The Divine Comedy is much more than an epic poem depicting a man’s interpretation of Heaven, Hell, and Purgatory. Written by Italian poet, Dante Alighieri, the Divine Comedy frequently alludes to the political turmoil that was prevalent throughout 14th century Italy, specifically, the city of Florence. During this period of Italian history, there was a lack of a stable government and a power struggle between the Papacy and the Holy Roman Emperor. This paper will analyze the political aspects within the Divine Comedy and its connection to religion, focusing specifically on the Inferno.
During Dante’s lifetime, two factions were in constant conflict amongst each other over control of his home of Florence; the Guelphs, supporters of the Pope, and the Ghibellines, who sided with the Holy Roman Emperor (Norton, p. 1458). Eventually, the Guelphs, whom Dante was a supporter of, gained power over Florence. Yet, the Guelphs would eventually feud amongst themselves, which would drive a stake between the groups, splitting them into two separate factions. The factions became known as the Whites, who supported the idea of Florence remaining independent from any outside or foreign entity, and the Blacks, who wanted to put Florence under the dominion of then Pope Boniface VIII. Nevertheless, the Blacks gain control of Florence with aid from the Papacy, and Dante, being a member of the Whites, was exiled from Florence.
During this period of Italian history, Catholicism was the dominant religion, and reigned supreme among others. Advancement in the Catholic faith was used as a means to secure political power in a divided region. With religion and politics being strongly interconnected, the Pope was often seen as the most influential political f...
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Alighieri, Dante. The Divine Comedy of Dante Alighieri: Inferno. Trans. Allen Mandelbaum. Notes Allen Mandelbaum and Gabriel Marruzzo. New York: Bantam Books, 1980
The Divine Comedy, written in the 14th century by Dante Alighieri, is a heroic epic. Throughout Dante’s literary work, he outlines his scientific understandings of the world, his political views and provides the reader with a moral compass and spiritual map of which to follow. This poem is written in three parts, Inferno, Purgatorio, and Paradisio, each of which is broken down into individual cantos. Inferno includes 34 cantos, whereas Purgatrio and Paradiso each contain 33 cantos, however, the first canto of Inferno is really an introduction to the poem.
As readers in the modern age, it is sometimes hard for us to examine and understand the words and messages due to the bridge between the ancient classical poems and the modern age poems. In Dante’s inferno poem, it is very challenging to analyze the information in such a rigorously written poem and relate the same poem to the said writer (Williams). Understanding the poem goes beyond the fiery depths of hell and into the real world of Dante and the surroundings that influenced his writing and creativity. The involvement of Dante Allegro in ancient political factions, in his own city state, led to his exile and consequently his demise. His mortality will forever be felt from his work as readers will constantly warn of the rot in the political and church corruption.
In The Divine Comedy by Dante Alighieri there are two main guides who help Dante on his journey to salvation. These guides help demonstrate the consequences of sin and teach him how to overcome the temptation of it. These guides are each a crucial part in Dante’s transformation to allow him to fully grow and learn to be pure on his own.
Rudd, Jay. "Inferno: Cantos 1–:4."Critical Companion to Dante, Critical Companion. New York: Facts On File, Inc, 2008. Bloom's Literature. Facts On File, Inc. Web. 11 June 2014
Dante, an Italian poet during the late middle ages, successfully parallels courtly love with Platonic love in both the La Vita Nuova and the Divine Comedy. Though following the common characteristics of a courtly love, Dante attempts to promote love by elevating it through the lenses of difference levels. Through his love affair with Beatrice, although Beatrice has died, he remains his love and prompts a state of godly love in Paradiso. Dante, aiming to promote the most ideal type of love, criticizes common lust while praises the godly love by comparing his state of mind before and after Beatrice’s death. PJ Klemp essay “Layers of love in Dante’s Vita Nuova” explains the origins of Dante’s love in Plato and Aristotle themes that designate
“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
In Dante’s Inferno, throughout the epic journey of the character Dante into the depth of Hell, he encounters a number of beasts and monsters as he passes along the way, especially through the seven stations of the greatest monsters of Hell. The most significant of these seven major monsters is of central importance to the character Dante’s journey as well as to the narrative, for these monsters not only challenge the presence of the character Dante in Hell, but they are also the important custodians of Hell. Moreover, some of them even have more particular duty to perform, apart from being the Hell guardians.
Alghieri, Dante. "The Divine Comedy: Inferno." The Norton Anthology of World Masterpieces: Expanded Edition In One Volume. Gen. Ed. Maynard Mack. New York, NY: W.W. Norton & Company, 1997. 1032-1036.
To truly comprehend Dante’s Divine Comedy, although complete comprehension is not necessary to enjoy this literary masterpiece, there are several skills one might need to acquire. For instance, one helpful piece of knowledge would be the ability to fluently speak Italian, since the many translations differ being able to have read Dante’s actual written words and understand them would make reading the Divine Comedy a bit more personal and therefore easier to understand. To catch and understand the plethora of references and allusions made by Dante it would aid any reader with their findings to be accompanying their reading of the Divine Comedy with a reading of Dante’s autobiography Vita Nuova. Vita Nuova or New Life would give the reader a comprehension of all the political references in addition to all of the political references throughout the Divine Comedy. Whether it is Dante’s un avenged ancestor Geri del Bello or the political leader Boniface the Divine Comedy is made up of many aspects of Dante’s life thus making it difficult for any scholar to pinpoint the true motive behind the writings of the Divine Comedy.
When we are first introduced to Dante the Pilgrim, we perceive in him a Renaissance intellectual, who despite his intelligence and religiosity has lost the “path that does not stray” (I.3). Having thus lost touch with the tenets of orthodox Catholicism, a higher power has chosen for him to undertake an epic journey. (The devout are able to identify this power with the one Judeo-Christian God, while pagans and sinners often attribute the impetus behind the Pilgrim’s voyage to fate.)
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Alighieri, Dante. "The Inferno." The Divine Comedy. Trans. John Ciardi. New York: First New American Library Printing, 2003.
... Moreover, such belief in human reason signifies Dante's hope towards a bright society and the pursuit of God’s love as the other part of self-reflection. In conclusion, a great deal of tension and contrast between “dark” and “light” in The Inferno helps us to explore Dante’s self portrait—he fears dangerous desires and sinful darkness, but shows much courage and hope towards life since he nevertheless follows his guide Virgil to dive into horrible Hell. As shown in Canto I, such emotional reaction to dark and light symbols lays a great foundation for developing Dante’s broad and universal traits as his journey progresses.
Alighieri, Dante. The Divine Comedy, Inferno. New York: W. W. Norton & Company, 2009. Print.