At first, I wanted to write about the role of women in post-colonial Argentina. This topic, as could be expected, is far too broad to even begin addressing in fifteen or so pages. But it is an incredibly important and fascinating topic, and so I instead decided to focus on two women in particular who have shaped Argentina’s history: Eva and Christina Fernández de Kirchner. This is, in a sense, a way of comparing the role of women then and now in two different societies.
Knowing the circumstances of Eva Perón’s birth and youth, it seems inconceivable that she would become the unstoppable political firebrand whose memory evokes wails even today. Her father, Juan Duarte, worked as a ranch manager for a wealthy family. He received a portion of the estate’s yields and owned a small ration of the land. As such, he was influential: a distinguished estanciero, affluent within the context of the flat and desolate pampas where he resided. By the time Eva was born, it had been eighteen years since he had arrived in the village of Los Toldos, leaving behind a wife and three children in the nearby town of Chivilcoy. Although they visited him frequently, he managed to hide his affair with one Juana Ibarguren. Together, Juan and Juana had five children; Eva, born in 1919, was the youngest. Though not legally, the family took the Duarte name. Father Duarte returned to Chivilcoy when Eva was a baby, leaving her mother to sew clothes for the villagers to avoid starvation. The family’s reputation as “illegitimate” plagued them far more than their poverty. Eventually, the family would leave Los Toldos for a town called Junín. And at age fifteen, Eva Duarte would leave for a town called Buenos Aires.
Eva longed to be an actress, as did many g...
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Models for post-revolutionary Latin American government are born of the complex economic and social realities of 17th and 18th century Europe. From the momentum of the Enlightenment came major political rebellions of the elite class against entrenched national monarchies and systems of power. Within this time period of elitist revolt and intensive political restructuring, the fundamental basis for both liberal and conservative ideology was driven deep into Latin American soil. However, as neither ideology sought to fulfill or even recognize the needs or rights of mestizo people under government rule, the initial liberal doctrine pervading Latin American nations perpetuated racism and economic exploitation, and paved the way for all-consuming, cultural wars in the centuries to come.
Time and rules have been transforming countries in many ways; especially, in the 1850’s and the 1920’s, when liberals were firmly in control across Latin American region. Liberalism can be defined as a dominant political philosophy in which almost every Latin American country was affected. A sense of progress over tradition, reason over faith, and free market over government control. Although each country was different, all liberals pursued similar policies. They emphasize on legal equality for all citizens, progress, free trade, anti-slavery, and removing power from church. Liberals declared promising changes for Latin American’s future. But Latin America had a stronger hierarchical society with more labor systems, nothing compare to the United States societies. Liberals weren’t good for Latin America. What I mean by “good” is the creation of a turning point or some type of contribution towards success. I define “good” as beneficial or helpful. The Latin American economy was stagnant between 1820 and 1850 because of independence wars, transportation and the recreation of facilities. I describe this era as, “the era when Latin America when off road”.
The emotional letter that Juan left for his mother might be one of the most emotional scenes in the documentary. The pure emotions that the letter was written by Juan to her mother leaves the audience with the bonds and emotions felt between the kids and families. Juan Carlos’s father abandoned the family years ago and left to New York, consequently Juan believe it is his responsibility to provide for his family. He also wants to find his father in New York and confronts him about why he has forgotten about them. The story of Juan is not just about migration of children, but also the issue of family separation. The documentary does not dehumanize but rather bring the humane and sensitive lens to the story of Juan where the human drama that these young immigrants and their families live. Juan Carlos is not the first of Esmeralda’s sons to leave for the United states, his nine-year-old brother Francisco was smuggled into California one month earlier. Francisco now lives with Gloria, his grandmother, who paid a smuggler $3,500 to bring him to Los Angeles, California. Once Juan Carlos is in the shelter for child migrants his mother eagerly awaits him outside. After she sees him she signs a paper that says if Juan Carlos tries to travel again, he will be sent to a foster home.
The Women of Colonial Latin America serves as a highly digestible and useful synthesis of the diverse life experiences of women in colonial Latin America while situating those experiences in a global context. Throughout, Socolow mediates the issue between the incoherence of independent facts and the ambiguity of over-generalization by illustrating both the restrictions to female behavior and the wide array of behavior within those restrictions. Readers of varied backgrounds will come away with a much deeper understanding of the challenges and opportunities that defined the lives of the diverse women of the New World ruled by Portugal and
Memory is a tool through which Campanella attempts to uncover the dark days in Argentina’s political history; the country was moving away from democracy and into a military regime, despite having democratically confirmed Isabel Perón as president . Through memory, the film becomes a political narrative of the terrible violence, murder rape and other forms of injustices associated with La junta Militar (The military Junta) overtaken of power in the mid-1970s. “El Secreto De Sus Ojos” (The Secret in Their Eyes) is particularly noteworthy as it is among the fewest forms of art, including existing literature that peeks into these chaotic years in Argentina. A time of terror known as the Dirty Warm, seven y...
Over the past few decades, research on women has gained new momentum and a great deal of attention. Susan Socolow’s book, The Women of Colonial Latin America, is a well-organized and clear introduction to the roles and experiences of women in colonial Latin America. Socolow explicitly states that her aim is to examine the roles and social regulations of masculinity and femininity, and study the confines, and variability, of the feminine experience, while maintaining that sex was the determining factor in status. She traces womanly experience from indigenous society up to the enlightenment reforms of the 18th century. Socolow concentrates on the diverse culture created by the Europeans coming into Latin America, the native women, and African slaves that were imported into the area. Her book does not argue that women were victimized or empowered in the culture and time they lived in. Socolow specifies that she does her best to avoid judgment of women’s circumstances using a modern viewpoint, but rather attempts to study and understand colonial Latin American women in their own time.
Juan Evo Morales Ayma, known by many as Evo, was born on October 26, 1959 in Orinoca, Oruro. His father Dionisio Morales Choque and mother Maria Mamani had in total seven children, two of whom didn’t survive past childhood. His upbringing will later become clear foreshadowing of the way in which he would rule. The house he grew up in was an adobe house, no more than ten by thirteen feet, which had a straw roof. He began working with his father harvesting sugar cane in Argentina at age six and by age twelve he helped his father herd llamas from Oruro to Independencia, a province of Cochabamba. While continuing to herd llamas as a means of making a living, he organized a soccer team and was elected technical director of selection for the canton’s team only two years later at age sixteen. Evo then moved to Oruro in order to attend high school and paid the bills by laying bricks, baking and playing trumpet in the Royal Imperial Band. Although he attended Beltran Avila High School, he was not able to finish his schooling and completed mandatory military service in La Paz.
Taylor, Diana. "Trapped in Bad Scripts: The Mothers of Plaza de Mayo". Disappearing Acts. Spectacles of Gender and Nationalism in Argentina's "Dirty War." Duke Univ. Press: 1997. 183-222.
The themes explored in the novel illustrate a life of a peasant in Mexico during the post-revolution, important themes in the story are: lack of a father’s role model, death and revenge. Additionally, the author Juan Rulfo became an orphan after he lost
Craske, N. (1999). Women and Political Identity in Latin America. In Women and Politics in Latin America (First ed., pp. 9-25). N.p.: Rutgers University Press.
Between the years of 1976 to 1983, the period known as the ‘Dirty War’ was in full force in Argentina. During this period, thousands of people mysteriously went missing, and are referred to now as the ‘Disappeared’. It is believed that many of the disappeared were taken by agents of the Argentine government, and perhaps tortured and killed before their bodies were disposed of in unmarked graves or rural areas. Whenever the female captives were pregnant, their children were stolen away right after giving birth, while they themselves remained detained. It is estimated that 500 young children and infants were given to families with close ties to the military to be raised. Within this essay I would like to touch on the brief history of the Dirty war and why the military felt it was necessary to take and kill thousands of Argentina’s, and also the devastating affects the disappeared, and stolen children are having on living relatives of those taken or killed. It is hard to imagine something like this happening in North America relatively recently. To wakeup and have members of your family missing, with no explanation, or to one day be told your parents are not biologically related is something Argentina’s had to deal with, and are continuing to face even today.
That feeling of leaving his parents in the Philippines to go with a stranger when he was 12 years old is truly unfortunate, but his mother was looking looking out with his best interests in mind. She just wanted her son to get a taste of the American dream, and have a better life in America rather than suffering with her in the Philippines. Vargas’s essay moves the reader emotionally as he explains when he was finally successful in getting the highest honor in journalism, but his grandmother was still worried about him getting deported. She wanted Vargas to stay under the radar, and find a way to obtain one more chance at his American dream of being
Life in Mexico was, before the Revolution, defined by the figure of the patron that held all of power in a certain area. Juan Preciado, who was born in an urban city outside of Comala, “came to Comala because [he] had been told that [his] father, a man named Pedro Paramo lived there” (1). He initially was unaware of the general dislike that his father was subjected to in that area of Mexico. Pedro was regarded as “[l]iving bile” (1) by the people that still inhabited Comala, a classification that Juan did not expect. This reveals that it was not known by those outside of the patron’s dominion of the cruel abuse that they levied upon their people. Pedro Paramo held...
Much G. L., 2004, Democratic Politics in Latin America: New Debates and Research Frontiers, Annual Reviews
Isabel Allende’s novel, Eva Luna, amalgamates many of the techniques and conventions associated with the picaresque tradition, magical realism and bildungsroman in order to present a critique of dominant Eurocentric ideologies of the patriarchy and oligarchy in 20th century Latin America and to valorize the voices and experiences of the marginalized and oppressed. A prominent aspect of Eva Luna which acts as a vehicle for the novels critique of the patriarchal oligarchy are the numerous motifs and symbols utilized throughout the novel. The manner in which Allende introduces and develops symbols and motifs throughout the novel functions to set up a number of oppositions which portray a sense of loss of freedom and expression under the oppression of the colonizing oligarchy, illustrate the superficiality of oligarchic power and align the reader with expression over silence and transgression above oppression.