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Recommended: Art analysis
Formal Analysis
The first artwork I chose for the formal analysis project is The Tiger by Ito Jakuchù originally painted in 1755. This painting is of a tiger licking its paw in the grass underneath a tree branch. There seems to be two diagonal planes as the tiger is leaning forward and sitting erect. There is a horizontal plane from what appear to be branches above the tiger. The painting has asymmetrical balance as the elements are equally distributed to balance the top and the bottom of the space. The artwork demonstrates several types of line. There are curved lines used in the tiger’s stripes. There are also diagonal, vertical and horizontal lines used in the background for the grass and the overhanging tree branch. The curved and wavy lines used in the tiger’s body, for example in the shoulder muscles, imply movement in addition to the curve in the tiger’s tail. The color scheme used in this painting seems to be complementary to one another as the artist used orange and brown tones with blue and red-orange accents for the tiger’s eyes and tongue. Black is used throughout the p...
The texture of the paint is smooth and flows very nicely the paintings composition is primarily bundled into the bottom right half of the image. The wings and legs of the animals as well as and table help form an invisible sloping line across the painting.
The visual elements in this painting are shape, color and light. The shapes and contours of the mother and child are life like.
The Interpretation/Meaning (III) will be written without any guideline points, the aim of this part will be to determine what the painter wanted to express with his piece of work and what it tells us in a symbolic or not instantly clear way. This part will also handle why the artist drew the painting the way he did it and why he chose various techniques or tools.
There is a lot of repetition of the vertical lines of the forest in the background of the painting, these vertical lines draw the eye up into the clouds and the sky. These repeated vertical lines contrast harshly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, is quite static and flat, whereas the foreground and middle ground of the painting have quite a lot of depth. This static effect is made up for in the immaculate amount of d...
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
The art piece chosen for analyzing in this essay is from Claude Monet, The Windmill on the Onbekende Gracht Amsterdam oil on canvas painting from 1874. Claude Monet was born on November 14 in 1840 in Paris, French, and he death on December 5 in 1926 in Giverny, France. He was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement 's philosophy of expressing one 's perceptions before nature, especially as applied to plain air landscape painting. According with the information next to the painting in the museum of art in Houston “on one of his visits to Holland, Monet was intrigued by this charming windmill situated on the small “unknown quayside” in Amsterdam. The mill, built in 1656, produced textile dyes and was demolished in 1876.
The Language of Art by Ann Pelo describes the inquiry-based studio practices in early childhood settings. When I started to read chapter six I traced a lot of words ,as going through the few pages I came across this word called “children’s pursuits” at the very beginning of the first question of how do we grow a culture of inquiry (Pelo,2007,p.109) . I choose this word because it is challenging for me during my first practicum placement, illustrates the heart of this chapter and guides me as an Educator to facilitate my learning for future preparation. It literally impacts our learning and pedagogical styles when we recreate art activities for children.
Isabella, I read your post and I wanted to add to the conversation. You bring up some very interesting and good points. For me, this video interpreted a reasonable argument against the decline of art. Why is Modern Art so bad? Well, I don't think it is, but for some, I do think it is valid to point out that it has erased an identity and the expectation of excellence in tradition. I have quite an affinity to Modern Art, so, it pains me to agree with some of the videos points. I think to sum up the argument against the ideas of Modern Art, is to state that it largely focuses on the individual. This is what I truly like about it, I can see the world through another’s eyes, but the other side of it is about giving credit to the traditional structure
Tatiane Fazzio HUM 205 Midterm Paper Spring’17 PRACTICING THE CRITICAL METHOD About the artwork: Oscar Moya, Blue Collar, 2000 – Acrylic on Canvas (Picture attached at the end) Description: Blue Collar, by Oscar Moya, is such a strong and impacting artwork! Oscar Moya used bright intense primary warm colors on the background in contrast with the dark blue on the foreground, giving a profundity to the painting, bringing your eyes straight to the center, where Jose is situated. Jose, the worker on the picture seems to be the center of our attention. The lines used on this artwork are mixed, so we can see edge lines, lines of sight, implied lines, and curved lines.
“Dance is movement aware of itself. Dance is purposeful movement that employs artful communication to express ideas and feelings, meaning that aesthetic intention is present” (Cornett, 2014, p 394). Art could be anywhere and anything it just needs to have creativity in order to make it unique and beautiful. One simple art form, could speak for a thousand words and convey many significant messages such as the art form of dance. Baile Folklorico is a great example of communicating in a unique and a stunning art form. Baile Folklorico is a folk dance that elaborates different dances, music and costumes to represent a Latin or Mexican culture.
As I enter the Gioconda and Joseph King Gallery at the Norton Museum of Art the first thing that Caught my attention was a painting measuring approximately at 4 ft. by 10 ft. on the side wall in a well- light area. As I further examine the painting the first thing I notice is that it has super realism. It also has color, texture, implied space, stopped time, and that it is a representational piece. The foreign man sitting on the chair next to a bed has a disturbed look on his face and is deep into his own thoughts. It’s as if someone he loved dearly just experienced a tragic and untimely death. He is in early depression. I could feel the pain depicted in his eyes. A book titled The Unquiet Grave lying open on the floor by the unmade bed suggesting something is left unresolved. The scattered photos and papers by the bedside cause redintegration. The picture of Medusa’s head screaming on the headboard is a silent scream filled with anger and pain, yet it cannot be heard. I feel as if I am in the one sitting in the chair and I can feel the anger, and regret.
When I first look at the artwork I notice the creature because it has dark color value, I also notice the castle because it has vivid colors that make it look realistic. Many types of colors are used in the art, some of them are warm analogous colors and others are cool analogous colors but the creature has shaded pencil colors which makes it stand out. Shapes are also incorporated in the art like triangles, curvy lines and circles, these shapes have smooth/bumpy edges. Many lines are implied in the work, most of the lines are in the castle and they are
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
In this exquisite artwork named, “The Turning Road”, by Andre Derain, there are many elements of art shows many different type of lines, shape, texture, space, light, and color. This artwork has an automatic drawing that looks random and adventurous. I can see that the two-dimensional of the tree trunk and branches which have the outline of a cylinder and rectangle. There are vertical, horizontal, diagonal lines used to emphasize in this drawing like, the curvy tree trunk and the diagonal branches that stick out of the tree. Also the thin short lines are displayed behind the big thick tree trunk to avoid attention and let us in-version that there are many more enormous tree nearby. The lines were used in the picture to create a tonal variation and simulate texture. “The curving road, the tree trunks and branches, and the choreographed forms of villager all sway to an integrated rhythm”, that focus our attention of how the artist utilized lines to create a freeform way which add excitement to the design. He also applied different colors to shimmer in flat shapes in order to make the landscape come more alive and the expressive feeling of the villagers. The shapes of the house and road have a smooth and rounded angle that appears to be distorted. I don’t see any three-dimensional form that was use in this painting, however, the artist tend to portray a different angles that allow the viewer to see certain things like the trees and curved road to stand out and grab the viewer attention. The shapes used in the painting seem to be organic, because of the naturally outdoor environment and authentic of colors. In the representation of peoples, shape lend character to a figure by giving it more of a human-like structure, the human form d...