More handpicked essays just for you.
Life of vincent van gogh essay
Research informative paper on vincent van gogh
Life of vincent van gogh essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Van Gogh’s, Potato Eaters and Starry Night illustrate his transition from realism to post-impressionism. Vincent Van Gogh never gave up his style and insight in his early work compared to his later work. I will discuss the comparison of the Potato Eaters and Starry Night and even though there are obvious differences, the core of his passion and eccentricities can be seen. Furthermore, in the discussion of comparing and contrasting the two pieces, it will include his influences, color palette, humanitarian attributes and emotional expressionism. Jean Francois Millet, who was a social realist painter who inspired Van Gogh, and he studied at the Barbizon School. He painted rural life to show the poverty stricken people, capturing the lives of peasants at work. Making a statement on what is taking place in the world. Communicating through art to expose the poor conditions and physical hardships that hard working people are enduring. It is an invitation, to look into the working class environment, which is gritty, real and true. This stirred up controversy, because of its honest approach. Van Gogh felt inspired by this depiction of human that gave a sentimental quality and began to draw replicas of Millet’s work, he held his work in the highest regard, even to the point of holiness. This marked the beginning of his inspiration to form a personal, expressive, and religious stance on his art values and style. He has found his process and content that will be apparent in his future work. The Potato Eaters is Van Gogh’s realist style where he thought of “peasants to be closer to nature than other people”. This began his religious view to capture life’s divinity. It was his first painting, which is a scene of a family at the kitchen table eating supper. His view on the scene was that these people worked all day, then come home to enjoy dinner with the same hard working hands that helped to make the dish, therefore, earning them an honest, genuine meal. Van Gogh had sympathy for the peasants and furthered his passion for humanity. He studied them non-stop to explore their world. The color palette he chose was dark and crudely painted on, almost grungy. It’s a low-lit kitchen area, with the look and feel of exhaustion that the dark color palette engages the viewer to feel what is going on. Also, the color that is the weavers weave in the cloth and different fabrics have various colors, some broken colors, the grays have the most vibrant colors that balance each other out into a harmonious palette from a distance.
Coming from a family greatly involved in art dealing, Vincent van Gogh was destined to have a place in the world of art. Van Gogh’s unique techniques and use of color, which clashed and differed greatly from the masters of the art world of his time, would eventually gain him the recognition as one of the founders of modern art. Van Gogh’s early life was heavily influenced by the role of his father who was a pastor and chose to follow in his footsteps. Although he abandoned the desire to become a pastor, van Gogh remained a spiritual being and was strong in faith. Plagued with a troubled mind and poor health, van Gogh’s life became filled with torment and isolation that would influence his career in later life as an artist. In his late twenties, van Gogh had decided that it was God’s divine plan for him to become a painter. His works would express through thoughtful composition and vibrant color, the emotions that he was unable to manifest in the real world. Van Gogh’s perception of reality and his technique would face harsh criticism and never receive full acceptance from his peers as a serious artist during his brief career. In a collection of correspondence entitled The Letters of a Post-Impressionist, Vincent confirmed these thoughts while writing to his brother Theo, “It irritates me to hear people say that I have no "technique." It is just possible that there is no trace of it, because I hold myself aloof from all painters” (27). His technique would later be marveled and revered by the art world. Vincent van Gogh’s legacy would thrive as it challenged the way the world envisioned modern art through his unique brush strokes and profound use of color as seen in his works The Sower and The Night Café. A brief look into...
It was completed in 1885, and Van Gogh had only recently started painting. This work of art consisted of five figures sitting around a square table eating potatoes. Although they are sitting in very dark room, expression in the face of figures are clearly visible, revealing their mixed emotions. And, these figures are so intense that you can nearly hear their conversations. This work of art failed to become the painting Van Gogh had hoped to be in his life time. But today, it has reached the great heights in the artistic community and considered Van Gogh’s very first
References 2, 7, 8- "Vincent Van Gogh- Portrait of an Artist" Jan Greenberg and Sandra Jordan, pages 7, 85, and 86. Published in 2001.
Heenk, Liesbeth. Secrets of Van Gogh 2: Van Gogh’s Inner Struggle. Amsterdam: Amersterdam, 2013. Ebook.
...retation of the painting some aspects were surprising to how dark and heavy hearted she could speak, she took an interesting perspective. However in her interpretative poem she found a perspective of the painting that connected with her. As she used every stroke of darkness painted into the canvas an opportunity to have it symbolize this darkness and evil that resides in the world. It told her story and her experience of a starry night. Similarly Van Gogh had used every stroke of light painted into the canvas to be a symbol of beauty, and a symbol of his fascination of the night sky and its illuminating lights. He uses swift movements of his brush to depict a sky that seem to be able to sweep the mind away from the frustrations of this world in to the dreamy night light. A single painting worth a million words tells many stories through every perspective.
The life span of 37 years saw Vincent Willem van Gogh (Vincent) in creating beautiful works he dearly loved. Painting was an avenue, which allowed him to express his inner thoughts or vent his struggles. My decision to research on Vincent’s painting, Starry Night (1889) came with the inspiration from Don Mclean’s Song, Starry Starry Night where his lyrics spoke about Vincent’s life that further intrigued me in writing this paper.
The art piece chosen for analyzing in this essay is from Claude Monet, The Windmill on the Onbekende Gracht Amsterdam oil on canvas painting from 1874. Claude Monet was born on November 14 in 1840 in Paris, French, and he death on December 5 in 1926 in Giverny, France. He was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement 's philosophy of expressing one 's perceptions before nature, especially as applied to plain air landscape painting. According with the information next to the painting in the museum of art in Houston “on one of his visits to Holland, Monet was intrigued by this charming windmill situated on the small “unknown quayside” in Amsterdam. The mill, built in 1656, produced textile dyes and was demolished in 1876.
When one gazes upon Monet’s art work, especially his haystack series, it is rather easy to see nature as momentary and ever changing. Monet’s haystacks were constantly yet subtly changing with the passing hours of the day and with the changes of the seasons. Wheatstacks, snow effect, morning is the particular haystack painting that will be focused on. Van Gogh’s The sower (in the setting sun), focuses on complementary colors and symbolism which allows us to view nature in a monumental and more eternal way. One of Van Gogh’s main interests were to paint farming subjects, capturing the field and the hard working peasants or farmers. More specifically the sower was his choice figure, due to the strong symbolism it held. Symbolism seemingly preoccupied Van Gogh during this time, as the sower became an icon for Van Gogh. We see a man standing alone in the middle of nature, and his actions of sowing the field bring life and prosperity.
Painted by Vincent Van Gogh during a final burst of activity in Auvers before his suicide in July, Houses at Auvers features many of the characteristic elements typical of Van Gogh; the experimentation with color, texture, and thick brush strokes. This painting depicts the view and landscape in early summer, highlighting the patchwork of houses and the rolling greenery. Van Gogh’s unique, thick brush strokes lead the eyes through the painting, create texture and patterns and also highlight and shadow objects in the early summer sun, while his experimentation with color creates contrast and a bright, vibrant image.
This painting by Vincent Van Gogh is on display at the Art Institute of Chicago Museum, in the Impressionism exhibit. There are many things going on in this painting that catch the viewer’s eye. The first is the piece’s vibrant colors, light blues and browns, bright greens, and more. The brush strokes that are very visible and can easily be identified as very thick some might even say bold. The furniture, the objects, and the setting are easy to identify and are proportioned to each other. There is so much to see in this piece to attempt to explain in only a few simple sentences.
he artwork I chose to analyze is The Starry Night (June 1889) by Vincent Van Gogh.I
Jackson Pollack and Vincent van Gogh are some of most famous artist before and after their time. Each artist has a similar and different painting methods that they use when painting pictures. There most well-known paintings are called “Number 1” and “The Starry Night”. The paintings give off emotion by how they look, but each one is painted in different ways. The public did not find their paintings wanting when they were made. The difference was how long it took for them to get recognized for their work. Lastly, the paintings gave different and similar reactions to people that have changed over the years of their existence.
In conclusion, Van Gogh used the elements above to create a man by himself in a field. He used color to represent feeling rather than represent realism of an event. The cool colors represent the field and happiness in his work. The warm colors represent the harshness of the day and could be a metaphor for life. He used scale and proportion to emphasis the overbearing sun. He also used proportion and scale to represent literally and figuratively how far away home was. The linear perspective was only evident to me after I really studied the used of lines. I followed the lines to the horizon and left side of the painting.
The surreal scene takes place in the early morning while the moon is still out. Heavy brush strokes and a limited color palette gives the painting a more abstract feel rather than a realistic one. The vastness of the early morning sky depicts a sense of grandeur and remarkable beauty. The light of the sun is just starting to creep over the mountain range in the distance. At the foot of those mountains is a sleepy little town. There is a little white chapel on the edge of town. You can almost hear the church bells ringing telling the townspeople it’s time to wake up. A few townspeople must have heard the bells because some of the little houses have candles burning
Vincent van Gogh’s development in stylized representations of nature, created by the application of dark colors, bold lines, and thick paint all show an expressionistic view of the natural world as seen through the eyes of the artist. While we will never find a definite answer for whether or not Vincent van Gogh intended for Wheat Fields with Crows to be any indication of his suicide, we continue to draw on conclusions of what this painting really meant. Even though we can say with certainty that this was not Vincent van Gogh’s last painting, the subject matter and formal elements suggest that it probably was - intended or not - some indication of van Gogh’s unhappiness.