discussed the increasing use of computers in the recording studio. The computer has become an indispensable tool in ensuring that both recording and playback sound quality is kept at the maximum possible level. Many positive ideas have come from the continued onslaught of computerisation.
Thomas Bangalter and Guy-Manuel de Homem-Christo, two french men, have been friends since their teenage years, and were once in a band called “Darlin’” with Laurent Brancowitz – guitarist of the French band, Phoenix – before forming Daft Punk. The band finally got a name when an English man who heard their performance said their music was a bunch of “daft punky trash.” In 1993, the band's first single called “The New Wave” was released; it was then edited again and re-released as “Alive”, which became very popular in the EDM (electronic dance music) scene. With their first album, Homework, came popularity. The two had never wanted to be in the public eye; they always wore some sort of mask in interviews, photo shoots, and concerts - they even went so far as to put black bags over their heads in an interview in Iceland (Icelandic ‘Bagged’ interview with Daft Punk).
A number of other genres, throughout the decade, maintained a significant following. One genre that was slow to start was Hip-Hop, while it emerged in the 1970’s it didn’t become significant until the late 1980’s. Although Classical music began to lose impetus, it gave way to a new generation of composers through invention and theoretical development. The decade was also distinguished for its assistance to electronic music, which rose in reco...
Being on the cutting edge of bizarre, alternative music is an elite privilege, complete with buzz words to exclude the mainstream. The music makes or breaks the scene. One rave deejay explains to Rosen and Flick (1992), "A great rave or techno record is like a religious experience. A bad one will give you a headache
Hip-hop culture, once confined to the streets has broken into the commercial realm with force. Hip hop records top the charts week after week, rap videos have taken control of MTV, BET and the BOX, and there are dozens of hip hop magazines on the newsstands. A stroll on any city street in the United States reveals the proliferation of hip-hop styled apparel. The culture itself had much humbler beginnings, however. On the street corners and in the parks, young men and women battled through freestyle rhymes and dance moves. Whatever the time period, and whoever he MC may have been, Rap has incorporated, and included several of the "classical" musical characteristics present in most western music today. These characteristics have influenced the popularity of this genre from coast to coast; as well as, giving the music a chance to penetrate into the homes of a vast array of people (White, Black, Hispanic, Asian, etc.). When one is referring to certain musical characteristics, pitch, dynamics, timbre, rhythm, melody, harmony, key, texture, form, and various others are usually mentioned. It is fascinating to see how many of these characteristics are present in the hip-hop culture, more specifically in rap music.
Music has shaped the lives of people throughout history. Even in its earliest forms, music has included use of instruments. One of the oldest musical instruments known is a variation of the flute; the original flute is thought to date back nearly 67,000 years ago. Tonight we are going to move throughout the eras with a history of instrumental music. This concert will begin with the Renaissance Era and continue through time until we have reached modern instrumental music.
Music and the relationships of music have changed drastically in our society. The course of studies and the evaluations of the applications of the technology of music, the making and the listening of music have changed in the way we listen to music, the styles of music in our society and in the media. The importance of the technology in music today, has, over the past century been charted through the study of musical examples and through viewing how human values are reflected in this century's timely music. There are very many different types of music that are listened to. There are readings, writings, lectures and discussions on all the different types of music.
Electronic Dance Music, also known as EDM, has increased in popularity over the past few years. The spike in popularity has helped create a bigger industry for EDM event planners. For example, the founder and CEO of Insomniac (a popular EDM event planning company), Pasquale Rotella is worth ten million dollars alone. In the 2014 Electric Daisy Carnival trailer, Rotella said, “Finally, I’ve felt like we’re getting somewhere,” in regards to the popularity and impact of these festivals. Because thousands upon thousands of people attend these festivals and the fact that industry has grown immensely over the past few years, this musicking experience is very significant. Experiencing electronic dance music at the festivals is nothing like listening to it at home.
The controversy in “Who started Rave Music, U.K. or U.S.?” is going to forever live on. But in all actuality, the U.S. sparked the flame that started it all. It all started back in 1970, in Detroit and Chicago, when Djs, like Frankie Knuckles, would program drum rhythms and play disco records over the top of his beats. He would play this “music” in the “club environment”. In 1977, in Chicago, the first club, playing this “music”, opened and was called The Warehouse. This is where house music received its name (shortened version of the clubs name). The U.K. heard of this and adopted the music. The music blew up over seas. Meanwhile it was still on the low in the U.S.. That is why people say the U.K. started it. House music was being played in gay clubs, in England, for 2 years before any sign of acceptance in the straight scene. While that was going on, the Djs in the U.S. were playing around with their music and somehow came up with the idea of mixing house music and hip-hop together. In 1985, Hip-house was born. This is when house music blew up in the United States. In 1986, Underground was born. Djs started getting creative with their music and in 1987 Deep House and Techno were born. In 1988, came Acid House. This was invented by 2 Djs who were hooking up their equipment and someone accidentally hit the on switch and on came the speakers making an “acidy” noise. The Djs liked the noise and decided to mix house music in. Thus, making Acid House. The U.K. began feeling left out and started experimenting themselves. In 1989, they came up with New Beat, a mix between Acid, Techno and House. While this was going on the U.S. came up with Hardcore, some really really fast house music. In 1990, LA finally decided to step away from the rap scene and give House/Techno a try.
By the end of its regin (*Disco music) was also responsible for the commericial creation of the 12 inch single to be made available for the general public and Dj's alike. The "remix"that has become standard practice within dance music, and a new set of studio techniques were available for imaginative dance music producers that heralded from the Disco Craze.