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Art of ancient egypt 2 quizlet
Ancient Egyptian artwork
Essay egyptian embalming and mummification process
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Egyptian culture didn’t truly begin until the third dynasty, which is grouped into a period called the Old Kingdom. Since then, it developed into a thriving culture that changed little, even with new leaders. This conveys a sense of order and cohesion that flows throughout the time of the Egyptians. I was fascinated by the continuity. Unlike the artists of today, Egyptian artists did not rebel against the conventions of their day. If the surviving art is any indication, they were content to follow the artistic practices of their time. During the New Kingdom, a painting called "Funeral Procession, Tomb of Pairy" was created. It is a depiction of a portion of the process of laying Pairy to rest. Harold Hays wrote an article called “Funerary …show more content…
Information from the textbook and Hays’s article help illuminate the events depicted and their significance in culture and art of the New Kingdom, and how the style ties into the art of the time.
Ancient Egyptian culture was largely focused on the afterlife. One of their most important deities, Osiris, became the ruler of the Underworld through death. The pharaoh and elite class prepared for their impending deaths throughout their lives. Much of what survives from ancient Egypt today was found in tombs and temples of the dead. When one of the elite died, the process of laying him or her to rest was extensive. Harold Hays explains that “the ritualized process of embalming and mummification is usually stated as lasting seventy days” (Hays 5). "Funeral Procession, Tomb of Pairy" shows two of the processes that Hays details. The first depicted is the procession to the tomb. Pairy’s body would have already been through several processions, mummification, and embalming. This particular procession’s goal is to lead not just the body, but also the spirit into the afterlife. People of both high and low classes attended this procession, carrying with them the tomb goods (Hays 6-7). The second depicted
In the ancient Egyptian culture, the belief was that there was a life force and spirit inside of the body, known as the ‘Ka’. Therefore, mummification was performed as a ritual to preserve the physical features of the body as well as to protect its inner spirit, mainly to ensure that the ‘Ka’ could recognize the body where it may dwell in the eternal life. Thus, the funerary psychology of ancient Egyptians was that death did not bring an end to living, but instead was only an escape from the physical human life and a gateway to immortal being. Due to the fact that a being’s life span was short in ancient times, people’s main hopes rested in their afterlives, where they would be with the gods (Stockstad 121).
The final resting place for such individual would be adorned with lavish paintings and sculpture dedicated to them. All parts of the piece appear consistent to the works of the time, especially the way that Ti is posed in the typical Egyptian fashion of showing frontal and profile view. Practices such as hunting, farming, and dining were considered good nourishment for one’s ka, so one may have a healthy afterlife and make it through the process of judgement of their ka without fail. Perhaps depicting such work on Ti’s mastaba was to show proof of his work towards achieving a wholesome life force, and that he had lived a productive, well-respected life. Knowing how important ka is to the Egyptian people, it would be understandable that they would want to represent it in a positive light, doing so on their tomb to ward away
The funerary rituals introduced by the Egyptians were the most intricate, spiritual rites in their times and, perhaps, even to this day. Their elaborate customs, tombs, and gifts to the dead were representative of their pious, devoted nature. Albeit not all were as imposing as the oldest and still remaining Seven Wonder of the World, the Pyramids of Giza, all were meaningful and sacred. The Egyptians, highly reverent of their dead, adopted ornate, religious burial practices to fit to every member of their society.
In conclusion, the portrayal of ancient rulers is dependent not only on the style of art popular during the era, but also on the evolution of the political climate. The portrayal of Menkaure, a pharaoh of the Old Kingdom in ancient Egypt, is of complete authority, control and power. His face does not show concern or grief over his people, because he is not challenged politically, the image of control coincides with his sole power over the kingdom. While the depiction of Alexander the Great, in ancient Greek coins is deified. Alexander’s leadership ended with world domination; therefore, his deified portrayal on monetary funds is particularly appropriate. By contrast, Philip the Arab’s portrait sculpture almost resembles a present day photograph with its capture of fleeting expression. This expression of anxiety and sadness is a representation of the political turmoil during the time period of his rule. Taking the progress of ancient cultures into account, how does the art of sculpting improve in the manipulation of the medium used?
The history and tradition of Egypt is one of the most greatly studied and admired of all past world civilizations. The lure of the pyramids and the specter of the sphinx have led many archeologists to dedicate his/her life to unraveling the mysteries of ancient Egyptian culture. Arguably, the most captivating aspect of Egypt’s past is that of mummification. Why did the Egyptians mummify their dead? What beliefs did the Egyptians have regarding the after life? What portion of the Egyptian civilization was mummified? What was the Book of the Dead? This is a mere sampling of the questions that come to my mind when I think of ancient Egyptian culture. I hope to lay forth answers to these questions and many more in the following pages dedicated to the history and purpose behind Egyptian mummification.
The Metropolitan Museum of Art. ‘Egyptian Art’, The Metropolitan Museum of Art Egyptian Art. New Series, Vol. 41, No. 3, Egyptian Art (Winter, 1983-1984): pp. 1+3-56
At a first glance, the Victory Stele of Naram-Sin and the statue of Menkaure and his Queen may seem like two works that have absolutely nothing in common, but upon closer examination, both of the statues share some symbolic similarities that are demonstrated through the specific ways in which the subjects are portrayed. The specific portrayal of the rulers says a lot about what their values were and how they approached their duties.
...ian Late Medieval and Renaissance Art.” Southeastern College Art Reference Review 13, no. 4 (1999): 325-346.
The ancient Egyptians are known for many of the incredible aspects of their culture and everything they have produced. Some of the well known ancient Egyptian relics are the ones like the ancient pyramids, the Great Sphinx of Giza, mummies, and their many forms of art. Ancient Egyptian art is one of the most recognized styles of art. The most commonly known types of ancient Egyptian art are types like paintings, ceramics, and sculptures. Not only is Egyptian art beautiful, but it carries a huge deal of value and significance with it. A great portion of the time, the art has some kind of religious meaning to it. Consequently it is very difficult to discuss the art itself without delving into the various gods and goddesses presented in it. Something that particularly struck me about ancient Egyptian art was their proneness to use animals in their art. Not only do they use the animal’s full figure, but they also put individual parts on human bodies. This intrigued me because not many cultures have art that embrace animals to this extent. I will be exploring why the ancient Egyptians depict animals in their art repeatedly, and considering what they meant to them.
Gardner, Helen, and Fred S. Kleiner. "Chapter 1: South and South East Asia Before 1200." Gardner's Art through the Ages: Non-western Perspectives. Boston: Wadsworth/Cengage Learning, 2010. 1-31. Print.
The Egyptians during this period took ample time and detail on the mummification process to ensure a successful transition from the netherworld to rebirth. The Coffin of Tentkhonsu, 1025-980 B.C., it’s a depiction of how the Egyptians valued and honored their elite members of society, as well as their gods. The Coffin of Tentkhonsu, itself dates back to the III intermediate period in Egyptian culture. The Egyptian believe was to join Osiris, whom was believed to have ascended to Netherworld and accomplished eternal life.
During his time of rule Egyptian had very barbaric characteristics. He is believed to have taught the Egyptian the way of agriculture and how to worship gods. However, with the conflict faced between Seth and Osiris he also became the god of the afterlife. After his time of rule, the book of the dead became a very important piece of history for the people of ancient Egypt, especially when it pertained to the idea of the afterlife. The book of the dead was “a collection of spells and illustrations written on a papyrus roll” (Taylor 5). The purpose of the book of the dead was a guide for the journey through the netherworld. “The Book of the Dead describes the “Weighing of the Heart” ritual. During this ritual, … a tribunal of 43 deities judged the behavior of the dead” (Ancient Egypt). Based upon their religion and the emphasis put upon life after death, Egyptians dedicated time for their journey in the
The object of this book, Early Medieval Art, is to convey the theme “tradition not only receives and transforms, it literally invents a tradition upon which it founded itself” (p. 15) concerning art of the early medieval era. The purpose of this book is to summarize and offer knowledge of medieval art, that will then be included in the greater series of books by other specialists for Oxford University Press. Lawrence Nees accomplished his argument successfully by following the chronological production of the art and the traditions that are imbedded within them. Although, his thesis is strongly supported, Ness’ failure is found in his over reliance on the artwork itself, which then leads to the masking of his personal arguments.
The elements that will be focused on are the multiple functions of the tomb and rituals, specifically the mummification of bodies. Ancient Egyptian tombs had many functions; the main function being to hold the bodies of the dead. Tombs were typically built during a person’s lifetime and were ready by their time of death (Olson, 2009). Before bodies were put in the tombs, they underwent a process called mummification to help preserve the body and keep it intact. The tomb was also a place where family members could come and visit the deceased. In the early years, tomb structures were very simple; they consisted only of one chamber (Grajetzki, 2003: 3-4). Later on, façade tombs were built— which consisted of two parts; an “underground chamber for the dead and the superstructure built above the ground, over the shaft and the burial chamber” (Grajetzki, 2003: 8). Next, the Egyptian tombs and ...
Not only is the burial rite a ritual but it is an event based on strong beliefs of the afterlife. Each step or item used in the funerary process had an explanation or logical reason. This ritual was extremely important in the eyes of the Egyptians that even the poorest among them would be given a ceremony because they believed if failed to do so the ghost would come to haunt them. The goal of the ritual as well as the ceremony had a purpose to aid the deceased in their journey to the afterlife.