When you look at art, you see the message an artist was trying to convey. Sometimes the artist tries to evoke emotions that they themselves felt. Sometimes they try to show the beauty that they see in the world. Sometimes the artist tries to tell a story or history so that it can be documented for the present and the future. In both Egyptian and Greek art, the artists used their art to make life more beautiful, since both cultures enjoyed beautiful things, but they also used their art to tell their story. Today, we can look at Ancient Egyptian and Ancient Greek art and see what they saw, see what they wanted to see, and see what they wanted to show us. To the Ancient Egyptians and Ancient Greeks art was about telling history, showing their ideals, expressing their values, and as propaganda for religion and for rulers, giving us insight into their lives and culture.
The beginning of Egyptian art was painting little figures on the walls of caves and pottery. These pictures told stories that represented historical events they found important enough to document. The basic principles of Egyptian art stayed nearly the same throughout history. Ancient Egyptian art brings to mind pyramids, temples, and mummies. However, Egyptian art included more than that. Egyptian art shows us how the Egyptians lived, and also how they died. “Egyptian art was concerned above all with ensuring the continuity of the universe, the gods, the king and the people. The artists therefore depicted things not as they saw them but as idealized symbols intended to be more significant and enduring than was otherwise possible in the real world” (Andrews 2010). Artists in Ancient Egypt were more concerned with portraying a message or story then with ...
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Daily Life in Ancient Egypt was an excellent choice for this course. The information supplements the in-class lectures by providing sufficient information into the life of the mundane versus the life of the rulers and the pharaohs. It provides information that is clear and concise so the reader doesn’t need to dissect the information and gains a clear understanding of real life for the Ancient Egyptians. In addition, this book is a good reference for other classes in ancient civilizations as well as a reference
The New Kingdom in ancient Egypt, from 1550 – 1070 BC, was a time of extraordinary wealth, power, and the continuation of the arts in the classic ancient Egyptian style. Characterized by the abstract and impersonal depiction of humans, along with the strength of the Egyptian Empire, the New Kingdom is considered the peak of power and prosperity in ancient Egypt. “Fragmentary lid from the coffin of Wadj-shemsi-su” is a piece created in this time period that was originally part of a portrait located on the top of the king’s coffin. Because the coffin would carry the king’s mummified body in his tomb, the portrait depicts the pharaoh as being prepared for the Underworld, as well as being the ideal body for the spirit of the king to flow through. The objective of the coffin’s portrait is also to convey the power of the kingdom, putting emphasis on the king’s image and the immense wealth that accompanies him. In addition to the piece’s function as a coffin, “Fragmentary lid from the coffin of Wadj-shemsi-su” embodies the strength and wealth of the New Kingdom through the piece’s human face, use of bright colors, and geometric detailing.
Egyptian art is infamous across the world - classified by the monumental pyramids, and the Sphinx. Although these are both valid forms of Egyptian art, they do not make up the entire artistic history of the country. On the contrary, perhaps the most replicated example of classic Egyptian art, from the Old Kingdom, can be found in their rendering of the human form. An interest in portraiture developed early in Egypt. (Gardner, 75) Whether painted on pottery, or cut into rock, the figures all had notably Egyptian characteristics. "The seated statue is one of only a very small number of basic formulaic types employed by the sculptors of the Old Kingdom." (Gardner, 75)
The Metropolitan Museum of Art. ‘Egyptian Art’, The Metropolitan Museum of Art Egyptian Art. New Series, Vol. 41, No. 3, Egyptian Art (Winter, 1983-1984): pp. 1+3-56
Over the history of man, there have been many prosperous empires that ruled in different parts of the world. Babylon and Egypt are two of these empires that ruled almost 500 years apart, but had one thing in common, great artistic works. Wall paintings such as the Babylonian work Investiture of Zimrilim, and the Egyptian Queen Neferati Making an Offering to Isis are examples of the great works of their times. Both pieces are rich in meaning and background, share many similarities, but differences can be seen in their style due to the time periods.
The ancient Egyptians are known for many of the incredible aspects of their culture and everything they have produced. Some of the well known ancient Egyptian relics are the ones like the ancient pyramids, the Great Sphinx of Giza, mummies, and their many forms of art. Ancient Egyptian art is one of the most recognized styles of art. The most commonly known types of ancient Egyptian art are types like paintings, ceramics, and sculptures. Not only is Egyptian art beautiful, but it carries a huge deal of value and significance with it. A great portion of the time, the art has some kind of religious meaning to it. Consequently it is very difficult to discuss the art itself without delving into the various gods and goddesses presented in it. Something that particularly struck me about ancient Egyptian art was their proneness to use animals in their art. Not only do they use the animal’s full figure, but they also put individual parts on human bodies. This intrigued me because not many cultures have art that embrace animals to this extent. I will be exploring why the ancient Egyptians depict animals in their art repeatedly, and considering what they meant to them.
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It is clear that tombs and burial rituals were a key element in the Egyptian society and their way of life as it ties into almost all things they did on a daily basis. Whatever a person’s status was when they were alive followed them into the afterlife. Food and luxury goods were buried with a person so that they could have it in the afterlife. The tombs became a person’s new house after they died. Therefore, making it as nice as possible was really important. Art work and clay models were added to a person’s tomb as material goods needed for the afterlife. They were also seen as decorations that kept the tombs looking nice. Throughout the years, Egyptian artworks on the inner parts of the tombs and on the coffins show a development in the Egyptian customs. Each new development was created to better preserve the bodies and comfort of the dead.
All in all, the artworks of Mesopotamia, Ancient Egypt, Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation, these cultures are vastly exclusive works ranging from triangular depictions of form, to breezy depictions of nature, to sturdy architectural innovations for their citadels. Because of the existence of these major cultures of art in our world, it has made what art is today. These four unbelievable time periods have learned from each other and improved the way they accomplish their art techniques. These amazing cultures set a foundation that we were able to build on for thousands of years now with much more to come.
In Reflections on the imitation of Greek works in painting and sculpture, Johann Joachim Winckelmann discusses the superiority of Greek art over modern art. The Greek adopted methods that focused on the natural beauty of the body. He wrote about the Greek culture taking an art form through old traditions and standards, learned by the artist since their adolescence. These standards overtime helped Greek artist begin to see natural beauty as a way of creating art and perfected works of nature. The simplicity of Greek art helps give meaning to their art and it is something Winkelmann saids modern art does not have.
When one travels to Egypt, what does he/she see - pyramid after temple after tomb, each standing the test of time. One stands out - they are all associated with religious beliefs, they all have stood unmoving for thousands of years, and they all involve mechanical genius- the moving of colossal stones without the use of the wheel. The finest example such mechanics is shown in the construction of the revered pyramid. These three factors, all belonging to the religious architecture of ancient Egypt, do nothing else but prove its greatness.
The most influential theme in art for centuries was that of religion. There have been many things that have influenced art over the generations. Nothing has had the impact on the art world that religions has. Many of the ancient art works were dedicated to the gods or other religious figures. The statues of the Ancient Egyptians were not just for beauty. Instead, they were representations of the gods and were meant to have significant meaning to the people who saw them. The people of the time knew the meaning of every reed, flower, bird, or animal that was depicted in the art. The same is true of the Greeks and Romans. Most of the art was inspired by the gods and the mythology of the region. Art as a way of imparting a message dominates the art world. For most of history, art had a meaning that was often connected to the religion of the region. This is fitting since art has a sense of permanence that most other mediums do not possess.
Egyptian art also exerted a powerful influence on the cultures of the invaders. Early Greek artists acknowledged a debt to Egypt in the development of their own styles. The Romans so loved Egyptian art that they carried off to their homeland countless examples and even had imitations of Egyptian sculpture carved by Roman artists. The influence of Egyptian art and the fascination with Egyptian antiquity have persisted to the present day.