When I first looked at this painting, I thought to myself, "It's boring. It's boring to look at. Why paint a picture of an empty bedroom?" However, once I started looking at all the elements, my mind changed.
Van Gogh's use of line really gives depth and character to the piece. The first line that caught my eye was the line outlining the bottom of the bed. The strong stroke really gives you a sense of distance between the bottom of the frame and the floor. Had it been a thin line like those to depict the floorboards, it would look like the bed was sitting directly on the floor. His use of brush strokes and the thickness of them vary immensely in the painting to create depth. The strong strokes of the chair in the lower left hand corner really gives you a sense that the chair is in the foreground as opposed to the chair next to the head of the bed. That chair, painted with thinner lines tells you the chair is further back.
The use of color originally struck me as bland. The use of reds and oranges overwhelmed me to the point where I was trying to focus on other colors in the painting. I think that is a point of the painting. I think Van Gogh wanted the viewer to look around. I also think that Van Gogh wanted to use these particular colors to create depth. The use of reds and oranges dominate the foreground with the frame of the bed, the bed sheet and the chair in the lower left corner. The use of blue on th...
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
Starting with visual elements I saw lines, implied depth, and texture. I see lines by him using lines created by an edge. Each line is curved not straight but it works with the piece. By using this he creates the piece to make it whole. He uses many curved lines within the painting I don’t know if there is a straight line in the whole thing. The next element I saw was implied depth. Using linear perspective you can see the mountains but they look smaller than the rest of the piece. They are the vanishing point in the back making it look as if you can walk down and they will get closer and closer to you. The last element that I saw was texture. They talk about Van Gogh’s painting, The Starry Night having texture through a two- dimensional surface, in which this painting has that similar feel. Van Gogh uses thick brush stokes on his paintings to show his feelings. There is actually a name for this called, Impasto,
I never go anywhere alone. After a depressive Saturday morning I finally crawled out of bed and went to the Cummer Museum. Art is one thing that I don’t understand. How people can find deeper meanings from paint on a canvas is Japanese to me. When I look at a painting I see exactly what is being shown and nothing more. There is no deeper meaning evident. Being at this museum cranky and solo trying to find a picture I felt connected to was almost impossible. It took me about ten minutes to go through the whole museum. But in one of the last sections I went in there was finally something that my eyes were drawn to. An image that made me want to find the deeper meaning. Thomas Hart Benton’s June Morning.
Scarlett “makes her uncontrollable self-centeredness seem like the most charming thing in the world.” She is a young southern belle and every man in the county is smitten with her. Though she could have any man she wanted, her eyes are set on the Mr. Ashley Wilkes who is engaged to marry his c...
I chose to watch Gone with the Wind for my epic movie. I really enjoyed the movie. Gone with the Wind is about a girl named Scarlett O'Hara is the daughter of an Irish immigrant who in 1861 owns a plantation named Tara in Georgia. Scarlett is infatuated with Ashley Wilkes, who, although attracted to her, marries his cousin, Melanie Hamilton. At the party announcing Ashley's engagement to Melanie, Scarlett meets Rhett Butler, who has a reputation as a rascal. As the Civil War begins, Scarlett accepts a proposal of marriage to a man who she does not love and later dies in war. After the war, Scarlett inherits Tara and manages to keep the place going. When desperate measures take place and Scarlett can’t get money to pay for Tara she marries a wealthy man who later dies attacking the men that assaulted her. After that Rhett confesses his love and they get married, but when things get rough and Scarlett’s true colors appear he packs up and leaves.
Margaret Mitchell’s novel Gone With the Wind, a classic that gives insight into the Confederate lifestyle before and after the Civil War, is known as one of the greatest American novels ever written. The story centers around a former Southern belle named Scarlett O’Hara who grows up in the heart of Georgia on her plantation named Tara. Scarlett doesn’t care about anything or anyone except for her lover, Ashley Wilkes, and finds herself heartbroken when he marries his plain Jane cousin, Melanie Hamilton. As the Yankees get closer and closer to her beloved home, destroying everything she’s ever known and forcing her to flee to Atlanta, Scarlett finds herself forced to fight for what she loves. Though
Painted by Vincent Van Gogh during a final burst of activity in Auvers before his suicide in July, Houses at Auvers features many of the characteristic elements typical of Van Gogh; the experimentation with color, texture, and thick brush strokes. This painting depicts the view and landscape in early summer, highlighting the patchwork of houses and the rolling greenery. Van Gogh’s unique, thick brush strokes lead the eyes through the painting, create texture and patterns and also highlight and shadow objects in the early summer sun, while his experimentation with color creates contrast and a bright, vibrant image.
Gone with the Wind’s protagonist is the head strong and stubborn Scarlett O’Hara. Miss Scarlett is the spoiled, fiery tempered daughte...
This painting by Vincent Van Gogh is on display at the Art Institute of Chicago Museum, in the Impressionism exhibit. There are many things going on in this painting that catch the viewer’s eye. The first is the piece’s vibrant colors, light blues and browns, bright greens, and more. The brush strokes that are very visible and can easily be identified as very thick some might even say bold. The furniture, the objects, and the setting are easy to identify and are proportioned to each other. There is so much to see in this piece to attempt to explain in only a few simple sentences.
Van Gogh had sympathy for the peasants and furthered his passion for humanity. He studied them non-stop to explore their world. The color palette he chose was dark and crudely painted on, almost grungy. It’s a low-lit kitchen area, with the look and feel of exhaustion that the dark color palette engages the viewer to feel what is going on.
Looking at landscape art, especially when painted by one of the masters, many have undoubtedly pondered: what would it be like to live there? Shapes and attention to detail are, of course, important in a painting. However, it is color that draws the eye and inspires the heart. Oscar Wilde, an Irish poet and dramatist, spoke well of this when he noted that, “Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways. (qtd in “color”)”. Vincent Ward had a similar understanding of this impact when, in 1998, he directed the movie What Dreams May Come. Looking at this film, one can easily imagine being inside a living painting. The use of color to emphasize the emotional state of a character or event is common in films; nevertheless, Director Ward goes even farther in using color to represent the actual characters themselves. Red is the shade chosen to signify Annie and likewise, blue is used for Chris. Both of these, as will be shown, are accurate in defining these fictitious people. However, it is the profound use of purple in this film that is the true focal point. When mixing red and blue paint, one would find that, after being mixed, they cannot be separated. Likewise, this is true of the life and love these characters build and share. Purple represents the many ways in which Chris and Annie are melded, and joined.
The psychodynamic theory encompasses both Freud and Erikson. Freud believed the three components of personality were the id, the ego, and the superego. The id is responsible for all needs and urges, while the superego for ideals and moral. The ego moderates between the demands of the id, the superego, and reality. However, Erikson believed that personality progressed through a series of stages, with certain conflicts arising at each stage. Success in any stage depended upon successfully overcoming these conflicts. The advantage to psychodynamic is that it encompasses the individual, meaning that the theory looks at personality from childhood all the way into adulthood. The disadvantages of this theory are that it cannot be tested validly. Therefore,
In art, color is a very vivid element that attracts the audience’s attention, and allow us to think deeply about our innermost feelings. Van Gogh’s use of light and dark colors used in the night sky provide great contrast in order to capture our attention. The darker blue gives the art a gloomy feeling and could perhaps represent isolation. The lighter blue helps to draw attention to the swirls that Van Gogh made in the sky. The yellow accentuates the swirls even more because it is the brightest color found in the art piece. Blue and
This affirms that traditional gender roles in the household are commonly enforced. Scarlett O’Hara, the daughter of an aristocratic family, is praised for her manners, charm, and her “seventeen-inch waist, the smallest in three counties” (Mitchell 5), and primarily focuses on finding the perfect suitor. In Women in the Civil War, it is also asserted that before the war, women “devoted their lives to creating a clean, comfortable, nurturing home for their husbands and children” (History.com Staff). This exemplifies how greatly the women valued the notion of creating an ideal Southern family. However, when Georgia declared secession from the Union to join the Confederacy, Scarlett begins to slowly break away from the traditional customs that are expected of her. When she hears about Ashley’s marriage with his cousin, she confesses her love to him only to be turned down. She behaves in an unladylike manner, notably when she lost her temper and slaps Wilkes in the face, which marks the beginning of her breakaway from conventional expectations. Scarlett soon accepts a proposal from Charles Hamilton to seek revenge on Ashley and Honey, continuing her acts of defiance against long-established traditions. As the conflict progressed, the South “was
"A picture can paint a thousand words." I found the one picture in my mind that does paint a thousand words and more. It was a couple of weeks ago when I saw this picture in the writing center; the writing center is part of State College. The beautiful colors caught my eye. I was so enchanted by the painting, I lost the group I was with. When I heard about the observation essay, where we have to write about a person or thing in the city that catches your eye. I knew right away that I wanted to write about the painting. I don’t know why, but I felt that the painting was describing the way I felt at that moment.