Love has been a heated topic in movies for decades. Whether it be live-action or animation a sense of love can be found. This concept of unconditional love is very strong and can be found in Tangled and The Road to El Dorado. This unconditional love between characters is so strong that it can conquer any enemy no matter what. Tangled is a fantasy/comedy film produced by Disney and directed by Brian Howard and David Greno in 2010. The main characters are voiced by Zachary Levi (Flynn Rider), Mandy Moore (Rapunzel), and Donna Murphy (Gothel). This film is about a thief (Flynn Rider) that reluctantly takes Rapunzel on a journey to see the “floating lights” in an effort to obtain the king’s crown. Flynn then falls in love with Rapunzel and it …show more content…
The main characters in the film are voiced by Kenneth Branagh (Miguel), Kevin Kline (Tulio), Rosie Perez (Chel), Armand Asante (Tzekel-Kan), and Edward James Olmos (Chief). The film is about a pair of con-artists (Miguel and Tulio) who accidentally find themselves somewhere in South America after stowing away on one of Cortes’ many vessels. They find their way from a shipwrecked shore to the legendary city of gold (El Dorado) with a map they won in a game of dice. The quality of this film rivals that of a classic. The animation of this film is one of the best at the time with fantastic facial expressions. The concept of the entire film is that a thief’s heart can change for others’ …show more content…
Rapunzel’s loving personality makes it very easy for Flynn to be attracted to her. Flynn Rider’s complexity also contributes to the theme, because he has a love for himself, and he this shows that he is capable of love. This causes a struggle later in the film when Flynn must decide between the crown and the safety of Rapunzel. Another major characteristic of the film is the way the main characters develop. The main character in question is Flynn Rider. Flynn develops from a self-loving thief to a compassionate companion of Rapunzel. This happens because of his realization that others can be trusted. This is very prominent in the scene where Gothel offers Flynn the crown in exchange for Rapunzel and after refusing the offer his whole mentality changes towards Rapunzel. A final characteristic of Tangled is the directorial focus. In the film the director creates a strong sense of companionship between Flynn and Rapunzel. He continues this throughout the film. This foreshadows that Rapunzel and Flynn will eventually become lovers. This love is then used to conquer Gothel when Flynn realizes that the only way Rapunzel can be safe is if she loses the power that will save his life. So, he cuts her hair and gives up his own health for her
Imagining the similarities between one of the most famous Shakespearean plays and a new animated Disney movie is difficult, until you look deeply into the characters. From the Shakespearean play Macbeth, Lady Macbeth is extremely similar to Mother Gothel from the Disney movie Tangled. Lady Macbeth is Macbeth’s wife that has strong desires and personality. The movie Tangled created a similar character with Mother Gothel, she is Rapunzel's mother and believes in going after what you want. The two characters are not the exact same, they differ in their desires and in their ending demise. They are much more similar in their motives and their actions which reveal their shared character traits.
This movie was a tale of an immigrant seeking money and power who untimely set up his own demise. The producers did a good job at pointing out certain features that let you into the life of an organized crime leader. He tells of his humble beginnings and shows you in details how he rose to the top. The producer had a point to make and I took that point as being you can never get and stay someone good while being bad. The sound effects and graphics also makes this movie. They show just enough to intrigue you but yet not to completely make you sick to your stomach. The music is very telling and
...re positive attitude to live life to its fullest. Also, he has successfully changed his destiny by unintentionally moving Karen Eiffel with his self-sacrifice spirit, causing her to keep him alive.
The imagery used by Collins shows how an imagination slowly fades as a person ages."At four I was an arabian wizard. I could make myself invisable by drinking a glass of milk a certain way. At seven I was a soldier, at nine a prince" (13-16). Even though the boy is using his imagination, it is clear that each year he gets older his imagination becomes less fictional and more real. At each age his dreams become more realistic. The order of being a wizard, being invisible, and becoming a prince show how the boy has matured. Now as he looks back, he feels as though he is completely mature and all his dreams must come to an
Not only is she the main character in the movie, but she also faces the most trials and tribulations of any other character. When the movie begins, Rapunzel is kidnapped and taken away from her birth parents by a woman who only wants her because her hair has magical properties. She was then locked away in a tower away from everything and everyone except for her pet chameleon and her captor. Rapunzel does not know she is being held captive at first. Mother Gothel, the woman who kidnapped her, has convinced Rapunzel that the world is a cruel place and that if she left the tower, people would hurt her to get to her magical
... use the story of “Rapunzel” to transmit the message to young women that in order to avoid the kind of misfortunes Rapunzel had to undergo, they must learn from her mistakes and not duplicate them in their own lives, lives best lived according to biblical principles.
Gothel, who kidnapped Rapunzel for her own selfish needs demonstrates bad parenting persistently through the movie, Gothel demonstrates narcissistic behavior toward Rapunzel. When they are both standing in front of the mirror Gothel says, “Look in that mirror. I see a strong confidant young lady. Oh and look, you’re here too!” Gothel tends to her own wants and needs, neglecting the wants of Rapunzel. The adolescent stage of life is a period of time where teenagers need to find a personal identity and sense of self. Receiving positive reinforcement and encouragement from parents allows an adolescent to be able to find out who they want to be in life and gives them a sense of direction. According to Erik Erikson’s theory of development this is important to the process of forming a strong identity. (Kroger, 2006) Rapunzel is given no sense of self when is she is constantly being put down by what she thinks is her “mother”. She often receives more criticisms then she does compliments.
The familiar story of Rapunzel, as told by the brothers Jacob Ludwig Carl and Wilhelm Carl Grimm, takes on new meaning with a psychoanalytic interpretation. It is a complex tale about desire, achievement, and loss. The trio of husband, wife, and witch function as the ego, id, and superego respectively to govern behavior regarding a beautiful object of desire, especially when a prince discovers this object.
There are many scenes involving heavy gore and fighting, as well as an overall sober, mournful, and foreboding tone. However, out of the entire the mature audience that Snowpiercer was designed for, many different subgroups were able to find entertaining and possibly introspective moments throughout. From an action-lover’s perspective, there were moments of tense, in-your-face battles between Curtis’ army and the hordes of fighters from the front sections. For political theorists, this film beautifully demonstrated a dystopian world in which the entire system was ultimately going to fail. In the same style of The Hunger Games franchise, Snowpiercer had major implications of one person completely transmuting a lone leader’s regime. The train in it’s entirety symbolizes capitalist principles, while Curtis represents Marxist ideals. He desires equality and for the spoils to be shared between all passengers, while Wilfred and his attendants strive for the rich to stay rich and the poor to stay
On the TV show, The Movie Show, David Stratton described the film as a “bold and timely film about the stolen generations.” The film is so highly rated for its amazing plot, the well-used mise en scene and the film techniques including the camera work and sound.
In the Prologue, Miguel De Cervantes describes a parent’s unconditional love. It states, “It sometimes happens that a father has an ugly son with no redeeming grace whatever, yet love will draw a veil over the parental eyes which then behold only cleverness and beauty in place in defects out to be the signs of comeliness and intellect. In my opinion, I believe that he is not describing a physically ugly son, but instead a person with an ugly personality or ugly character. This describes a person who is unkind, mean, rude, disrespectful, or selfish. A parent’s unconditional love is what leads to the veil pulled over the eyes that is described in Don Quixote. Parents mainly see the good in their kids because they love their kids and want the
Miguel and Tulio are best friends. They are excellent con-artists and have been living on the streets of Spain and cheating their way through every gamble they take. Near the end of a game, their opponents bet a map in an attempt to win back their money. Miguel and Tulio win the game and discover that the map depicts the way to El Dorado. They are caught cheating and are almost arrested. As they run to escape the soldiers, they find themselves stuck on a ship going out to sea. Much to their poor luck, the ship is owned by Hernando Cortes, who is sailing out to sea to search for El Dorado himself. Miguel and Tulio narrowly escape death and end up in a rowboat in the middle of the ocean. They wash up on an abandoned shore and realize that this is the first location on the map to El Dorado. They follow the map and end up discovering the city of gold deep in the forest. When they reach the center of the city, the high priest, Tzekel-Kan, and the chief, Chief Tannabok, mistake the two strangers as their long awaited gods. Miguel and Tulio are baffled and at first do not know what to do. Then they begin to see this as an opportunity to gather as much gold as possible, and they quickly take up the act as gods. As they stay in the city, they gain more and more gold and are worshipped by the locals. Many unexpected events occur, leading the two friends to different paths.
Though Rapunzel’s lengthy confinement in one room, her home, is convincing evidence of the female’s domestic belonging, it does not adequately demonstrate the connectedness of the woman to the domestic. The ambitious young Prince faces an insurmountable task when he plans to elope with Rapunzel; he must, temporarily, displace the woman from her domestic home. After the Prince decisively wins Rapunzel’s affection, Rapunzel delineates her escape plan: “ 'I will willingly go away with you, but I do not know how to get down. Bring with you a skein of silk every time that you come, and I will weave a ladder with it, and when that is ready I will descend, and you will take me on your horse’” (The Brothers Grimm). First, Rapunzel states she will “go away with [the Prince]” and he will “take [her] on [his] horse,” two statements which reveal both Rapunzel’s dependence upon the Prince and her lack of independence. Though Rapunzel agrees to leave her domestic realm, she does so only to elope in the safe, steady hands of the Prince, venturing from one sphere of domesticity, with her mother, to another sphere of domesticity with a man. Rapunzel also promises to “weave a ladder with [silk].” Weaving, a deep-rooted, traditional female activity arises in Rapunzel because it is both feminine and perfectly accessible within a domestic setting. The woman’s skills, in any patriarchal work, are not
It is this element of hope in a true fairytale that creates the support for a protagonist to overcome the opposing force that has been thrust onto them. A genuine fairytale is said to have the element of, “A innocent character [placed against] the evil character who normally loses somehow,” (Gokturk) which is seen as Cinderella is chosen by the prince over the evil step-sisters at the ball. As human beings with a developed moral system, it has been seen that the more deserving, mistreated character is favored to succeed in the story. Cinderella is seen as this “underdog” character in her quest to find love with the prince and overcome her step-sisters’ mistreatment. As Cinderella is mistreated by her new family, sympathy is built for the emerging protagonist and hope of her to conquer her situation follows. The underdog of this story grows in favorability to be picked by the prince due to the societal belief that the more deserving candidate should overcome their opposition. If there was no sense of hope thought the story of Cinderella, this story could not be categorized as a true embodiment of a
...director did not limit the film to its historical context but extended the same to romance and fantasy. From a different angle of view, the director made use of the theme to communicate with the viewers and the fictional characters can be considered as his tools. Besides, ample importance is given to historical and fictional characters. In short, the amalgamation of history, fantasy and romance constituted much to the film’s importance as a historical/fictional masterpiece.