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Exploration of the love triangle in twelfth night
Essay on the twelfth night as a romantic comedy
Exploration of the love triangle in twelfth night
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Twelfth Night vs. She’s the Man
The use of Sex Appeal in Different Eras
Sex appeal is used in movies and advertising in today’s society to grab the attention of viewers. In today’s society, one cannot go through the day without running into some form of sex appeal. It is used in commercials such as the Carl’s Jr. Commercials when they have a beautiful girl in a bikini eating a cheeseburger from their establishment. This grabs the attention of both male and female. This is done by making women believe that if they eat their burger, they will look just as pretty and sexy as the model. The men want the burger because it makes them think of the pretty model eating it. They use good-looking actors or actresses in movies who often show off their
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The movie takes on a very different approach to the story line changing Shakespeare’s underlining issues. She’s the Man uses sex appeal to its advantage to grab the viewers’ attention and keep them engaged. This paper will cover the different ways She’s the Man uses sex appeal in the story line, whereas Shakespeare uses more of a romance story line. The sex appeal in She’s the Man is a more modern day attention grabber than what is observed in Twelfth …show more content…
Viola continues to go back and forth between the Duke and Olivia but Oliva falls in love with Viola’s male alias Cesario. The three go on with this love triangle throughout the book using a romantic feel to keep the viewers engaged. Until the end of the story when Viola’s twin brother shows up, is mistaken for Cesario, and marries Olivia. In the end the Duke finds out the Cesario is actually a women and not a boy and they end up marring each other. Olivia is relieved she married a man and not a woman and they are all happy in the end. Shakespeare never uses sex appeal, but uses romance to appeal to his audience. The movie, She’s the Man uses Shakespeare’s storyline and turns it into a modern day version of Twelfth Night. The Duke is now a soccer captain named Duke Orsino and Viola and Sebastian are twins of a very wealthy family. Olivia is just a popular girl at Sebastian’s school, which is called Illyria. The same love triangle between the three exists, but Viola pretends to be her brother Sebastian. She goes to his school pretending to be him with the intentions of playing on his school’s soccer team to prove girls play just as good as boys. The movie uses sex appeal to grab the attention of its
Sebastian, the twin brother of Viola who was lost at sea after a shipwreck, and Lady Olivia are the first to marry, but things are not as they seem. During the weeks leading up to matrimony, Olivia fell madly in love with Cesario, who though looks and sounds just as Sebastian, is truly Viola dressed as a man. Sebastian does not realize this as he meets Olivia for the first time. He is amazed that a woman of her statue and beaut...
The prim and proper women and the strong and strapping men are no match for Shakespeare’s haze of character’s muddled together in Antony and Cleopatra. As always Shakespeare delivers a luminary cast of individuals that deviate from the socially accepted gender roles. As the audience works its way through the fierce genesis to the catastrophic resolution, it is made more than apparent that lines are being crossed all over society’s conformist board of gender specific expectations.
Viola breaks up with her brother’s girlfriend dressed as Sebastian in a public restaurant in front of many people(She’s the Man). This act makes Viola or Sebastian seem more like a jock, and at that point Viola starts to finally fit in and gain friends. Viola also starts to like her roommate Duke, but Duke doesn’t know Viola is pretending to be a boy. Duke has always had a crush on another girl named Olivia, who started liking Sebastian because the real Sebastian is in a band and she found that attractive(She’s the Man). Multiple characters in the film have a complicated love triangle, with a twist of Viola pretending to be her brother and no one knowing.
In Twelfth Night, young Viola encounters different types of challenges, from being shipwrecked and losing her twin brother, to dealing with complex personal relationships, including her own unrequited love for Duke Orsino. When Viola is washed up on the island of Illyria, she makes the bold decision to disguise herself as a man to serve Orsino, the local count, and takes great care to maintain this deception which allows her to survive as a woman without any living male relatives. While both Odysseus and Viola demonstrate boldness in the face of sudden adversity, and both display quick thinking and wit to help them in difficult times, Odysseus’ actions reveal a rash side to his personality that repeatedly imperils his journey, whereas Viola shows self-restraint that lets her remain successfully disguised till the end of the
She's the Man is a lovely and hilarious comedy filmed in the United States. It was directed in 2002 by Andy Fickman and is based on the play the twelfth night written and composed by William Shakespeare. In the DVD She's the Man the main character, Viola Hastings, disguises herself as a man and takes her brother's place in the boys' soccer team. Her intentions are to prove that girls are capable of doing what boys do and in a way she succeeds to do just that. From Shakespeare (8) the book twelfth night is about Viola, later adopts the name Cesario, who find herself in an island shipwrecked and separated from her twin brother Sebastian.
The character of Viola (played by Gwyneth Paltrow) is first seen at The Curtain Theatre where she is captivated by the performance of Shakespeare’s "The Two Gentlemen of Verona," while the rest of the audience seems bored. She is currently being urged to marry Lord Wessex, but wants to marry for love. She wants to have real love, "love as there has never been in a play." She is inspired, however by the theatre and especially by the works of Shakespeare.
I shall endeavour to explore and analyse how women are presented in Shakespeare’s “Romeo and Juliet”, Marvell’s “To His Coy Mistress” and Duffy’s “Human Interest”.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Viola, alone in a strange land, disguises herself as a man in order to gain access to Duke Orsino's palace. She plays the role of Orsino's servant, Cesario, to be near him for she knows that he is the man who can help her in Illyria. On first hearing Orsino's name, Viola says: "Orsino! I have heard my father name him: He was a bachelor then." This reaction suggests that Viola already respects Orsino as a ruler before she begins to love him.
The action of Twelfth Night begins shortly after a damaging tempest shipwrecks the heroine, casting her upon foreign shores. Upon arrival in this strange seaport, Viola--like the Princess Leonide--dons male disguise which facilitates both employment and time enough to orient herself in this unfamiliar territory.
The opening soliloquy of Act I Scene I, given by Duke Orsino, is another perfect example of Shakespeare using music to show the upcoming storyline of the play. At first, Orsino is using music as a metaphor that feeds the appetite of love. He speaks for a minute about his love for the music playing, and then changes abruptly by saying, “Enough; no more” (7). Already Shakespeare is foreshadowing Orsino’s fickleness when it comes to music which in turn stands for love. Of course, further into the play, it is shown that Orsino truly is fickle when it comes to love. As soon as he finds out that Cesario is in fact the woman Viola, he instantly forgets all the passion he had for Olivia and marries Viola.
The play The Twelfth Night and the movie She’s the Man are both similar and different in many ways. One of the biggest ideas is the fact that the play takes place in the late 1500’s where as She’s the Man takes place the same time it was filmed, 2006. As well, the modern version has new characters that were added in for the film to make sense that were not needed in the play. Finally, the movie had two rather large changes from the play.
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...
...o he loves and he says he loves a woman “of your complexion” (Shakespeare, Twelfth Night 2.4.27). Shakespeare once again uses dramatic irony to show how Cesario loves Orsino; by saying he loves a woman who looks similar to Orsino. In the last scene where the truth is revealed behind Cesario’s identity, she accepts her master’s decision saying “a thousand deaths would die” (Shakespeare, Twelfth Night 5.1.128). Viola truly loves Duke Orsino and implies here she would die a thousand deaths to make him happy. Implied truths are secrets waiting to be revealed.