West Side Story Play Analysis

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West Side Story is a play that has stood test of time. The musical is based on the story West Side Story by Arthur Laurents. Laurents wrote the book as a loose retelling of William Shakespeare's Romeo and Juliet. The story was included in a book that contained more of Laurents works. The year in which the book of works was released is unknown. The original production was directed and choreographed by Jerome Robbins. The production is based on a conception by Robbins. It was composed by Leonard Bernstein with lyrics by Stephen Sondheim. Before West Side Story became the production it is, it was originally going to be called East Side Story. East Side Story was about an interreligious Christian/Jewish relationship between two young lovers. After …show more content…

I believe the director's concept for the play was to recreate the classis play about the modern version of Romeo and Juliet while subliminally shed light on similarities in today's society. The director stayed true to the original script and did not stray from it very much. The only notable different is in Jim Helsinger's production is that Doc has a diner. In the original play Doc has a drugstore. The audience understood and recognized the goal of the production. The production offered a discussion in diversity afterwards. Helsinger, as director, casted the production. Many of the performers Helsinger casted were in their debut season at the theater, but they all had extensive backgrounds in theater. Some of the performers, such as Drew Foster (Riff), Karli Dinardo (Anita), Carly Evans (Maria), and Julian Alvarez (Chino) had played their roles before in another theater production. According to the stage pictures, the cast appears to be racially type casted. Jim Helsinger's collaboration with the designers of the other elements of the play was essential for the production's …show more content…

The acting was done very well even from before the play officially started. During West Side Story's run at the Orlando Shakespeare Theater, each play has been dedicated to a victims of the Orlando Pulse Night Club shooting. The performance I attended on September 24, 2016 was dedicated to 37-year-old Juan P. Rivera Velazquez, and 22-year-old Luis S. Vielma. To dedicate the performance actors Daniel Martinez and Trevor Starr, who play Pepe and Baby John respectively, came out to speak to the crowd. They began with Starr speaking in English about instructions to be a good audience member and the backstory of the lives of the victims and afterwards Martinez would translate the information into Spanish. As they continued to talk they became angry and annoyed with one another and saw the crowd interaction as a competition. Unbeknownst to the audience, Martinez and Starr were building up the tension and animosity that is held by rival gangs; the Sharks and the Jets. The buildup of animosity before the play traditionally began and set the tone for the remainder of the

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