Themes In African Creation Stories
Like all cultures, African cultures inevitably had to deal with the issue of "How did we get here?" To answer this pressing question, the people invented stories that reflect the values, morals, and norms of their individual societies. When one examines these stories, one can gain insight into what these cultures were like.
"An African Cosmogony" tells of how the world was created through a powerful being named Bumba, who regurgitates the sun, moon, stars, and the first nine living creatures. One of the values that appears in this story is the responsibility of each person to do his fair share for the community. Each of the nine animals plays its role by creating more creatures to populate the world. For example, the small fish, Yo, brings forth the world's fish, while the beetle creates insects. This theme is further exemplified by the three sons of Bumba, who each try to do their part to complete the earth. However, one learns that one should not try to do more than one is capable of, as Chedi Bumba does, or the results will not be favorable.
Bumba also makes it clear that those whose behavior is detrimental to the community have no place in the community. For instance, Tsetse, lightning, is chased away for being a trouble-maker. Bumba sums up this sense of community by saying, "Behold these wonders. They belong to you." The earth is both the property and responsibility of every creature. Lastly, the respect each person should have for the dead is shown through the ants, created by Nyonye Ngana. These creatures "went searching for black earth in the depths of the world and covered the barren sands to bury and honor their creator."
"An African Story of the Creation of Man" takes a much different approach to explaining the origin of humankind. It tells of how the creator Juok molded each race from the colored clay of that region. Juok then provided humans with the things necessary to fully enjoy and appreciate life. Among these gifts were two legs, arms, ears, eyes and a mouth. This story depicts the perfection of humans in the sense that they are fully equipped with everything needed for practical purposes. It serves to make people value what they have and their ability to perform many tasks.
The regurgitation theme is continued in "Egyptian Cosmogony and Theogony.
At the beginning of time only the Gods where living, until one day Sovereign Plumed Serpent and Heart of the Sky, named Hurricane, created trees, bushes, and life. Bearer Begetter was the creator or animals big and small, like birds, deers, jaguars, pumas, and serpents. When the Gods created animals they created them for the sole purpose of being worshiped by them. However, when they realized that the animals could not speak they decided they would be sent to live in the woods and fend for themselves. After this Xpiyacoc and Xmucane attempted to make humans, but instead of not being able to speak. They appeared to be too unnatural and decided to call them manikins or wood carvings so, Heart of the Sky creates a flood killing them off. It is believed that monkeys look like humans because they are the manikins who survived the flood by climbing onto trees.
Many oral traditional stories have been told and passed down from person to person and family to family for thousands of years. Almost every story that has been told has either been altered or told in a different way so after 100 years of one story being told someone will decide to create their own version of it.
The history of this tragic story begins a little before the actual beginning of “Little Africa”. This story begins after slavery has supposedly ended, but a whole new era of cruelty, inhuman, and unfair events have taken place, after the awful institution of slavery when many of my people were taken from their home, beaten, raped, slaughter and dehumanized and were treated no better than livestock, than with the respect they deserved as fellow man. This story begins when the Jim Crow laws were put into place to segregate the whites from the blacks.
So many Americans today are in the dark about the true origin of the African descent. From my past experiences in history classes, the teacher of coarse job is to teach from the textbook. The problem with that is the whole truth does not lie between those pages of how African culture became about. I will discuss the first king of Egypt and how his story applies today.
Many African cultures see life as a cycle we are born, we grow and mature, enter adulthood, and one day we will eventually die but the cycle continues long after death. In Africa art is used as a way to express many things in their society, in this paper I will focus on different ways traditional African art are used to describe the cycle of one’s life. Since Africa is such a large continent it is important to keep in mind that every country and tribe has different rituals and views when it comes to the cycle of life. It is estimated to be well over a thousand different ethnic groups and cultures in Africa today. Thousands of cultures in Africa see the stages of life bound together in a continuous cycle; a cycle of birth, growth, maturity,
The tale of the flying African represents a common dream, a common disappointment, and a group identity. As the object of Milkman's quest, it suggests a multi-leveled equivalence between individual identity and community. Simply as a folktale, it is an artifact of Afro-American history; its content links Afro-American to pan-African history; it is localized to represent Milkman's family history. His discovery of the tale thus repre-
... Their existence proves that Africans were capable of managing their own affairs and creating noteworthy civilizations long before Europeans appeared on that continent. They left a legacy that continues to influence the lives of Blacks in Africa and abroad today. BIBLIOGRAPHY Koslow, Philip.
In summary, Davidson successful traces Africa’s earliest origins and demonstrates that this is a civilization far from having no arts, technology, sophistication and unique culture. Culture and civilization as we know it today can be traced back to Africa, and modern science has verified the early perceptions of Europeans to be wrong. He provides more than adequate evidence of Africa having a history complete with vast and rich civilization, including archaeological finds and specialized interviews with distinguished scholars and philosophers. Despite the fact that society possesses a more positive attitude towards African civilization today in terms of recognition, equality, and acceptance than in the past, negative stereotypes are still acknowledged and modern day racism unfortunately exists. I believe that the existence of Davidson’s work and videos such as Different but Equal are crucial to challenging these stereotypes and discrimination in order to create a more accurate image of Africa and its history. Overall, Davidson proves that the continent of Africa is home to a history that is just as meaningful, comprehensive, and progressive as that of any other civilization in the
Creation stories have profound effects on humans. Those associated with ancient cultures/civilizations aim to ensure the successful survival or well-being of themselves and that particular culture/civilization of their association, but not all are beneficial, prosperous, or fortunate. Mesopotamia’s “The Gilgamesh Epic”, Egypt’s “Hymn to the Nile-Documents”, and Mesoamerica’s Mayan and Aztec creation stories/religion are influential to establishing significant relationships within society, whether that is between humans and nature or humans and their “god(s).”
Both the Theogony and the Creation in Genesis show nature as a blessing for humans but with negative affects, However the myths differ in the ways that the Earth and humans were created and how humans interact with the deities of the creation stories. These differences include how Gods treat humans and why the Gods/God created Earth. These stories are still being passed on in today’s world and are two of the most influential creation stories to have ever been written. The similarities and differences in the creation stories show that different cultures and religions throughout the world really aren’t that far off from each other.
Khapoya, Vincent B. The African Experience: An Introduction. 4th ed. Upper Saddle River, NJ: Prentice Hall, 1998. Print.
When the modern person ponders the formation of human beings, our mind automatically goes to Adam and Eve, whom were the first man and woman created by God according to the Book of Genesis. Before there was Adam and Eve, diverse cultures came up with myths about the construction of humans. These myths included: “The Song of Creation” from the Rig Veda, An African Creation Tale, From the Popol Vuh, and A Native American Creation Tale “How Man Was Created” Each one of these legends gives a diverse perspective on the creation of human beings.
Achebe opens his lecture, "An Image of Africa," with the story of a student who sent him a letter saying how he was "particularly happy to learn about the customs and superstitions of an African tribe," not realizing that "the life of his own tribesmen in Yonkers, New York, is full of odd customs and superstitions" as well (1784). Western thou...
...’s depictions of both traditional and modern beliefs in varying degrees illustrate the importance of both in contemporary Nigerian culture, as well as the greater Africa as a whole, and how both are intertwined and cannot exist without the other. In effect, she skillfully subverts stereotypes or single perceptions of Africa as backward and traditional, proving instead, the multifaceted culture of Africa. She further illustrates that neither traditional African nor western culture is necessarily detrimental. It is the stark contrast of the fundamental cultures that inevitably leads to clashes and disagreements. In the end, what holds African countries such as Nigeria together is their shared pride. Modern, western influences can bring positive changes to society, but new cultures cannot completely eradicate the foundational cultures to which a society is founded on.
Kroeber, A. and C. Klockhohn, Culture: A Critical Review of Concept and Definition. New York: Vintage Books, 1989. Kunhiyop, Samuel. A.W. & Waje. African Christian Ethics.