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A short essay on drought
A short essay on drought
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The drought had broken after three long years, and the drops of rain that fell for hour after sodden hour replaced tear drops that had fallen uncontrollably as I watched the life sapped out of plants I’d known since they were fragile seedlings and that I’d tended with the devotion of an earth mother through previous, though less severe droughts.
This cruel drought, the worst in Australia’s history, might have been a symbol of climate change, or simply part of a natural cycle of brutal weather events that have repetitiously wrecked havoc across the landscape since Adam was a boy. But all I knew was that this unremitting tantrum of nature had whisked away my usually buoyant enthusiasm for life as conspicuously as it had drained the life from my garden. But on that glorious summer’s day, as storm clouds drew their thick gray curtain across the searing face of the sun, the earth’s pain, and mine, began to ease.
The rain brought new life to the garden; brown and shriveled shoots that had been claimed by death were suddenly resurrected as tiny green specks of life; and the subtle perfume of lemon scented gum trees (Corymbia citriodora syn. Eucalyptus citriodora) filled the warm damp air. When the sun finally leered down once again, lazy raindrops that loitered on petals and foliage became ephemeral jewels. The sparkle of life was rekindled, and my corner of paradise slowly renewed its tenuous grip on existence.
The bright eyed possum that gorged herself on an abundance of nectar-laden Grevillea flowers returned to her old haunt in the garden shed with a new and tiny baby clinging to her silken fur. Channel billed cuckoos announced their arrival with banshee-like calls, and evicted eggs from nests where they would lay their own. Ki...
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...fforts had been wasted – for the war against the turkey had been won without a shot being fired. He’d discovered a mountain of wood chips well away from the most vulnerable areas of the garden and, claiming it as his own, he was energetically adding weeds and grasses from the adjacent woodland to his new castle.
A female, with hesitance and a touch of timidity, eventually strolled onto the scene, and I watched, with fingers crossed, as she inspected every inch of the vast mound. And as she gave an emotive cluck of approval at her mate’s latest acquisition, I wiped a dawdling tear from my eye. It was a tear of happiness, and of satisfaction, for with the battle over, and winners on both sides, the turkeys would once again be my allies rather than my enemy. And I’d once again be able to live in harmony with the wildlife that brings a touch of paradise to my garden.
Plot in line three was changed to garden. The feel was slightly changed in line three because while plot means, “A small piece of ground marked out for a purpose such as building or gardening” (oxforddictionaries.com). A garden is more specific. It is a plot set aside for the use of vegetation. Therefore, garden gives the poem more of feel for nature. Line four has three alterations. The first of which is changing rain to precipitation. The author’s use of nouns is better; since rain has a natural feel, and precipitation has more of a scientific feel. The author’s choice of green was better than my choice of vegetation again for the same reason as the last alteration. Green has more of a natural connotation than vegetation. Line four’s last switch was replacing the prepositional phrase “are gone” with “have receded.” The phrase “have receded” gives the feeling that something has fled slowly. Yet, the phrase, “are gone” just states that they/it are/is no longer
It was a most beautiful season; never did the fields bestow a more plentiful harvest, or the vines yield a more luxuriant vintage; but my eyes were insensible to the charms of nature. And the same feelings which made me neglect the scenes around me caused me also to forget those friends who were so many miles away, and whom I had not seen for so long.
He describes how the sun “bakes” the earth, the grasshoppers “consume the parched grass,” and how the prairies are full of “endless desolation.” The word “bakes” exhibits nature’s hostility to its surrounding lands. The grasshoppers eating the “parched grass” convey how on top of the grass slowly starving and dying, it has to deal with the grasshoppers devouring it as well; which emphasizes nature’s unforgivable attitude towards the land. The words “endless desolation” reveal that the land is nothing but despair, and that it is full of endless agony and suffering. This bleak description expresses a miserable tone that deduces the reader’s mind to believe the landscape is barren and
Annie Dillard’s Pilgrim at Tinker Creek features various creatures struggling to survive in the perilous habitats of Tinker Creek. From her own experiences living near the creek, she presents detailed descriptions of the deaths of different insects and animals, mainly due to attacks from other creatures of the same species. Throughout the distinct chapters of her book, she stalks and studies the creatures to construct an overarching theme of life. Dillard argues that in order for any creature to sustain its life, it must cause death to others, even if it means killing members of its own group. In an attempt to expose this horror of reality, Dillard astonishingly employs the muskrat, often thought as a peaceful creature found enjoying the calm water. By presenting the muskrat as a victim of its predators as well as a predator of its own species, Dillard reveals that even the most peace-loving creatures, like the muskrat, are both the objects and the subjects of death.
At other times, nature can be a source of solace for those who have suffered. Following the death of Gladys and Kate, Grainier looks to the horizon to seek comfort from his crushing loss. “All his life Robert Grainier would remember vividly the burned valley at sundown, the most dream-like business he’d ever witnessed waking – the brilliant pastels of the last light overhead, some clouds...
I awoke before the first rays of sunlight had passed through the dew-covered trees to the west today. It had rained the evening before, and the smell of wet leaves and grass was still lingering in the air.
In the midst of a gentle rain while these thoughts prevailed, I was suddenly sensible of such sweet and beneficent society in Nature, in the very pattering of the drops, and in every sound and sight around my house, an infinite and unaccountable friendliness all at once like an atmosphere sustaining me, as made the fancied advantages of human neighborhood insignificant, and I have never thought of them since. Every little pine needle expanded and swelled with sympathy and befriended me. (88-89)
As the catastrophic dust storms continued on, some farmers and their families held on to the optimism that the storms would quit eventually, the rain would come and the plants would thrive once again. Every week that passed with the horizons still clouded, their hope for the future slowly diminished. “There [was] a good many people still clinging to their little homes” (Henderson 163), and these people were devoted and stubborn. They had a positive outlook into the future, and didn’t think about abandoning the lives and the land they had committed to for years. They wanted
In Keillor’s “A Wobegon Holiday Dinner,” he describes both the present day realities of family Thanksgiving as well as the past history of his family’s Thanksgiving. Each circumstance, in the present day holiday, is unthinkably different from the next, whereas...
The visual imagery through the descriptive language paints an image of crops starting to grow in the shade and suburban areas. The harsh, unforgiving and dangerous Australian environment is illustrated through Henry Lawson’s short story ‘In a Dry Season’ through descriptive language and visual
Smith, Gene. "Lost Bird." American Heritage 47.2 (1996): 38. MAS Ultra - School Edition. EBSCO. Web. 6 Apr. 2015.
I always loved to go out into the forest and wander around hoping to find something magical hiding in its depths. I always saw nature as something to be respected and taken care of. However nowadays we live in a world where nobody cares about mother earth and nature, therefore causing global warming and greenhouse gases. Due to the ever increasing gas emissions in our atmosphere, it is causing many people across the globe to suffer. For example, when I went to Somalia in 2009, I had not experience any kind of rain for a year. It was one of the worst drought Somalia have ever seen, and unfortunately I was a victim of it. I would remember myself herding the goats for my grandmother, in search of grass so that the goats could eat and gain weight. However that was not possible due to the drought, and in the end my grandmother was left with no goats. People lack to understand that this world is ours, and if we don’t take care of it then our kids won’t have a world to live in. Most people are ungrateful and fail to recognize our duty as a human beings living on planet earth. There are high increases in tornado’s, and other natural disasters due to global warming. For example just last week a rare tornado hit Sydney, causing cricket ball-sized hail, and winds up to 200 km. It is reported that Australia is experiencing an El Nino weather pattern, therefore causing extreme droughts, storms, and floods. John Muir hinted
In Robert Frost's "The Need of Being Versed in Country Things," the speaker provides the readers with a juxtaposition between humans and nature. In the poem, a farmhouse was burned down, yet the reactions of humans and of nature to this tragedy are completely opposite. Frost, an avid advocate of nature over society, attempts to show his readers how nature essentially triumphs over mankind through its strength, resiliency to tragedies, and resourcefulness of what seems to be broken down and beyond help. Frost uses personification, anthropomorphizing, and the idea of cycles along with the contrasting responses of nature and man to their disruption to fully convey to the readers nature's dominance over humans.
Smith, Andrew. "The Industrialized Turkey." The Turkey: An American Story. Illinois : Library of Congress, 2006. 93-105. Print.
The sunset was not spectacular that day. The vivid ruby and tangerine streaks that so often caressed the blue brow of the sky were sleeping, hidden behind the heavy mists. There are some days when the sunlight seems to dance, to weave and frolic with tongues of fire between the blades of grass. Not on that day. That evening, the yellow light was sickly. It diffused softly through the gray curtains with a shrouded light that just failed to illuminate. High up in the treetops, the leaves swayed, but on the ground, the grass was silent, limp and unmoving. The sun set and the earth waited.