The history of Rave Music is quite interesting. It has been around for decades. Some enjoy it, some don’t. There is some conflict as to where Rave Music actually started. Some people, non-ravers most likely, ask what is Rave Music?
Rave Music is made up of technologically advanced beats that are mixed with other beats to form music. Rave Music has a culture of its own, as so does any other music type. The history of Rave Music is hard to sum up, but here it goes...
The controversy in “Who started Rave Music, U.K. or U.S.?” is going to forever live on. But in all actuality, the U.S. sparked the flame that started it all. It all started back in 1970, in Detroit and Chicago, when Djs, like Frankie Knuckles, would program drum rhythms and play disco records over the top of his beats. He would play this “music” in the “club environment”. In 1977, in Chicago, the first club, playing this “music”, opened and was called The Warehouse. This is where house music received its name (shortened version of the clubs name). The U.K. heard of this and adopted the music. The music blew up over seas. Meanwhile it was still on the low in the U.S.. That is why people say the U.K. started it. House music was being played in gay clubs, in England, for 2 years before any sign of acceptance in the straight scene. While that was going on, the Djs in the U.S. were playing around with their music and somehow came up with the idea of mixing house music and hip-hop together. In 1985, Hip-house was born. This is when house music blew up in the United States. In 1986, Underground was born. Djs started getting creative with their music and in 1987 Deep House and Techno were born. In 1988, came Acid House. This was invented by 2 Djs who were hooking up their equipment and someone accidentally hit the on switch and on came the speakers making an “acidy” noise. The Djs liked the noise and decided to mix house music in. Thus, making Acid House. The U.K. began feeling left out and started experimenting themselves. In 1989, they came up with New Beat, a mix between Acid, Techno and House. While this was going on the U.S. came up with Hardcore, some really really fast house music. In 1990, LA finally decided to step away from the rap scene and give House/Techno a try.
After reading Richard Dyer’s “In Defense of Disco” I began to think about disco as a product of capitalism. This is something that I had never really thought of before. When I think about the hip-hop industry I think capitalism, but not necessarily disco. In this article Dyer goes on to defend disco by identifying its key characteristics, and relating them to ways in which these characteristics allow gay men to escape the pressures of the dominant heterosexual society. Characteristics such as eroticism, romanticism, and materialism are outlined within Dyer’s article. Even though Disco may have been driven in capitalistic ways, I think that it has created an environment that helps to redefine gender and sexuality. Disco, like many other genres of music, has allowed for the creation of many dynamic cultures. These various sub cultures continue to evolve and flourish over time.
The hip hop culture began in the suburbs of New York over 30 years ago and has gone through drastic changes over this time. Hip Hop contains four different elements including: graffiti, rap, disc jockey and break-dancing. In the 1970’s, musical artists began to express themselves like Kool DJ Herc. Rap music began to spread through the urban neighborhoods of New York City and people used a new form of expression that gave a chance to sing about anything.
The history and development of salsa “cannot be separated from the history of migration”, meaning that the music developed and changed as it traveled the globe (Román-Velasquez: 211). Due to its global influences and popularity, salsa represents many cultures: “Initially associated with the Spanish Caribbean populations of Cuba and Puerto Rico, salsa was soon claimed as the voice of the New York City barrio and as representative of the experiences of the Latino community in the United States” (Román-Velasquez: 211). The term salsa describes more than just the music, but also “ a 'manner of making music' which is a flexible blend of many genres and which is continually reblended and given slightly different 'flavours' in different locations” (Román-Velasquez: 211). As salsa globalized, so did salsa dancing, adding another performance factor to the genre. Salsa clubs and fans in
Soul music came up as a result of rock and roll from the African American gospel, rhythm and blues. As the century grew bands were created like the bubblegum pop band comprised of blacks who created new fusion of R&B and hip hop music that is still embraced till now. Rap music evolved from the Blues, rap music was made up of deep rhythms and autobiographical lyrics. Music nurtured the African American tradition and their struggle towards equality the same cent...
It started within the black community and spread along. Rap took longer than rock and roll to actually link different cultures and social classes together because it originated in a minority social class. To some people listening to rap was downgrading and vulgar, due to the slang and offensive language. However it was a huge movement for the black community as they expressed their feelings towards the way they were being treated. Later on there was a merge when Eminem came along, as he was a white man that also wanted to become a rapper.
influential in the North as well. Blacks moved from the South to the North and
Hip hop was spurred in the late 70’s. The man credited as being the first rapper ever, DJ Afrika Bambataa, was the first to “talk” to his music. His unorthodox style quickly became very popular in the disco and funk clubs. For the lack of a better word,
Rap Music, a genre of R&B that includes rhythmic poetry put over a musical background. The background consists of beats combined with digitally isolated sound bites from other recordings. The first recording of rap was made in 1979 and the genre began to take notice in the U.S. in the mid-1980s. Though the name rap is often used back and forth with hip hop. The name hip-hop comes from one of the earliest phrases used in rap on the song “Rapper’s Delight” by Sugarhill Gang. “I said a hip hop, hippie to the hippie, the hip, hip a hop, and you don't stop, a rock it to the bang bang boogie, say, up jump the boogie, to the rhythm of the boogie, the beat.”. In addition to rap music, the hip-hop subculture also formed other methods of expression like break dancing, graffiti art, a unique slang vocabulary, and fashion sense.
Hip hop culture has been around since the 1970s. Multiple sources all come down to the South Bronx in New York City, as the origin of hip hop culture. The culture began to take its shape within the African American, Afro-Caribbean, and Latino communities. The father of the start of this culture was a Jamaican-born DJ named Clive Campbell but also known as DJ Kool Herc. He brought forth a new sound system and the Jamaican style of “toasting.” Toasting was when Jamaicans would talk or rap over the music they played. This whole new style soon brought what is now known as DJs, B-Boys, MC’s, and graffiti artists (Kaminski).
This will then open up the discussion about the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music. Hip hop originated in the ghetto areas of New York during the 1970’s and is a mixture of DJ, MC, B boy and Beat boxing. In his studies of defining hip hop, Jeffries concluded that these mixtures of art forms do not define hip hop but rather that hip hop itself is a culture of these elements. “Hip-hop is like a culture, it’s a voice for black people to be heard. Our own style, our own music” (Jeffries). 2011; 28).
So began my two-year ethnography on the American rave subculture. The scene described above was my initiation into the underground subculture where rave kids, typically under twenty-one years old, are given secret invitations to attend private warehouse parties with dancing, drugs, and thousands of their closest friends. Because of my youthful and unorthodox appearance, I was invited to join the then-highly-exclusive underground scene and attended numerous raves in several major cities in North Carolina. Although my chosen subculture was not typically examined by academia, I conducted an academic ethnography of what Maton (1993) describes as a "group whose world views, values and practices diverge from mainstream North American and social science cultures" (747). As a result, I received three graduate credit hours for "supervised research in ethnography" and conducted what may be the only academic ethnography on raves.
Many people and many styles of music influenced Rock and Roll. The styles included Blues, Jazz, Gospel, Bluegrass, Boogie-Woogie, and Rockabilly. Each was a major factor into the introduction of a new style of music called Rock ‘N’ Roll.
Dubstep is an electronic dance music genre that emerged in South London, England, it was discovered in the early 90’s as a more experimental type of music that was similar to other genres being Dub Reggae, Jungle, Break Beat, Drum and Bass, also known as DNB for short, Techno and 2 step Garage music. All
House music was first and foremost, the direct descendant of "Disco". Many older and wiser Chicago, New York and New Jersey House dj's will agree with me on this. They will acknowledged that fact that it was due to New York's, huge Disco club and music scene that helped to create the music of House and Garage and its culture within Chicago, Usa.
The next sub-genre is my favorite. Trance is one of the most popular style of Techno at large parties. Trance all started in Germany in the beginning of the nineties at a party called "Age of Love", where DJ Sakin played the first trance song ever: "Protect Your Mind". It was a huge hit and helped trance become one of the most popular forms of techno. The beats in Trance music tend to be louder than in other genres, which makes the music "hotter". The bass often fluxuates between high and low sounds mixed with a dreamy and spacy sound. To be more specific trance music contains many drum climaxes and wavy sounds. Trance music also branched into it's own sub-genres such as Goa. Goa is similar to trance only more psychedelic. It uses more trippy sounds and wibbly noises layered on each other.