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Examine the development of the music press from the 1970’s to the present day compare and contrast the changes which have come into play with the developments of online magazine format. The music press and journalists are often seen as an important link between artists/bands and consumers. Reviewers and journalists have played an historical role in many upcoming bands lives and are recognized by the music industry as having a key part in the promotion of bands and artists. However, the music press has also been known to play a part in the promotion of popular music with wider political, social and cultural concerns. An example of this is Punk music. Many argue that the birth of punk music came when the then “newly formed Sex Pistols” played their first gig at St Martins College in London. They were reported to have been “attempting to break through in a music scene that had long gone stale from the fallout from the 1960s, the death of glam rock and the tail-end of the pub rock scene” But others say it first began in Detroit in the mid to late '60s. This saw the appearance of the Stooges and the MC5. They were raw, crude and often political, a far cry from their predecessors in Rock and Roll such as Elvis Presley. Many saw this as a break through in a music scene that had long gone stale. The youth of the day were restless and bored of the music they were provided with and this exciting new music genre changed the music press and indeed the world. Music journalism before this change was often played very safe. A far cry from the fanzines of the punk era, whose DIY ethics were embraced by so many people that the practice of creating fanzines still goes on today although most are created and published online. The V... ... middle of paper ... ...m: A Rock's Backpages Reader. USA: Bloomsbury Vivian, J (2009). The media of mass communication. London: Allyn & Bacon. Sabin, R (1999). Punk Rock: So What?: The Cultural Legacy of Punk. London: Routledge Cannadine, D (2004). History and the Media. London: Palgrave Horner, B (1999). Key Term in Popular Music and Culture. USA: Wiley-Blackwell Works Cited Shuker, R (1994). Understanding Popular Music. London: Routledge. Hoskyns, B (2003). The Sound and the Fury: 40 Years of Classic Rock Journalism: A Rock's Backpages Reader. USA: Bloomsbury Vivian, J (2009). The media of mass communication. London: Allyn & Bacon. Sabin, R (1999). Punk Rock: So What?: The Cultural Legacy of Punk. London: Routledge Cannadine, D (2004). History and the Media. London: Palgrave Horner, B (1999). Key Term in Popular Music and Culture. USA: Wiley-Blackwell
Swenson, John.” The Story of a Band”. Billboard. 5 Dec. 1998. General Onefile.Web. 16 Apr.2014
The story of the birth of rock ‘n’ roll has a mythical quality to it. It speaks of racial barriers bridged through the fusion of Afro-American musical styles with white popular music in 1950s America. Not only did white record producers and radio disc jockeys market Afro-American artists, but white artists began to cover their songs, as well as incorporate Afro-American style into their own song writing. The musical style was so powerful that the white audience was infected by it, despite the social stigma that listening to “race music” possessed. The common view of teenagers’ participation in the creation of rock ‘n’ roll as an act of rebellion runs parallel with the music’s legendary origins. Through rock ‘n’ roll, the teenagers of the United States created a generational gap that angered their parents’ generation. Teenagers rejected kitchy Tin Pan Alley, “Sing Along with Mitch,” and the sleepy crooning of Perry Como in favour of sexually charged race music. Historians have taken different approaches to the question of teen rebellion. While some consider their love of rock ‘n’ roll revolutionary, others argue that the music cemented teenagers within the conformity and materialism of the 1950s; what cars were to adults, rock ‘n’ roll was to teens.[1]
Although the style of ‘Rock music’ is easily adaptable to many different sounds, it is still thoroughly identified by its definingly amplified rhythm. The sudden worldwide popularity of rock and roll resulted in an unparalleled social impact. Rock ‘n’ Roll influenced lifestyles, fashion, attitudes, and language in a way few other social developments have equaled. The social impact is so large that rock stars are worshipped worldwide. In its early years, many adults condemned the style of music, placing a stigma on its name, and forbid their children from listening and following its ways.
It started within the black community and spread along. Rap took longer than rock and roll to actually link different cultures and social classes together because it originated in a minority social class. To some people listening to rap was downgrading and vulgar, due to the slang and offensive language. However it was a huge movement for the black community as they expressed their feelings towards the way they were being treated. Later on there was a merge when Eminem came along, as he was a white man that also wanted to become a rapper.
Smith, Isabel. “History of Music.” Stories of Rock and Roll Music from 1950s Ed. New York: Plume, 1989. 87-95.
In conclusion, I would like to state that even though this paper has marked a clear difference between what is perceived through the eyes of a witness as opposed to a research, the grunge movement, although a media commodity, an ironic mainstream movement whose philosophy was to oppose the mainstream in the first place, has left its mark on the music industry. It should, under no circumstance, be assumed that all there was to the grunge movement was a manipulation. It was the heart and soul of its audience, and remains quite so today, on an international basis. Not for its history, but for the content of its music.
Rock ‘n’ roll and 20th Century Culture According to Philip Ennis, rock ‘n’ roll emerged from the convergence of social transformations which resulted from World War II (Ryan 927). Despite its pop culture origins, rock music is arguably one of the strongest cultural factors to develop in this century. Artists such as Lennon, McCartney and Dylan defined the emotions of a generation and, in the last decade, it as even been acknowledged by members of the establishment which it hoped to change as a major influence in the country. In order to understand how rock went from a sign of rebellion to a cultural icon, it is necessary to understand where it came from.
...ath to dominate their field and branch off into other dominating sub-genres. Those genres, especially in the 1920’s, created the foundation of what we see today in the 21st century. The genres and the creativity produced in these decades were accompanied by entertaining dance and shows that provided the people with a comfortable diversion from their outward life. In addition, music remained a way of spiritual and fun release of the mind and energy. With the radio acting as a distribution center for music, it became a national pastime in which it still ranks number one today for it’s easy access and reaching fields. In conclusion, although the 1920’s saw the birthplace of what is generally known today as the foundation of modern music, the 1970’s matched innovation and creation in the industry which is why music is still a staple in the lives of many people today.
Johnson, Michael L. The New Journalism: The Underground Press, the Artists of Nonfiction, and Changes in the Established Media. Lawrence: University of Kansas, 1971. Print.
The term Punk was coined by music reviewer Dave Marsh in 1971 to define a new and emerging style in music and culture. Anti-establishment in nature, Punk took its influence from the culture clashes of the 1960’s, creating a new style and sound that had a tremendous effect on fashion, art and youth culture in America and around the world. The effects of Punk are still felt on the cultural world today and the lifestyle is now being carried on by a new generation of young people.
Punk rock is one of the music genres, it is a famous and a pop music started with the early 1960s. Especially in the late 1970s, along with the rock music movement, punk rock became the peak of the rock music genre. Because of its popular and expansion, Punk Rock achieved the great influence and importance at that moment.
Stuessy, Joe. Rock and Roll: Its History and Stylistic Development. Englewood Cliffs, NJ: Prentice Hall, 1990. Print.
The American rock band Nirvana impacted American culture and society by paving the way for the punk rock subculture into mainstream corporate America. Punk rock music stems from the rock genre but has its own agenda. The crux of punk rock is that it is a movement of the counterculture against the norms of society. Punk rock in itself is made up of a subculture of people who rejected the tameness of rock and roll music during the 1970s. (Masar, 2006, p. 8). The music stresses anti-establishment and anti-authoritarian ideas in its lyrics as well as scorns political idealism in American society. Before Nirvana unintentionally made punk rock a multi-million dollar commercialized genre of music, underground rock paved the way for the punk rock genre by creating core values that punk rockers drew upon.
The music industry is an ever-evolving revolutionary entertainment industry for the masses. Music provides entertainment to all different masses due to the variety of genres produced. Music is a very profitable and complex industry. Music has expanded to a worldwide industry for musical artist to express their art through the form of song to the masses. Music not only appeals to the ears but to every aspect of a person. Music allows for individuals to explore and let their imagination expand as they here a song. Throughout the years the industry has undergone dramatic changes. Whether it is genres, forms of how it is distributed, or even the impact the artist have had. The industry is diverse and ever changing as the years continue. In the past 20 years the industry has changed with help of the technological breakthroughs and adoptions.