Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
What is the theme of to his coy mistress
Don’t take our word for it - see why 10 million students trust us with their essay needs.
“To his Coy Mistress” is a famous poem written by Andrew Martel in which the author wrote this poem for his mistress. In the poem, the author intents to persuade his mistress to sleep with him. To achieve his goal, the author introduces many literal devices through every one of the three stanzas. In the first stanza, the author introduces imagery by describing how many years it would take him to admire every single part of his lady’s beautiful body. Explaining that it would take a long time to admire her well preserve body. “And you should, if you please, refuse till the conversion of the Jews.” Make an allusion to the final times that is described in the Bible. By stating this, the author states that if they had unlimited amount of time, she could refuse being with him until the final days of this world. The author also makes an allusion to “Humber” which is one of the longest bridges that exists, referring to the distance that he could be at to contemplate her beauty if they had enough time to keep such a long distance. When the author states: “My vegetable love should grow Vaster than empires, and more slow.” The author …show more content…
In which the acceleration of time does not stops and will rush through their lives. In this paragraph the author states his point that their time will get to the finish line and that from that point on they have lost their opportunity to satisfy their personal desires. “Time's winged chariot hurrying near” gives an image in which time come in a chariot finding them living in an idea of eternity. “Then worms shall try that long preserv'd virginity, And your quaint honour turn to dust, And into ashes all my lust.” The author provides the image of worms eating the Lady’s well preserve body and later turning into dust. For the author, all of his desires that are on fire will become ashes after all the time that he has to wait for the Lady’s
The. Maybe it is a genuine love poem to his mistress, sort of. offer of a way of life. Both concepts, though, underline the point. simplistic romanticism of the poem.
These two poems are meant to be a love letters written by a man to a
Through his writing, Andrew Marvell uses several strategies to get a woman to sleep with him. In his seduction poem, “To His Coy Mistress,” Marvell first presents a problem and then offers his solution to the problem. Marvell sets up a situation in which he and his lover are on opposite sides of the world: “Thou by the Indian Ganges’ side/ Shouldst rubies find; I by the tide/ Of Humber would complain….” (5-7). He has set up a circumstance in which his lover is in India and he is in England; however, this situation can be interpreted as a metaphor for sexual distance. Marvell then goes on to profess his love for this woman, telling her that he will always love her, saying “...I would/ Love you ten years before the flood” (7-8) and saying that his “vegetable love should grow/ Vaster than empires and more slow” (11). This suggests that he is promising permanence in their relationship. In doing so, Marvell is also trying to pacify his lady’s fears of sexual relations. He wants his lover to feel secure and confident about having intercourse with him.
This pursuit highlights the emptiness of Guy’s life that he had been unaware of before. The unquenchable flame of the fire is leading him nowhere and knowledge offers a new life with lasting value. The...
“To the Virgins, to Make Much of Time” by Rober Herrick and Andrew Marvell’s “To His Coy Mistress” have many similarities and differences. The tone of the speakers, the audience each poem is directed to, and the theme make up some of the literary elements that help fit this description.
This poem opens up the eyes of the reader and teaches us a lesson about life. It is essentially an example of the saying “Don’t judge a book by its cover”. The woman seems so perfect on the outside and for that reason the man wants to be with her, but when he knows that the cover of her book is different from that of most, then he instantly makes up his mind that he won’t even open
Lover A Ballad was written as a reply to the poem To His Coy Mistress.
The speaker continues to argue that time is not in favor of his mistress’s nervousness or his age. For instance, he says, “But at my back I always hear time’s winged chariot hurrying near” (lines 21 and 22). In other words, he is saying his time is running out quickly. There can be many reasons why his time is running short, but according to the poem there is one reason he could be in a rush to make love with his mistress. The speaker says, “And yonder all before us lie deserts of vast eternity” (lines 23 and 24). “Deserts of vast eternity” (line 24) expresses his concern of not being able to have children, which would make him sterile. As men age, their sperm count becomes less and less, which makes conceiving a child nearly impossible.
Throughout his life... was a man self-haunted, unable to escape from his own drama, unable to find any window that would not give him back the image of himself. Even the mistress of his most passionate love-verses, who must (one supposes) have been a real person, remains for him a mere abstraction of sex: a thing given. He does not see her --does not apparently want to see her; for it is not of her that he writes, but of his relation to her; not of love, but of himself loving.
The Flea and To His Coy Mistress are two poems written by poets living during the Renaissance Period. To His Coy Mistress was written by Andrew Marvell and The Flea was written by John Donne. Both of these poets were well-educated 'metaphysical poets', and these poems illustrate metaphysical concerns, highly abstract and theoretical ideas, that the poets would have been interested in. Both poems are based around the same idea of trying to reason with a 'mistress' as to why they should give up their virginity to the poet.
The overall gist of "To His Coy Mistress" is established in the opening stanza of the poem. It describes a sceneario where a girl has the option to either give in to the young persuaders sexua...
In Andrew Marvell's poem "To His Coy Mistress," he's arguing for affection. The object of the speaker's desire wants to wait and take the relationship slow, while the speaker pushes for instant gratification. This persuasive poem makes the point that time waits for no one and it's foolish for two lovers to postpone a physical relationship.
In the case of To His Coy Mistress by Andrew Marvall, a not-so-gentle gentleman is trying to woo a “coy” young lady with claims of love. This poem is strewn with hyperbole to the point that it becomes exactly the opposite of love. When there is such over exaggerated praise, it starts to lose the real meaning of the message. If you take a look at lines 13-18, you can see the obvious amplification:
Andrew Marvell in his poem describes a young man convincing his fair mistress to release herself to living in the here and now. He does this by splitting the poem up into three radically different stanzas. The first takes ample time to describe great feelings of love for a young lady, and how he wishes he could show it. The idea of time is developed early but not fully. The second stanza is then used to show how time is rapidly progressing in ways such as the fading of beauty and death. The third stanza presses the question to the young mistress; will she give herself to the young man and to life? Although each stanza uses different images, they all convey the same theme of living life to the fullest and not letting time pass is seen throughout. Marvell uses imagery, symbolism, and wonderful descriptions throughout the poem. Each stanza is effective and flows easily. Rhyming couplets are seen at the ends of every line, which helps the poem read smoothly.
She is able to use visual imagery to display her spouse in an epic manner. Boland says she wants to return to see her husband, “with snow on the shoulders of [his] coat / and a car passing with its headlights on.” (lines 27-28) When imagining this scene the car serves as somewhat of a spotlight to frame her husband who is standing on a bridge covered in snow, this picture illustrates Boland’s spouse in a heroic light. The snow on his shoulders gives off the idea that he has been travelling through tough conditions. Boland uses the simile, “I see you as a hero in a text- / the image blazing and the edges gilded.” (lines 29-30) This shows just how heroic Boland imagines her old husband, making him out to be like a hero from a Greek epic. The imagery created in the second part of that statement is that of a grand painting, with its edges framed in gold further illustrating the epic like manner Boland sees her husband in. It is clear that through Boland’s depiction of her “old” husband she misses the way things use to