Hidden subjects, the corruption of innocence, gender, and the destructiveness of heroism, can all be argued to be the main theme of The Turn of The Screw but only one can really bring the truest theme out of the story by Henry James. Many argue that there is no theme, or more than one but I believe that Forbidden subjects is truly the source that really captures what the story is all about. We can easily come to this conclusion by looking at the items in the story and piecing them together. For example, the young male child named Miles suddenly gets kicked out of school, but the reason for the expulsion is never uncovered. As the story continues, there are more questions and mysteries that never become revealed, which I believe is the entire purpose as to why James wrote this; to simply leave us puzzled as a crossword. Yes, the other themes are well organized and presentable, but they are not the underlying theme that James is trying to convey. James skillfully incites the reader’s anxieties by arousing the psychological mechanisms of the horror of the unknown. Without the forbidden objects in the story, it would just be another ghost tale with no mystery. That is why I firmly believe that hidden objects and solving mysteries are the main and most important theme to Henry James’s “The Turn of The Screw”.
Many critics have backed up the forbidden objects theme, but have also declined the opinion of it being the main theme in the story. Some say the story has multiple or no themes at all but how can that be when writers have the purpose of their story already planned out in their head before it is ever published or on shelves. Writers like Henry James put items and questions into their work for a reason, and us being the reade...
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Works Cited
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In To Kill a Mockingbird, the theme plays an important role during the course of the novel. Theme is a central idea in a work of literature that contains more than one word. It is usually based on an author’s opinion on a subject. The theme of innocence should be protected is found in conflicts, characters, and symbols. In To Kill a Mockingbird, a conflict that connects to the theme that innocence should be protected is the death of Tom Robinson.
Miller, Arthur. "Why I Wrote The Crucible." Elements of Literature: Fifth Course. Eds. Kylene Beers and Lee Odell. Orlando: Holt, Rinehart and Winston, 2007.
The Turn of the Screw by Henry James continues to stir up an immense amount of controversy for such a short novel. Making a definite, educated decision on the actual truth considering the countless inquiries that develop while reading this story proves more difficult than winning a presidential election. That being understood, taking one particular side on any argument from a close reading of the story seems impossible, because the counter argument appears just as conceivable. Any side of the controversy remains equally disputable considerably supported by textual evidence from the novel. One issue which, like the rest, can be answered in more than one ways is why Mrs. Grose believes the Governess when she tells her about her ghost encounters. Usually one would second-guess such outlandish stories as the ones that the governess shares throughout the story, yet Mrs. Grose is very quick to believe our borderline-insane narrator. One of the explanations for such behavior could be the underlying fact that Mrs. Grose and the governess have a similar socio-economic background, therefore making them somewhat equals even if the governess does not always seem to think that way. This fact makes them susceptible to trusting and believing each other, and to believing that the ghosts are there, for the people that the ghosts are presenting used to be servants and therefore from a similar socio-economic background. To add on to that, Bruce Robbins proposes in his Marxist criticism of The Turn of the Screw that the idea of a ghost is synonymous to that of a servant, subconsciously making the two lower-class workers of Bly more vulnerable to believe that the ghosts were real; in other words, servants we...
The existence of the ghosts in The Turn of the Screw has always been in debate. Instead of directly discussing whether the ghosts are real or not, this essay will focus on the reliability of the governess, the narrator of the story. After making a close examination of her state of mind while she is at Bly, readers of The Turn of the Screw will have many more clues to ponder again and to decide to what extent the governess can be believed. While critics like Heilman argue that there are problems with the interpretation that the governess was psychopathic, textual evidence incorporated with scientific research show that the governess did go through a period of psychical disorder that caused her insomnia, out of which she created hallucinations.
Heberle, Mark. "Contemporary Literary Criticism." O'Brien, Tim. The Things They Carried. Vol. 74. New York, 2001. 312.
Miller, Arthur. The Crucible. Prentice Hall Literature: Timeless Voices, Timeless Themes. Kate Kinsella, et. Al, New Jersey: Pearson Education, 2002. 1233-1334. Print.
and tries to protect them. In the classic novel, The Turn of the Screw, the governess and the
In a criticism on Henry James’s story The Turn of the Screw, Strother Purdy suggests that large amounts of sexual passion may be assumed to exist underneath the surface of the narrative. Purdy says that under a Freudian interpretation of the story, the sexual element is easily recognized and is used as the whole source of the action. According to this theory, the governess wishes to impress her master because she is in love with him and, therefore, exceeeding her authority with the children. Although the governess only sees her master twice, Purdy refers back to what Douglas had said,” it was the beauty of her passion.” Since the master is not impressed by her initial and ordinary course of governessing, she must make up some life-threatening danger to the children so she can rescue them and win the masters love and affection. She figures the danger must be terrible because he told her he did not want to be bothered with matters dealing with the children. He basically tells her he cares nothing for the children. Purdy suggests the governess is unconscious in doing this because she is sexually repressed and cannot admit her sexual motives to herself
After reading 'The Turn of the Screw';, by Henry James, I was left with many unanswered questions. The two main questions are, are the ghosts in the story real, or are they just figments of the narrator's imagination? When I read though the essays of criticism, I took a stand on one particular argument. I took a stand that supports the argument that the ghosts are real.
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
The major themes of the book are directly related to the themes which John Demos uses to tell this story. The storyline moves on though the evolution of one theme to the next. The function of these major sections is to allow the reader to relate to John Williams overall state of mind as the story unfold. By implementing these major themes into his work, John Demos make it possible for the reader to fully understand the story from beginning to end.
Guerin, Wilfred L., Earle Labor, Lee Morgan, Jeanne C. Reesman, and John R. Willingham. A Handbook of Critical Approaches to Literature. New York: Oxford University Press, 1999. 125-156.
Miller, Arthur. The Crucible. Literature, Timeless Voices, Timeless Themes. Ed. Ellen Bowler, et al. Upper Saddle River: Prentice Hall, 1999.
113- The Norton Anthology of English Literature. 6th ed. of the book. Vol.
James, Henry. "The turn of the screw." The turn of the screw and other tales. Ed. Kimberly C.