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Tough Guise :Violence, Media and the crisis in Masculinity released in 1999 by anti-sexism activist Jackson Katz is an hour long documentary depicting masculinity in the American culture from late 20th century to mid 20th centuries . It shows us how most men think about themselves and what attributes they should possess in order to be respected in the society. Their thoughts are mostly influenced by the powerful media which repetitively shows that men should be tough and masculine in nature.
In the documentary, the definition of a real man is someone who is masculine, independent, tough and intimidating. The amount of respect that one is receiving depends upon his toughness and strength. He is independent and does not need anyone’s
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In the documentary, the media repetitively shows that a real man should always be tough and powerful. It influences the minds of the young males by showing their favourite characters and heros to be masculine and powerful. It promotes violence by showing fighting scenes in movies and how the hero defeats the villain by using his power. One of the most popular superhero characters in the world is batman, his physical transformation over the years proves how the media portrays masculinity as the main attribute. There is a huge difference in the physicality of batman played by Adam West in the 1960s and the one played by Christian Bale in the recent Batman trilogy. This just confirms what the media shows to the younger generation which is that the strength and masculinity makes one a real man. In the documentary the media is also blamed for showing racism as Jackson Katz highlights that in movies the characters are given roles according to their race, as the African Americans are shown mostly to be gangsters or criminals and having poor and difficult lives. The Mexicans are shown to be wrestlers, drug lords or criminals in most movies. It also promotes gender inequality as women are shown to be weak and the male characters have to save them from evil. Therefore, the media has a huge influence in shaping ones opinion and the way
Over time, the United States has experienced dramatic social and cultural changes. As the culture of the United States has transformed, so have the members of the American society. Film, as with all other forms of cultural expression, oftentimes reflects and provides commentary on the society in which it is produced. David Fincher’s 1999 film Fight Club examines the effects of postmodernity on masculinity. To examine and explicate these effects, the film presents an unnamed narrator, an everyman, whose alter-ego—in the dissociative sense—is Tyler Durden.
In the first paragraph of Laurie Penny’s essay “What to do when you’re not the hero anymore” she tells the reader how she recently went to see the new Star Wars movie. To her surprise a female character, Rey, fought off a bad guy as an equal. Hollywood has incredible power in how messages are portrayed in books, TV shows, and movies. It is no secret that media representation normalizes the reality of white male power. Penny explores how it is becoming more common to see a women lead in books, movies, and TV shows, rather than the stereotypical male.
The mass media being one of the greatest influencers of public perceptions, their false portrayal of black males significantly impacts how the public perceives and behaves toward them, how black males see themselves as well as their the opportunities and achievements. But the mass media canbe part of the solution. Of course, the responsibility is not the media’s alone. But the media, as the public looking glass, can and should show the full spectrum of the lives of black men and boys.
This paper analyzes the media being one of the greatest influences of society perceptions, their false portrayal of African American males significantly impacts how society perceives and behaves towards them, and how black males see themselves as well as their opportunities and achievements. African American males are perceived as being dangerous based on false identities, misconceptions, and misinformation that are available in the media; this includes movies, news, television shows and rap music. This misconception can be traced as far back as slavery. The view of the African American male has been distorted and twisted by the media from the conception of African American enslavement and even through the so-called color blind society of today. Stereotypes of African American men are often negative as the result of how slave owners viewed their thoughts of entitlement of ownership.
Jackson Katz is the founder of Mentors in Violence Prevention which is an education program that has been focused on military and sporting organizations in attempts to put a halt on gender violence. Other than being an educator, Katz is also an author and filmmaker. In 2013, he produced the film Tough Guise 2. In this film, Katz reviews the normalization of male jurisdiction in America. The film looks at the messages of gun violence, sexism, and bullying that are sent to men throughout their entire life. Tough Guise 2 argues the statement that male brutality is a rooted back to our cultural standards of manhood. A pivotal point of the film is that a male’s masculinity is not just handed to them, it must be earned. During the course of the film, this point is supported by examples such as gun violence, homophobic messages and mass shootings.
Tough Guise also backs the point that gender performance is a very culture heavy. The main point to tie in with the class would probably have to be that the way these men act is because of a cultural construction of gender that states that all men are supposed to be violent or aggressive. This then sweeps the main issue of cultural conditioning under the rug. All in all, Tough Guise 2 was an enlightening and interesting video. I would strongly suggest that everyone watch this film at least once because it provides such heavy insight into how we shape each other’s
Movies are a new edition in today’s culture. They are a new form of art medium that has arrived in the late 1900s and were a new way to express ideas and viewpoints of the time. A good example of this is the movie The Manchurian Candidate. The movie had a simple plot a man is kidnapped after the Korean war and is hypnotized to work for the communists and take down the U.S. This movie showed the American public’s fear of communism at the time. If a movie like this can easily portray the fears of the American people at the time then it can easily portray stereotypes of gender. There have been thousands of movies where the male protagonist is a rough tough dude but there is one movie that has that stereotype is broken. That movie is none other than Napoleon Dynamite.
“Be a man”, is on of the most destructive phrases to tell boys and men. The Mask You Live In explains the struggles boys and men have growing up in a patriarchal society. I chose to watch this to understand how men feel oppressed. All year, I became aware of females and their struggles in the patriarchy. It is interesting to see that men are affected too. The documentary should have had more personal stories because it allows the audience to connect with and have empathy for men. On the other hand, the movie thoroughly demonstrated the inner conflict boys and men face in society. Men feel they must be strong and dominate. They feel they need to hide emotion and empathy in order to fit in. They must be manly in order to
Hollywood’s diversity problem is well-known; however, the extent might be surprising to most Americans. According to a 2014 report by the Center for the Study of Women in Television, Film & New Media, found that females comprised only 30% of all speaking characters among the top grossing films of 2013. (Lauzen, 2014) However, minority women faired far worse than their Caucasian counterparts. As a matter of fact, if one looks at the numbers even female characters from other world’s were as better represented in film than some minority women; the numbers are as follow for women: Caucasian (73%), African American (14%), Latina (5%), Asian and other world tied (3%). (Lauzen, 2014) If the lack of representation were not enough consider a 2009 study which found that when minority groups are portrayed on television the portrayal tends to be negative. (Alexandrin, 2009) A study by Busselle and Crandall (2009) found that the manner in which African-Americans are portrayed, often as unemployed criminals, tends to have an influence on the way the public perceives African-American’s lack of economic success. Furthermore, the news media does an equally poor job in the ways that African-American’s are presented; according to the same study while 27% of Americans were considered “poor” in 1996 the images of America’s “poor” being presented by news media was heavily Black (63%). (Busselle & Crandall, 2002) Today, this can be seen in the way that African-American victims of police brutality are depicted in the media. Even when African-Americans are murdered at the hands of police for minor and non-violent offenses (e.g. Mike Brown, Eric Gardner, and Tamir Rice) they are often portrayed as thugs, criminals, and vandals. What’s more, seve...
Others often use masculinity, most often associated with strength, confidence and self-sufficiency to define a man’s identity. The narrator perceives Tyler Durden as a fearless young man who is independent and living life by his own rules. So is Tyler Durden masculine because of his no nonsense attitude or are his law breaking antics and unusual lifestyle seen as a failure because he is a man with neither family, money nor a well respected job? These typical aspirations are commonly defined as the male American dream, but does following life by the rulebook placed on males by society really make a male masculine? Fight Club specifically debunks the male American dream. It challenges’ the idea that the masculine identity is defined by material items and instead embraces the idea that masculine identity can be found in liberation from conformity and the ability to endure pain.
Often racial injustice goes unnoticed. Television tries to influence the mind of their viewers that blacks and whites get along by putting them on the screen to act as if interracial relationships has been accepted or existent. “At the movies these days, questions about racial injustice have been amicably resolved (Harper,1995). Demott stresses that the entertainment industry put forth much effort to persuade their audience that African Americans and Caucasians are interacting and forming friendships with one another that is ideal enough for them to die for one another. In the text, Demott states “A moment later he charges the black with being a racist--with not liking whites as much as the white man likes blacks--and the two talk frankly about their racial prejudices. Near the end of the film, the men have grown so close that each volunteer to die for the other” (Harper,1995). Film after film exposes a deeper connection amongst different races. In the text, Demott states “Day after day the nation 's corporate ministries of culture churn out images of racial harmony” (Harper, 1995). Time and time again movies and television shows bring forth characters to prove to the world that racial injustice has passed on and justice is now received. Though on-screen moments are noticed by many people in the world it does not mean that a writer/ director has done their
Nowadays, it has been difficult to notice the harm media is doing to society. It has become too normal that we are already used to deny the reality. I have read several readings that have opened my eyes to the reality of media; A Crash Course on Hollywood’s Latino Imagery by Charles Ramirez Berg, (Re)presenting: Muslims on North American television by Amir Hussain, True Diary of a Part Time Indian by Sherman Alexie and The Paper Menagerie by Ken Liu. These readings include an important message about minority races, which I believe society should be aware of. All of the readings that I previously mentioned have something in common, they all examine the way race is portrayed in media. Moreover, they also include how media can potentially shape our perceptions of who we are and who others are. Our young community are the ones that are being most affected by media. Children receive messages in T.V shows, cartoons, movies and books of how different races supposedly are, and they immediately start assuming that those messages are true and continue growing up with that ideology.
From an early age, these ideals of manliness are often forced onto the youth, and this can impact them adversely for the rest of their life. This impact can be drastic in shaping both their character and themselves. Many men learn to strive to be what some would think of as a “manly man” which can include being strong, tough and violent. However, this pressure to obey a manly stigma has some heavy effects on men in daily life. Many men meet this pressure by putting up a false front, a type of tough disguise.
We’re all familiar with the stereotypes and myths about what it means to “be a man.” The victorious leader gets what he wants using aggression and does not accept failure; he is smooth with the ladies, and he is often good with a gun. He is usually rich and in control, especially in control of women, like a father who loves his daughter dearly but will be damned if she’s going to go out dressed like that. The list could go on and on with the stereotypes. But the Coen Brothers’ cult-classic film, The Big Lebowsk (1998), with its hero “The Dude,” contradicts these notions of masculinity. The Coen brothers offer several familiar stereotypes of masculinity (the Vietnam vet, the successful capitalist, an oversexed bowler, some aggressive German nihilists), yet it is these characters that throughout the film are shown to be absurd, insecure, and even impotent. It is these stereotype men that the Coen brothers criticize. “Sometimes there’s a man,” says the narrator over and over again, pointing out the Dude’s non-stereotypical masculinity as the true representation of what it means to be a man. The brothers then illustrate that the men who give no thought to their identity, who ignore the pressure to conform to cultural expectations, are to be regarded as “real men.”
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...