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Analysis of maggie a girl of the streets
Maggie: a Girl of the Streets
Maggie: a Girl of the Streets
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At the bed of the deepest ocean, exist a distinguished sect of people. They live with no warmth or light, in the darkest, most nefarious pit of the world. They eternally drown. An occult force leisurely sips their souls, relishing every drop. It savors the thin and sweet nectar of innocence as it fluidly streams down its throat, appeasing its taste buds but never quenching the crave for more. This mystic being extracts the cherubic innocence of a child’s laughter before it even has the chance to dance upon their lips. However, it lives within the souls of the children; it is engraved in their bones, an intrinsic quality passed from generation to generation. It works from the inside to turn every person against one another, to make them fight for a life of wealth and happiness. Little do the victims know that it does not matter whether they attain the life they strive for. The battle is only an illusion. Whether they reach this fantasy or not, they will live a life devoid of any happiness or love, for the demon within will continue to imbibe their joy. It will mercilessly consume this sweet nectar until it pilfers every drop. This ambrosia is the only hope for the victims of Stephen Crane’s Bowery in Maggie: A Girl of the Streets. Once this hope has disappeared, the victims of his Bowery are condemned to a life of addiction and desperation. The lurking beast’s existence and power is unknown to the rest of the world. There is no way to save its victims because their destitution is invisible to those who hold the ability to lift them from the seabed. There is no way to save these pitiable victims from the depths of the ocean, for the evil spirit that lurks within their souls is too strong for anyone to surmount. Crane unleashes the ...
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...forget about the real world and thus fail in it. They become addicted to these retreats and hence die when the withdrawal comes about. The victims of the Bowery try to fight the current that the demon of the Bowery oppresses them with. However, swimming upstream is impossible because they do not believe that they can reach their final goal. Furthermore, they cannot see where they want to go because no light of hope every reaches them. Without intervention from wealthier and thriving individuals, there is no way these destitute beings can rise from the depths of their naivety, corruption, and misinterpretations. These people will always be present in society; it is just up to people like Crane to recognize them. The ideas of Naturalism will remain reality if the impoverished and the interventionists do not detain and surmount the beast that drinks the hope its prey.
Tragedy acts as an antidote to human fallibility; it also warns individuals of the dire consequences of follies in a way that comedy cannot. It accentuates how a character of high rank falls from grace due to his or her character flaw. More importantly, the downfall evokes pathos, which results in the viewers’ emotional cleansing and purging. In Richard Van Camp’s short story, “Mermaids”, the main character “Torchy” is a native Indian who struggle to find a goal in life. To cope with the loss of his brother and his traumatic life, he abuses alcohol and drugs.“Mermaids” is not considered as a tragedy since the main character does not fulfill a noble tragic hero, he does not go through peripeteia, and the ending of the story does not let the
Poe’s frightening stories acts as helpful inspiration for entertainment in the present, and for many years to come. The timeless relevance of his work, and its merciless scrutiny of the human condition, solidifies its place in history and its position of high admiration. In conclusion, the extraordinary-fleeting-tragic life of Edgar Allan Poe will forever remain on record as the tale of an orphan, a gentleman, a soldier, and one of the most prominent literary figures in American history.
found dead. The original excerpt has been edited over the years to not include the
Maggie is a major character in Everyday Use. Because Maggie is quite and withdrawn, she is hardly recognized. “She has been like this, chin on chest, eyes on ground, feet in shuffle, ever since that house burned the other house to the ground”(316). While Maggie loved that house abundantly, Dee despised it. Although she became attached to her previous house, she portrays that materialism is not as important as remembering spiritual values. She has a true, un-superficial sense of family, or heritage, as she tells her mother that Dee may have the quilts because she "can 'member Grandma Dee without the quilts" (321). Maggie comprehends that she can recall her spiritual values without material possessions, unlike Dee. Dee becomes more concerned
“She imagined a future rose-tinted because of its distance from all she had experienced before,” (53). The distance from the broken furniture and drunken bawls was not far. Maggie’s new wonderful cultural experience was a short glimpse at New York’s museums with time spent at cheap theatres and dance halls. Instead of a fairy tale story, Crane told of reality in Maggie: A Girl of the Streets – the reality that would face a young girl from a dirt poor, chaotic existence. Crane contrives to show how much weight poor pre-existing conditions have in determining the future.
As a child, Lena was always kept away from strangers by her mother, fueling her curiosity and imagination. In order to keep the “bad man” from planting babies in Lena, her mother had barricaded the door to the basement and told her not to enter. However, Lena’s curiosity finally enabled her to pry open the door, but she fell into a dark chasm. When she is rescued by her mother, she said “…after that I began to see terrible things. I saw these things with my Chinese eyes, the part of me I got from my mother.” (103) Lena completely overlooked the warnings that were presented to her by an authority figure, her mom. Her mom constantly reminded her of the terrible events that could happen, but Lena felt she was so separated from the world she lived in that she became very curious. She wanted to see the world veiled by her mother’s restrictions, and even face danger she was always kept way from. As a result, she suffered the consequences of seeing everyth...
Today, many scientists accept that behavior and personality are determined by both nature and nurture. However, there is still the debate about the extent that biology or environment has to do with shaping a person. Nativists think that genes play the greatest role on what causes human’s to act certain ways, while empiricists believe the human mind is born free and is filled with likes, dislikes, and goals based on their environment. Overall, people are born with likelihood to act a certain way and have a predestined fate due to the way they grew up. They may be genetically predisposition to like certain things, but are still capable of changing based on outside influences. These thoughts are all part of the Naturalistic belief that nothing
Edgar Allan Poe’s haunting poems and morbid stories will be read by countless generations of people from many different countries, a fact which would have undoubtedly provided some source of comfort for this troubled, talented yet tormented man. His dark past continued to torture him until his own death. These torturous feelings were shown in many of his works. A tragic past, consisting of a lack of true parents and the death of his wife, made Edgar Allan Poe the famous writer he is today, but it also led to his demise and unpopularity.
Poe loves to write about darker, morbid things that make the reader judge the protagonist’s actions, yet pity him for doing such a thi...
"The monstropolous beast had left his bed. The two hundred miles an hour wind had loosed his chains. He seized hold of his dikes and ran forward until he met the quarters; uprooted them like grass and rushed on after his supposed-to-be conquerors, rolling the dikes, rolling the houses, rolling the people in the houses along with other timbers. The sea was walking the earth with a heavy heel.
Limited opportunities for women to share their opinions publicly throughout the Nineteenth century caused an abundance of females to communicate their ideas through writing. Catharine Maria Sedgwick was among the first of American authors to publish historical and other fiction. Much of her work deals with the role of white women in society, especially involving the Cult of Domesticity or True Womanhood. Sedgwick managed to incorporate her unorthodox views on women’s behavior, relationships, religion, and people foreign to her culture, while still appealing to a broad audience. Her novels, A New-England Tale, published in 1822 and Hope Leslie published in 1827, contradict the mainstream ideals of her time. The time period and culture, during which Sedgwick matured, along with her family relationships, greatly influenced her work.
Morrison dedicates an entire chapter towards explaining the apartment Pecola Breedlove moves into once her father is released from jail. The narrator moves backward in time in order to describe the storefront of the Breedlove’s apartment. Morrison produces a great meaning from small details, such as focusing on the furnishing of the dwelling. Claudia explains how the abandoned store “foists itself on the eye of the passerby in a manner that is both irritating and melancholy” (33). The unpleasant qualities of the building symbolize the unpleasantness of the Breedloves’ story—a story about the ugliness inflicted against them. The importance of a story is displayed in Adrienne Rich’s poem, “Diving Into the Wreck,” where she says that “the sea is another story / the sea is not a question of power” (Rich 41-42). In this piece, Rich presents the idea that a story is not a question of power, but a story is an account of one’s life experience. When Claudia discusses the storefront being abandoned, the Breedloves would also be deserted by one another and by the world around them. As she discusses the different occupants of the building, the reader is reminded that no matter hopeless the Breedloves’ are, they are just a part of the neighborhood
Crane draws his readers into the story with tone by placing the reader into the same frame of reference as the characters. In "The Open Boat", the beginning focuse...
Despite the similarities in the time periods of the pieces, the use of language in them is very different. In Stephen Crane's “Maggie,” the audience is given the story of a poor family whose children grow up and experience difficulties due to their social position. As already noted, the dialog is treated in the story in a much different manner than the paragraphs which are written in a more eloquent manner. An example of this is:
Robert Cormier's psychological thriller In the Middle of the Night takes us on a mysterious journey of revenge; he explores the minds of characters with monstrous thoughts. Orphaned children Lulu and her young brother David were severely injured at a magic show in the Globe Theater on Halloween night when a balcony collapsed upon them. Although Lulu was revived, she dies a spiritual death. She now dedicates her life to revenge on John Paul, the usher who she believes caused the accident of her death. The story shows us that all humans are capable of monstrous behavior.