Thelonius Monk Critical Analysis

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Jazz is more than music. It is a way of thinking that has defined literature, philosophy and music. Surrounded by its own unique lifestyle and culture, jazz has been in perpetual evolution. Emerging from the oppression of slavery, Jazz inspired musicians to define and express freedom through music. As jazz evolved it began to inspire freedom just as freedom had inspired it. New anthems written for the civil rights and anti-apartheid protests demonstrated that jazz had the power to inspire change. Coated in a shell of glory, jazz had been hiding its own internal darkness. Discrimination has been rampant throughout the culture of jazz. Racism, addiction, ageism, mental illness and the power of first impressions have limited or ended the careers of many great jazz musicians.
The biography, Thelonius Monk, the Life and Time of an American Original by Robin D.G. Kelly is an in-depth discussion of the internal jazz culture from the late 1930's until Monk's death in 1982. Thelonius experienced discrimination throughout his career yet became a pillar of modern jazz. Thelonius Monk suffered from bipolar disorder. His condition was confused for creativity and eccentricity. Although loved by his fellow musicians, critics, venue owners and the New York City Police all prevented Monk's career from reaching its full potential.
Thelonius Monk started showing symptoms of an undiagnosed bipolar disorder early in his career. Monk would often spend days without sleep, visiting friends houses and playing their pianos for long periods of time. Alternatively, he would occasionally spend days at a time in his room. He was chronically late for performances sometime because he couldn't decide what to wear. Often during shows, Monk would leave the stage...

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...sician to win a Grammy award in both classical and jazz genres. Christian has earned Grammy nominations, released ten recordings in ten years and was selected by Marcus Miller to "be" Miles Davis on his album Tutu Revisited. Marsalis has said that what Scott plays is not jazz. In return Scott has called Marsalis a traditionalist who lacks the ability to innovate. In reality both musicians have merit. Just like Ornette Coleman and Thelonious Monk, Marsalis and Scott are just two musicians arguing about new vs. old. In the end both will go down as curators of their own respective styles of jazz. Discrimination has destroyed or delayed that careers of jazz musicians since its founding. However discrimination has not hindered jazz's ability to evolve and if discrimination is eliminated from jazz then it will once again become the cultural centre point that it once was

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