In the story "The Open Boat," by Stephen Crane, Crane uses many literary techniques to convey the stories overall theme. The story is centered on four men: a cook, a correspondent, Billie, an oiler who is the only character named in the story, and a captain. They are stranded in a lifeboat in stormy seas just off the coast of Florida, just after their ship has sunk. Although they can eventually see the shore, the waves are so big that it is too dangerous to try to take the boat in to land. Instead, the men are forced to take the boat further out to sea, where the waves are not quite as big and dangerous. They spend the night in the lifeboat and take turns rowing and then resting. In the morning, the men are weak and exhausted. The captain decides that they must try to take the lifeboat as close to shore as possible and then be ready to swim when the surf inevitably turns the boat over and throws the men into the cold sea. As they get closer to land a big wave comes and all the men are thrown into the sea. The lifeboat turns over and the four men must swim into shore. There are rescuers waiting on shore who help the men out of the water. Strangely, as the cook, captain and correspondent reach the shore safely and are helped out of the water, they discover that, somehow, the oiler has drowned after being smashed in the surf by a huge wave. (255-270) “The Open Boat’s” main theme deals with a character’s seemingly insignificant life struggle against nature’s indifference. Crane expresses this theme through a suspenseful tone, creative point of view, and a mix of irony. Crane draws his readers into the story with tone by placing the reader into the same frame of reference as the characters. In "The Open Boat", the beginning focuse... ... middle of paper ... ... point of view, and irony. Crane use these techniques to guide the reader in the course of the struggles, both internally and externally, of mans great endeavor against nature. The tone sets the suspense of the story by building the impending doom upon the crew. The stories point of view allows the reader to gradually understand and expect the indifference of nature upon people’s lives. The reality of nature is expressed through the use of different kinds of irony. The universe is represented by the power of the ocean, and the small boat in this ocean is symbolic of man in this giant universe. The immaculate power of the ocean is very indifferent to the small boat, just as our great universe could not care less for man. Works Cited Booth, Alison, and Kelly J. Mays. The Norton Introduction to Literature. Shorter Tenth Edition. New York: Norton, 2010.
...He is still anchored to his past and transmits the message that one makes their own choices and should be satisfied with their lives. Moreover, the story shows that one should not be extremely rigid and refuse to change their beliefs and that people should be willing to adapt to new customs in order to prevent isolation. Lastly, reader is able to understand that sacrifice is an important part of life and that nothing can be achieved without it. Boats are often used as symbols to represent a journey through life, and like a captain of a boat which is setting sail, the narrator feels that his journey is only just beginning and realizes that everyone is in charge of their own life. Despite the wind that can sometimes blow feverishly and the waves that may slow the journey, the boat should not change its course and is ultimately responsible for completing its voyage.
Crane’s work, “The Open Boat,” is story based on his experience as a survivor
Stephen Crane’s “The Open Boat” has long been acclaimed as a fascinating exemplar of Naturalism, generating many studies that range from the indifference of Nature to the “psychological growth of the men through the experience” (466). The psychological growth happens to every man on the boat, yet is mostly depicted through the voice of the Correspondent and in the form of his questioning and contemplating their desperate situation. Being a correspondent, who is innately able as well as inclined to interpret and communicate ideas, the Correspondent is singled out to articulate the mind of his three fellowmen and of Stephen Crane himself, should the story be seen partly as a journalistic account of his own adventure. Therefore throughout the story, the Correspondent takes the mediating role between the men and the outside world, combines a spokesperson with an interlocutor, and reflects the men’s growing awareness to the indifference of Nature.
The seagulls in this story are used to symbolize human frailty and nature’s indifference to it. As the men continue their journey through the fierce waves, Crane incorporates the use of imagery to describe the nature around them by giving it gloomy colors that are often used to represent death. Toward the end of the story, as the men are still hoping to be rescued, they encounter a shark swimming around the boat that symbolizes that something bad is about to happen. At the end of the story, readers learn that the Oiler, Billie, dies, but if one pays close enough attention to the detail used in this story there is enough evidence to foreshadow the death of one character. In this story, “The Open Boat,” Stephen Crane uses imagery and symbolism through the use of colors and objects in nature to depict the characters lack of power over
We’re given short or no descriptions of the crewmembers. All we know is that the cook has fat forearms and the captain is injured. These descriptions leave it up to the reader to create these characters in their mind, in doing so they are creating a personal connection. In many ways the reader can relate to the crewmembers. The correspondent (also the narrator) says," If I am going to be drowned, why…was I allowed to come thus far...” Its descriptive and forceful and relatable so its makes people start thinking about their own situations. People usually try their best but they don’t always succeed. If anything we do is never going to be good enough, then why try? At this point people begin to claim and demand an explanation from whatever god they worship. Current situations often trigger thoughts of our past. The correspondent relates this to his childhood when he saw a dying soldier and felt as if it was not important but now when he’s in the situation he realizes how “stern, mournful, and fine” it really was. The only thing that is given specific descriptions constantly is the boat and the water. Crane personifies non-living things and gives them more importance than the main characters! The crewmember’s perspective/descriptions of the boat and water change throughout the story. The water is chaotic, bumpy, and dangerously high in the beginning but as the men begin to loose hope and challenge the gods, the water is no longer mentioned and if it is its calm. Also, the seagulls are flying around and the weather does not change regardless of the men’s situation. Therefore enforcing the idea that nature is indifferent to man. The crewmembers desperately use confirmation bias, the tendency to search for or
Crane, Stephen. "The Open Boat." The Harper American Literature. Ed. Donald McQuade et al. 2nd ed. 2 Vols. New York: Longman, 1993.
In the short story “ The Open Boat,” by Stephen Crane, Crane does an outstanding job creating descriptive images throughout the entire story. With saying this, Crane uses symbolism along with strong imagery to provide the reader with a fun and exciting story about four guys who 's fight was against nature and themselves. Starting early in the book, Crane creates a story line that has four men in a great amount of trouble in the open waters of the ocean. Going into great detail about natures fierce and powerful body of water, Crane makes it obvious that nature has no empathy for the human race. In this story, Crane shows the continuous fight that the four men have to endure in able to beat natures strongest body of water. It 's not just nature the men have to worry about though, its the ability to work together in order to win this fight against nature. Ultimately, Crane is able to use this story, along with its vast imagery and symbolism to compare the struggle between the human race and all of natures uncertainties.
Our journey starts in the year 1853 with four Scandinavian indentured servants who are very much slaves at the cold and gloomy headquarters of the Russian-American fur-trading company in Sitka, Alaska. The story follows these characters on their tortuous journey to attempt to make it to the cost of Astoria, Oregon. Our list of characters consists of Melander, who is very much the brains of the operation as he plans the daring escape from the Russians. Next to join the team was Karlson, who was chosen by Melander because he is a skilled canoeman and knows how to survive in the unforgiving landscape of the Pacific Northwest. Third was Braaf, he was chosen because of his ability to steal and hide things, which made him a very valuable asset to the teams escape. Last to join our team is Wennberg who we know is a skilled blacksmith who happens to hear about their plan and forces himself into the equation.
A household is a precious and sensitive system of a group. Everyone has a role and responsibilities and even if someone took a sliver of more than the rest the balance could be broken. In the short-story “The Boat” written by Alistair MacLeod, the mother controls decisions in the house and abuses them even if they are not for the better of the house. She refuses to accept the daughter’s gifts, she discourages her family towards getting a better education and she married their father and pressured him to be a sailor. Though these decisions are what she feels is right, it does not work out for the rest of the family members. The mother’s stubbornness towards change and education caused the state of desperation in the house-hold.
Stephen Crane’s short story, “The Open Boat” speaks directly to Jack London’s own story, “To Build A Fire” in their applications of naturalism and views on humanity. Both writers are pessimistic in their views of humanity and are acutely aware of the natural world. The representations of their characters show humans who believe that they are strong and can ably survive, but these characters many times overestimate themselves which can lead to an understanding of their own mortality as they face down death.
The characters also are involved in the belief of the anti-transcendental philosophy. The story shows how each character acts with nature and each other. Many of the whalers must protect the boat and each other as they trek through the wild tides and horrible weather conditions. They try their hardest to fight these conditions, but sadly the narrator is the only survivor. These men exemplify the philosophy by fighting the animals; especially the whales ...
Both authors use very different methods to achieve the same effect on their readers. The amalgamation of the diverse techniques Crane and Proulx utilize creates a solemn atmosphere in both stories. “Job History” and “The Open Boat” portrays characters that are void of personality. This absence of personality prevents the reader from true empathy or understanding of the characters.
Writing in “Fact, Not Fiction: Questioning Our Assumptions About Crane’s ‘The Open Boat,’” Stefanie Eye Bates remarks, “By mentioning the men’s friendship, the atmosphere of congeniality and fraternity, the captain’s calm voice and the comfort the others took in it, Crane fully explains how he draws the conclusion that ‘although no one said it was so,’ the sense of unity was felt by all” (73). Since this bond of brotherhood is felt by all the men in the boat, but not discussed, it manifests in small ways as the men interact with each other. They are never irritated or upset with each other, no matter how tired or sore they are. Whenever one man is too tired to row, the next man takes over without complaining. When the correspondent thinks that he is the only person awake on the boat, and he sees and hears the shark in the water, the narrator says, “Nevertheless, it is true that he did not want to be alone with the thing. He wished one of his companions to awaken by chance and keep him company with it” (Crane 212). In reference to this scene, Shulman remarks that “the central theme of community [is] touchingly rendered here because the correspondent does not awaken his exhausted companions” (451). Nobody makes any statements about the bond that the men develop, but it is evident in small things like this, where the correspondent lets the other men sleep
The “Open Boat” and “A Mystery of Heroism” are both fantastic displays of Stephen Crane’s mastery with naturalism. The first depicts the struggles of four men trying to survive the open ocean, the latter a commentary on the obscure requirements of heroism. Both stories shared similar characterization by letting the reader decipher the protagonist through their actions and thoughts. The themes of the two stories differed, one emphasizing the indifference of nature and the other musing the ambiguity of what constitutes a hero. The conflicts also shared a likeness, with the power of repetitive nature of waves connecting to the force and persistence of artillery fire. The values of the stories still hold prevalent to modern society. Wars still rage on, many heroes are lost and forgotten, and nature still holds her unrelenting grasp on human complexion.
Crane states that Cook claims there is either a "house of refuge" or a "life-saving station" nearby with one of them having a group to help, and if they can get close enough, they will be rescued. They make their way to a lighthouse and are sure they will be rescued. The author says that they have found dry cigars in the pocket and start to smoke them and drink water from the ocean. Crane says that they did not find anyone at the shore so they went back to sea and began to row soar more. The author experience of being in the boat together creates a strong sense of brotherhood between the men,