Wolfgang Amadeus Mozart Research Papers

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Wolfgang Amadeus Mozart was an amazing well-known composer who wrote in the operatic genre. He was most known for his outstanding opera The Magic Flute. He developed his talent at a remarkable young age, but grew to be a name no one shall forget. His name growing as he traveled western Europe and London doing tours with his family, trying to learn and gain experiences to grow from and write about. He went though tough times he didn’t know could occur, but how will he interoperate them? The Magic Flute was written in 1791. It was the last opera Mozart wrote. Mozart had an idea of a different type of “love” and interoperated that feeling into an opera. The Magic Flute tells the story of Tamino, a prince who must undergo a series of tests, accompanied …show more content…

But by age five he actually started composing! His family set up a tour for western Europe and played in courts, the public and for churches. They did this for the remaining of the winter. After the cold months passed, the traveled to London and here they spent over a year. His sister and him usually were the main ones drawing in the crowds. When in London, Mozart met many great composers but the main one was Johann Christian Bach. A few months had passed and Mozart decided to travel out to Vienna, Austria in September 1767. Here he spent another 15 months but privately wrote a singspiel called Bastien und Bastienne. He wanted an Italian opera buffa, but his hopes were to big. Still of age 13, he finally wrote his first Italian opera shows a ready grasp of the buffo style. He continued to travel and go on tours and get his name out there. He did Italian, Paris and Mannheim tours. In Paris and Mannheim, Mozart was 21 by this time, and his mom sadly became ill on June 18, and on July 3 she passed away. Mozart handled the situation with consideration, first writing to his father of her grave illness, then asking an abbé friend in Salzburg to break the news to him. In Salzburg he wrote three symphonies in 1779 through 1780. They were K 318 in G Major, K 338 in C Major, and he sinfonia concertante for violin and viola K 364. (Sadie

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