Virginia Woolf’s Between the Acts

4852 Words10 Pages

Virginia Woolf’s Between the acts

Virginia Woolf uses many images in the Between the Acts. Like the other novels I read in the class, the images in the Between the Acts cannot be separated with the story development, and the images themselves construct the story in the book by dismantling the conventional expectation for the novel. However, Woolf uses common and conventional words and images with an experimental way in this novel. This novel constructs the images and the representation with their conventional words and actions of the characters. I think Woof explores how the communal use of the words like songs and cliché makes another meaning or another reversion in their daily life here. The characters in the novel are in the between representative words and their intentions which are overlapped into the words or erased and hidden by the words. The acts in the title of the novel are not only the acts in the play, but also the motion which the characters make and expect, and the motion of the natural sounds and the silence which the people cannot control the interruption from them.

I want to look at how Virginia Woolf uses the words from the people, sounds from the things, and the images of clothes and history for her story in her last novel, Between the Acts. Virginia Woolf's words are not just the tools for her writing but the words themselves are constructing and de-constructing a main plot of the novel. And I think to look the gap between the words and the character's representations who is using the words is the one of the ways to read this novel. Especially, in this novel, she uses words and actions for showing and erasing the gap between the absence and the presence which is prevalent in this novel.

Between th...

... middle of paper ...

... Newman, Fashioning Femininity & English Renaissance Drama , from the footnote of chapter 6,(Chicago, Chicago University Press) I think the concept of heteroglossia is the good word for this book. The characters voice is not only dispersed, but the dispersed voice is making the novel.

Works Cited

Virginia Woolf, Between the acts, (Oxford: Oxford University Press, 1992)

Jacques Derrida, "Structure, sign, and play in the discourse of the human science," Modern criticism and theory, ed. David Lodge (New York: Longman Inc.,1988)

Michel Serres, "Platonic Dialogue," Hermes, Literature, Science, Philosophy, ed. Josué V. Harari and David F., Bell (Baltimore: The Johns Hopkins University Press, 1982), 67.

Karen Newman, "Chapter 6, Englishing the other: Le tiers exclu & Shakespeare's Henry V," Fashioning Femininity, (Chicago, University of Chicago Press, 1991)

Open Document