Youth And Social Themes In Beijing Bicycle, By Wang Xiaoshuai

1085 Words3 Pages

In the film, Beijing Bicycle, director Wang Xiaoshuai depicts several themes that are presented in matters of the youth and social issues, including class. Plus, the image that people portray themselves as. Character Guei and Jian are the faces of Beijing 's youth and alludes to the disillusion of migrants from the country. The juxtaposition of Guei and Jian is particularly their contrasting relation to the bicycle, highlights their differences in social standing and status. Social standing in China is shown in the film as Guei is a new migrant who has come to the city with hopes for better income. On the other hand, Jian comes from an upwardly motivating city family concerned with providing the children with good education. The bicycle grants …show more content…

It shows how people 's perception of others is preserved and base judgments one another. These are ideas that are displayed in every society as it is a part of the human consciousness. Guei 's first day in the job is told that he is the "companies image" and most portray that professional attitude throughout his job. In today 's society, reputation is a high standard for many social classes yet this can be different to persons cultural beliefs. For example, the "American Dream" has often been defined in terms of the ability of the average person to pursue success, and over the years that success has been symbolized by various status symbols such as a house with a white picket or in this film the bicycle. In the new booming economy of contemporary China, the "Chinese Dream" has been described in much the same way such that, "national rejuvenation, improvement of people 's livelihoods, prosperity, construction of a better society and a strengthened military." It is seen that bicycles are considered to be "cool" and "hip"—a new type of technology that has swept throughout Beijing as a new type of transportation. This is seen when all of Jians friends and the girl he likes watching a Biking competition, it is their own form of entertainment. Bearing in mind that the bicycle is a Western invention and that the recent resurgence of cycling came from beyond China 's borders however, the culture of cycling …show more content…

The divide between the country and city people in the film is indeed quite rigid as Guei discovers. City people seem to operate and exist solely to pursue wealth and money, and, in fact, equate their very happiness to the amount of money they have and possessions they own. In his transformation, Guei has to forfeit his countryside identity in order to fully assimilate into the city. An identity crisis ensues from which one may extrapolate the whole of China is suffering—an alleged communist society practicing capitalism and plastering advertisements on any available space eyes may glance at as a mere boy navigates its streets absolutely full of people who care more about money than morality. During this period, modernization is quite a weird process in Beijing. A large amount of emphasis is placed upon smoking cigarettes in order to look cool and fit in. Even the poorest of poor people have access to toothpaste and insist on brushing their teeth incessantly—almost as if doing so elevates their social status and makes them appear urbaner and "civilized." Guei assimilates into city life, undergoes a transformation process learning how to deal with revolving doors and smoking cigarettes, and a rather apt distinction is embodied by the characteristics of the city poor versus the city rich. The movie

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