Throughout this essay it will be discussed how female representations affects society, what has changed, if has changed during the years. Representations of women were a crucial subject of discussion especially in the concepts of the gaze that often refers to women as objects of the active gaze. The gaze establishes relationships of power, representing different codes such as dominance and subjugation, difference and otherness (Sturken and Cartwright 2009: 111). Representation is the action of speaking or acting on behalf of someone or the state of being represented (ODE 2012. Sv “representation”). Females have been used as subjects of art produced by male artists. These codes of imagining the female nude (in painting, advertisements, films, …show more content…
Whereas men had a so-called “head-start” with painting and sculpture, photography was pioneered by and equally associated with both genders. Sexualized images of women circulated via mass media. Described as a voyeuristic medium, photography was a powerful tool in deconstructing the male gaze and bringing private moments into the public domain (Bonney 1985: 11). In the 1970’s and 1980’s artist began to push at boundaries of representations in relation to race, sexuality and gender. Artists such as Mapplethorpen and Mendieta had an influence in the way people interpreted men and women sexuality (Sturken and Cartwright 2009: 129). Media representations of women remain wrong. However, the status of women has changed significantly. Representations of women across all media tend to highlight the following: beauty (within narrow conventions), size/physique, sexuality, emotional (as opposed to intellectual) dealings and relationships (as opposed to independence/freedom). Images that eroticism is implied tend to represent the availability of the women’s bodies, in the implication that they are objects of eroticism (Sturken and Cartwright 2009: 116), consequently affecting the way society views women such as illustrated in Figure
Curtis’s work represents the ideological construction of foreign cultures in the 'way of seeing' that is suitable for the audience of the photograph and the photographer. This illustrates the highly political motives of photograph, carrying multiple meanings in order to craft certain imaginations of the subject (Berger, 1972). As a result of the power that the photographer has on its subjects, certain messages and ‘way of seeing’ are depicted through photographs. For instance, expected gender roles are played out in photographs of the Indian subjects, portraying the expectation of Curtis and his audience of the masculine and feminine behaviour by the subjects conforming to such gender standards (Jackson, 1992). Indian men are captured in what Jackson (1992) describes as ‘active poses’, such as fishing or dancing, juxtaposed with the ‘passive poses’ of female subjects, photographed in more decorative postured of waiting and watching. Though it can be argued that the manipulation and selection of images by Curtis as an artist’s ‘creative manipulation’ of their work, Curtis’ photography was used as a scientific measure, and hence should be devoid of such influences (Jackson,
It is clear that based on the clips provided, women in the media are either praised or scrutinized by how they look. Hillary Clinton, a well known politician was attacked by the media just because she looked tired. Another clip that was shown was a scene from "A Devil Wears Prada." In the movie, Anne Hathaway's character was called fat by her boss, when in reality Anne has a very slim figure. If she was called fat, what will the girls growing up today will think about their bodies? Another example would be the repeated clips of attractive women characters. These character are what girls want to become; tall, blonde, and a body figure to die
No other artist has ever made as extended or complex career of presenting herself to the camera as has Cindy Sherman. Yet, while all of her photographs are taken of Cindy Sherman, it is impossible to class call her works self-portraits. She has transformed and staged herself into as unnamed actresses in undefined B movies, make-believe television characters, pretend porn stars, undifferentiated young women in ambivalent emotional states, fashion mannequins, monsters form fairly tales and those which she has created, bodies with deformities, and numbers of grotesqueries. Her work as been praised and embraced by both feminist political groups and apolitical mainstream art. Essentially, Sherman’s photography is part of the culture and investigation of sexual and racial identity within the visual arts since the 1970’s. It has been said that, “The bulk of her work…has been constructed as a theater of femininity as it is formed and informed by mass culture…(her) pictures insist on the aporia of feminine identity tout court, represented in her pictures as a potentially limitless range of masquerades, roles, projections” (Sobieszek 229).
Miss Representation, a documentary film produced by Jennifer Siebel Newsom released in 2011, presents a contemporary issue which is the misrepresentation of women’s portrayal in mass media. The media is powerful in shaping audience’s belief in how to be feminine. Women are expected to be beautiful, attractive, and even sexual on the media to attract audience’s attention. Also, the film points out the existence of social system in which men are considered more powerful and dominant than women. Finally, the film tries to increase the awareness of female real value including capability, educational achievement, and leadership. Consuming the media wisely to eliminate gendered stereotypes can help young women build their confidence and be successful.
Throughout history women have suffered from inequalities that differentiate from men, including the right to vote among many others. When New Zealand granted women the right to vote it empowered women from other countries to fight for the vote, where Europe and the Unites States then fought for women’s rights changing them forever. Many suffrage groups were formed, throughout the U.S and Europe, to fight for women’s rights. Two major events, Seneca Falls, and a parade led by Alice Paul, created a turning point for women’s rights.
Women have spent a large amount of time throughout the 20th century fighting for liberation from a patriarchal form that told them that they must be quiet and loyal to their husbands and fathers. For the duration of this essay, I will be discussing how the “Modern Woman” image that appeared through the Art Deco style — that emulated ideas such as the femme fatale and masqueraded woman, and presented new styles to enhance women’s comfortability and freedom — is still prevalent and has grown in contemporary art and design since. Overall I will describing to you how fashion, sexuality, and the newly emerged ‘female gaze’, and how these tie in together — in both periods of time — to produce what can be described as powerful femininity.
From birth, people are divided into two sex categories- male or female. This is inevitable, and is given to each individual person based on the reproductive organs they were born with. Gender, on the other hand, is the social and cultural difference of being either ‘male’ or ‘female’ instead of the biological difference . This leads into stereotyping, which dictates ones first impressions of others judged by their clothing, style or personality. Society has already outlined the stereotypical gender roles for both men and women, examples being that women are associated with the colour pink and are usually housewives. Men however are associated with the colour blue and are the financial providers. This is also demonstrated with classic children toys. Little girls are usually given baby dolls and cooking sets with pink being the dominant colour, whereas boys are given DIY sets and war toys. American born photographer Cindy Sherman (19/01/1954) deals with the typical gender roles within society and is one of the most influential artists in contemporary art. Her film stills consist of using herself as the subject and portray the ‘everyday, average woman’. An example of her using a woman stereotype is her ‘Untitled film still #35’. At first glance, we can judge by the subject’s clothing that she’s a housewife; she has the apron, hair tied up etc. Noticing the coat and scarf on the left we can assume there’s a male present, most probably one whom she is glaring at. Her unfriendly expression could suggest that her husband demanded she hang...
The Feminist Art Movement raised women’s status and the world’s awareness on gender equality through artworks that reflect women’s lives, feelings, and value. Through creativity, feminist artists invited the audience into their daily livings, to understand their strengths and efficiency, and to consider their needs and feelings. The movement expanded the traditional female role in society, such as housewives, to individuals with talents including artists, writers, the working class, and professionals. The female artists used media ranging from traditional techniques, like painting, to non-traditional art forms, such as installation art, performance art, conceptual art, and sculptures to share with the audience their new perspectives.
Through the 20th century, the communist movement advocated greatly for women's’ rights. Despite this, women still struggled for equality.
Nothing simply begins. Everything needs something else in order to develop and live continuously. Fire needs wood to burn, water needs heat to boil, and the women’s right movement needed abolition to begin the real fight. The women’s rights movement of the nineteenth century emerged out of abolition activism because it was not until after abolitionist groups formed and began fighting slavery that women began to realize they had no rights themselves and began their own fight.
Leibovitz photographs women of remarkable accomplishment: senators, supreme court justices, astronauts, athletes, opera singers, firefighters, a philanthropist maid, basketball stars, movie stars, elementary school teachers, weightlifters, and performance artists, as well as those who happen to fall in the viewfinder, sitting in the back of a pickup truck playing with Barbie dolls, or seeking shelter from domestic abuse at the local YMCA. Viewing this seemingly objective portrayal of women, we must consider the statements being made. Carol Duncan, in her essay “The MoMA’s Hot Mamas,” describes the modern art museum and a vast array of modern art in general as “a ritual of male transcendence, if we see it as organized around male fears, fantasies, and desires (118).” One might assume that Leibovitz, a respected and established photographer, might take ...
The title Miss Representation emphasizes that the way we portray women in the media is a
The film Missrepresentation, by Jennifer Newsom, is about the underrepresentation of women by the media (2011). The film challenges the viewpoints of media that are constantly depicting females as to being dependent on males. Furthermore, even when females are displayed as lead characters, the plot will ensure that their life’s will surround the life of a male. Examples of these include, a lead female falling in love with her “prince charming” as he saved her from great dangers. We rarely see a female character saving a male in the media (2011). According to the film the media continues to encourage the ideology that a women’s power is associated with her youth, beauty and sexuality, instead of her knowledge and intelligence (2011). The film also provides starling statistics, for instance by the age to 18 78% of females are unhappy with how the look. Also of the 8 million people with eating disord...
People use art to display the beauty found in the world and, because of this, women have been subject to objection through paintings and photography all throughout history. Whether it is a commissioned oil painting from the 17th century or an advertisement from the 20th century, there will always be some type of image that objectifies women. In the book Ways of Seeing John Berger states that a woman “comes to consider the surveyor and surveyed within her as the two constituent yet always distinct elements of her identity as a woman,” (Ways of Seeing 46). Berger is saying that women know they are seen as an object purely because they are women. Women in paintings and photography are objectified for the pleasure of the viewer, they are illustrated for the surveyor’s specifications, so in essence the picture is a better representation of the owner than the subject.
There is a long history of gender roles in society. The expectations of gender roles continually shift; however, there is not a time when women and men share the same equalities simultaneously. The idea of how men and women should act is instilled in us at a young age. I think it starts really young with girls and boys being told what they can be and when they see what they are expected to be, they abandon parts of them which society deems as undesirable. We don’t acknowledge how much pressure we put on men and women to conform to the ideas of gender roles but it is apparent in our media and in the history of our art. One of the most influential things about figurative art is that it has the ability to capture society’s concepts of how men and women are expected to be during that time period. One thing for certain about gender equality is that it has historically and predominantly been a women’s movement. This sculpture, entitled Portrait Bust of a Woman with a Scroll, stood out to me in particular. It is is made of pentelic marble and dates back to the early 5th century. The sculpture shows a woman with a restless face, clothed in a mantle and head piece while holding a scroll. This sculpture reflects the women’s intelligence and capabilities being overshadowed by her gender and