Lady Macbeth: A Dynamic Character

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In our society, as a rule, the man is the head of the household. However, in Shakespeare’s Macbeth, Lady Macbeth appears to be the neck that turns the head. William Shakespeare is one of the greatest writers in history, but he wasn’t recognized until the nineteenth century. He wrote many plays, sonnets, plays, and narrative plays. It was during the sixteenth century that he wrote the tragedy of Macbeth. Lady Macbeth, wife to the protagonist Macbeth, is one of Shakespeare’s most famous and evil female characters. At the start of the play, Lady Macbeth is ruthless, ambitious, cruel, and manipulative; however, by the end of the play she becomes insane and helpless. The transformation of these characteristics makes Lady Macbeth a very dynamic character.

In the mind of Lady Macbeth, ambition is represented as the ruling motive, an intense overmastering passion, which is gratified at the expense of every just and generous principle, and every feminine feeling (Moulton 516). Lady Macbeth learns, by letter, of the prophecy made by the Three Witches from her husband. She takes this knowledge to be true. Macbeth will one day be the King of Scotland, but she fears he is too kind and compassionate to kill King Duncan. Then, she makes this famous speech to the gods, “Come, you spirits that tend on mortal thoughts, unsex me here, and fill me, from the crown to the toe, top-full of direst cruelty! Make thick my blood, stop up th’ access and passage to remorse; that no compunctious visitings of Nature shake my fell purpose, nor keep peace between th’ effect and it! Come to my woman’s breasts, and take my milk for gall, you murth’ring ministers, wherever in your sightless substances you wait on Nature’s mischief! Come, thick night, and pall th...

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.... The change of her character from the beginning of the play to the end shows that Lady Macbeth was a dynamic character. There could even be a moral to this play. Too much ambition may lead to an ultimate demise.

Works Cited

""The Art of Cruelty"" The New York Times Book Review, 31 July 2011. Web. 27 Nov. 2011.

Bloom, Harold. Macbeth. Philadelphia: Chelsea House, 2005. Print.

Kemp, Theresa D. Women in the Age of Shakespeare. Santa Barbara, CA: Greenwood, 2009. Print.

Mackay, Frank F. The Art of Acting. New York: F. F. Mackay, 1913. Print.

Moulton, Charles Wells. Moulton's Library of Literary Criticism of English and American Authors through the Beginning of the Twentieth Century: Volume 1. New York: Frederick Ungar, 1966. Print.

Shakespeare, William, and Kenneth Muir. The Arden Edition of the Works of William Shakespeare: Macbeth. London, 1951. Print.

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